Similarities Between Langston Hughes And Zora Neale Hurston

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

During the early 1930s many black writers begin to produce works that helped to shape and define the Civil Rights movement. Among them was Langston Hughes whose poems and writing contributed directly to the rhetoric of the day and inspired many African-Americans, both in and out of the Civil Rights movement. Much of this grew out of what was called the Harlem Renaissance, which emerged during turbulent times for the world, the United States, and black Americans. World War I and the Bolshevik Revolution of 1917 had left the world in disorder and stimulated anti-colonial movements throughout the third world. In America, twenty years of progressive reform ended with the red scare, race riots, and isolationism throughout 1919 and led to

Both Langston Hughes and Walt Whitman are regarded as some of the finest poets in a long list of excellent American poets. Hughes, a poet during the Harlem Renaissance era of American poetry, often wrote of the struggles of African Americans in his poetry. A common theme of Harlem Renaissance poetry was discussing the struggles and advancements of African Americans in terms of social justice. Walt Whitman wrote his poetry in the period of transition from transcendentalism and realism. His works can be seen to incorporate elements of both styles. Walt Whitman was also a humanist, and this can also be readily seen in his many works. Both Langston Hughes’ “Let America Be America Again” and Walt Whitman’s “Song of Myself” tackle the idea of oneself within a larger collective group. However, Hughes speaks from the African American viewpoint at the time. Hughes relies on more specific imagery, while Whitman incorporates imagery that is more generalized. Each of the authors uses imagery in similar yet individually effective ways, covers a similar theme with respective viewpoints, and uses different tones to cover how an individual effectively fits into a collective.

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

In Hughes poem “Note on the commercial Theatre” he started off with an angry tone, upset that African American music was used by the whites, but the African Americans didn’t receive the credit for the artistic work: “You’ve taken my blues and gone you sing them on Broadway” (1043). Furthermore, at the end of the poem Hughes does expresses a powerful ending, our culture is beautiful, but you will never be me: “Black and beautiful and sing about me, and put on plays about me! I reckon it’ll be me myself” (1043)! Hughes poems focused on the urban cultures, while Zora Neale Hurston short story “How it feels to be Colored Me” focused on her as a woman who is discovering herself and her worth.

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

Langston Hughes and Gwendolyn Brooks are regarded as highly influential poets in African American literature, which continues to inspire writers to this day. Langston Hughes is a well-known pioneer of the Harlem Renaissance, a movement in which African Americans in Harlem during post World War I and the early 1930’s began a cultural and artistic revolution. During this time, African American musicians, artists, writers, and poets revolutionized their position in and through many artistic fields of expression. This cultural and artistic revolution redefined how America viewed the African American population, which garnered respect and criticism from Americans nationwide. Gwendolyn Brooks, an African American poet also in the 19th century, was introduced to Langston Hughes at a young age peeking her interest in the Harlem Renaissance that eventually became a foundation and influence in her writing. Gwendolyn Brooks and Langston Hughes share similarities in the writing as she was highly inspired by Langston Hughes, but also share many differences that are responsible for making their pieces of writing unique to other authors and each other.

Langston Hughes’ style of poetry renounced the classical style of poetry and sought out a more jazz and folk rhythm style. Most of Hughes’ poems were written during the Harlem Renaissance, named after the cultural activity African Americans participated in, such as: literature, music, art, theatre, and political thinking. William Blake, on the other hand, was a nonconformist who was associated with the leading radical thinkers of his day. Although, considered a lyric poet and a visionary, Blake’s poetry was not read by many, yet he still believed that his poetry could be understood by common people and was determined not to sacrifice his vision to become popular.

“All that is gold does not glitter and not all that wander is lost.”  This quote simply paint a picture that looks can be deceiving. “Cross” by Langston Hughes and “Richard Cory” by Edwin Arlington Richardson both emphasizes social status and identity. Knowing who you are is a big issue that many people struggle with as they go through life. To live happy and successful lives people must first verify who they are in the world. Being crossed between two races, not knowing where you fit in and being confused on who you are can affect a person life forever.

From the 1920’s to the mid 1930’s a literary, intellectual, and artistic movement occurred that kindled the African Americans a new cultural identity. This movement became known as the Harlem Renaissance, which is also known as the “New Negro Movement”. With this movement, African Americans sought out to challenge the “Negro” stereotype that they had received from others while developing innovation and great cultural activity. The Harlem Renaissance became an artistic explosion in the creative arts. Thus, many African Americans turned to writing, art, music, and theatrics to express their selves.

Sometimes a critical part of identifying who we are derives from our historical background. For may, the struggle to be heard in a society serves as a prevalent similarity among many. Three literary works represent this sense of pride found through the tension faced by blacks in America. The notorious poets Langston Hughes and Countee Cullen are respected as being voices that emanate the pride and experiences identified among most African-Americans.

The Harlem Renaissance of the 1920s evoked the idea of black consciousness and pride. It was a movement established to express black literature, art, music, and culture. Blacks began to wear their dark hue like a badge of honor. Art, literature, and music became the centerpieces of black expression and culture. Blacks began to see themselves as equals in their quest for status, fame, and acceptance from Whites. However, racism was still abundant, lynches still occurred, and Blacks were still just as inferior as before. To make matters worse, segregation still existed, but the color line was not only a separation of black and white; it became a separation of black and black. Artist associated with the Harlem Renaissance, such as Zora Neale Hurston, James Weldon Johnson, Claude McKay, and Jessie Fauset, often told stories of the “other” with the purpose of gaining the attention of white Americans. Their works expose the racial

Ever since he was young, Langston Hughes loved poetry. He wrote poems for his school’s literary magazine when he was young. He even submitted them to poetry magazines, but he was frequently turned down because of his skin color. One of his first popular poems was titled “The Negro Speaks of Rivers”

Anyone familiar with American literature will certainly be familiar with the work of Langston Hughes and Maya Angelou. The authors wrote about the struggles of African Americans and their experience through their rough period of time. With their passionate hostility against racism both Hughes and Angelou gave hope to all oppressed African American. Both poets lived during the Harlem Renaissance, as it was known at the time as the blossoming of the (New Negro Movement). Its objective was to give a rise to black culture and the black race whom were mistreated and neglected back then.