Langston Hughes Early Autumn

Mary Wilkins Freeman and her writing can be considered the epitome of a lonely spinster. In Freeman’s piece, “A New England Nun,” Freeman tells of a woman by the name of Louisa Ellis. Louisa is a spinster in New England following the Civil War. She is destined to marry a man by the name of Joe Dagget. However, when Joe returns from making his fortune to take Louisa’s hand in marriage, Louisa would now rather have her independence than a husband. Freeman’s character development, use of symbolism, and use of language make for a piece that is enjoyable and easy to understand.

In the poem, Blues at Dawn, Langston Hughes talks about how he does not think in the morning. He states, “I don’t dare start thing in the morning.” When he states this, he is talking about how he can’t think about what is going on in the world when he wakes up. In the fourth line of the poem, Hughes writes, “Them thoughts would bust my head.” In this line, it brings the reader into reality that the thoughts and world around are very chaotic.

As time has passed humanity still tends to separate each other based on our racial being rather than seeing each other as one human race. Langston Hughes’s, “A New Song,” published in 1938 introduces the idea of a new vision of social relations in American society. Hughes’s original version of this poem written in 1933, does not encompass his growing anger on this subject that is dwelled upon in his published version. However, with Hughes’s powerful tone and word choice throughout his 1938 rendition, his reader is able to understand his urge to transform America into an interracial culture. (Central Idea) His poem voices the importance of transforming society into a multiethnic unity and working-class established through cultural ties between whites and blacks. (Thesis) Hughes voices this crucial need to change through his emphasis on African American’s past struggles as opposed to the new dream, his militant tone, and through expressing the role that the establishment of cultural ties plays in society.

Langston Hughes was one of the first black men to express the spirit of blues and jazz

     People always listen to music, watch movies or plays, and even read poetry without once even thinking what is could be that helps and artist eventually create a masterpiece. Often times, it is assumed that artists just have a “gift”, and people just do not consider the circumstances and situations that gradually mold a dormant idea into a polished reality. This seems to be the case with nearly every famous actor, writer, painter, or musician; including the ever-famous Langston Hughes.

A huddle of horns And a tinkle of glass A note Handed down from Marcus to Malcolm To a brother Too bad and too cool to give his name. Sometimes despair Makes the stoops shudder Sometimes there are endless depths of pain Singing a capella on street corners

James Langston Hughes was born February 1, 1902, in Joplin, Missouri. His parents divorced when he was very small, and his father (who found American racism made his desires to be a lawyer impossible) left the family and emigrated to Mexico. Hughes' mother moved with her child to Lawrence, Kansas, so she and he could live with his grandmother, Mary Langston.

magine America with no rules, government, or any type of structure . This is thanks to Thomas Jefferson and the founding fathers for creating , The Declaration Of Independence . Although the Jefferson and the founding fathers anticipated a better country after the creation of the Declaration Of Independence , America has not fully fulfilled these hopeful ideals. However America has come a long way since then , we still have work to do as a nation .

Langston Hughes’ style of poetry renounced the classical style of poetry and sought out a more jazz and folk rhythm style. Most of Hughes’ poems were written during the Harlem Renaissance, named after the cultural activity African Americans participated in, such as: literature, music, art, theatre, and political thinking. William Blake, on the other hand, was a nonconformist who was associated with the leading radical thinkers of his day. Although, considered a lyric poet and a visionary, Blake’s poetry was not read by many, yet he still believed that his poetry could be understood by common people and was determined not to sacrifice his vision to become popular.

L. Hughes’ short story ‘Passing’ is driven by the conflict between the morals of having to behave like a white man and being African American by birth. The main character has a conflicting identity. ‘William Faulkner reminds us that in addition to a conflict of wills, fiction also shows “the heart in conflict with itself”’ (Burroway, J. 2011 pg. 249). This is particularly evident when the narrator, Jack says, ‘that’s the kind of thing that makes passing hard, having to deny your own family when you see them…you and I both realise it is all for the best, but anyhow it’s terrible’ (Hughes 1971 pg. 51). The main character is seen to although understand the privilege he has, also feel guilty about ignoring who he is by birth. David Lodge describes ‘…The beginning of a novel is a threshold, separating the real world we inhabit from the world the novelist has imagined. It should therefore… “Draw

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

When reading poetry, it can often be difficult to interpret the exact meaning of the poem the author was trying to transmit. A reader must learn to construe a poem without getting confused on what the author was trying to convey. We must scrutinize the work so that we may understand it better. In Langston Hughes “Harlem,” to analyze what this poem is trying to interpret we must understand line for line. The poem has eleven lines and all but one is asking a question. In each line except line seven, the last syllable stressed. Six of the seven sentences in the poem are questions. All of the sentences except the first and the last contain similes using like. Line three rhymes with line five; line six rhymes with line eight; line ten rhymes with line eleven. Lines four, seven, and eleven begin with or. Lines three, eight, and ten begin with like. The narrator is asking these questions to have the reader envision the lurid analogies to evoke the illusion of a postponed dream. One must also uncover the hidden meanings that stated in this poem. Written in 1951, Harlem addresses one of the most common themes of the time, inadequacies of the American Dreams of African Americans.

Imagine seeing someone again for the first time in a few years and thinking they feel the same way about you, but they do not. Well, in the short, fiction story “Early Autumn” by Langston Hughes, the main character, Mary had this happen to her. One afternoon, she was walking around and saw a former friend whom she had not seen in several years. Mary recognized that she still loves him and wants to stay in contact and try to meet up with him again. But unfortunately, Bill, her love, did not feel the same way and they ended up getting separated. Mary did not handle the conflict well, make progress, or move beyond the conflict in the story.

Credited as being the most recognizable figure of the Harlem Renaissance, Langston Hughes played a vital role in the Modernist literary movement and the movement to revitalize African American culture in the early 20th century. Hughes’s poems reflect his personal struggle and the collective struggle of African Americans during this cultural revival.

According to Biography, James Mercer Langston Hughes is considered to be an African American poet who is college educated and comes from a middle-class family (Langston Hughes Biography). He attended college in New York City and became influential during the Harlem Renaissance (Langston Hughes Biography). Although Hughes was a talented writer, he faced some challenges early on and it was stated that his “early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life” (Langston Hughes. American Poet). They believed that his work helps the spread the stereotypes of African Americans. “Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations” (Langston Hughes. American Poet). Langston Hughes’s poems “The Negro Mother”, “Let America be America Again” and “The Weary Blues” were influenced by his life during the Harlem Renaissance and the racial inequality experienced in the late 1920s through the 1960s.