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Langston Hughes Georgia Dusk

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There are only a few times in one’s life where he or she may read, hear, or observe words that shake his or her world to its core. For me, the words sung by Billie Holiday and a poem written by Langston Hughes created such an instance. Both of these messages draw up a darkly morbid image in an attempt to shine a light on a series of grim atrocities. Of the two instances to which I am referring, one is the poem Georgia Dusk by Langston Hughes, and the other is the jazz standard Strange Fruit sung by Billie Holiday.
Above, you can see the two texts side by side. Each message conveys an outcry of pain and suffering in hopes of a deliverance from the plight of the African American people in the southern United States during the early to mid-1900’s. …show more content…

Hughes was born in Joplin, Missouri in 1902. Hughes faced a difficult childhood, which fueled his creative writing. He was hailed as perhaps the most promising writer of the artistic movement referred to as the Harlem Renaissance. He was known for writing mostly about the struggles of African Americans. “Much of his writing emphasizes the American aspect of being African American, particularly the right of all blacks to pursue their part of the American Dream,” according to page 140 of Cornerstones: An Anthology of African American Literature, by Melvin Burke Donalson. Donalson commends Langston Hughes poetic structure, revealing that Hughes’ work stands out due to Hughes’ following attributes: his “free verse forms, respect for black folkways and language, love of the blues and jazz, and themes of racial pride and survival (pg. 140).” You can see these aspects in Hughes’ piece Georgia Dusk, which talks of racism and violence. Jazz became the voice of the African American people in the early 20th century. This is most likely why Langston Hughes valued the roots of jazz and the blues. It is plausible that this explains why the song Strange Fruit was so important, not only to Hughes, but to African Americans …show more content…

First, I think it is the imagery created in both. In Georgia Dusk, you can visualize the “crimson trickle (line 8),” veiled “darkness (line 4),” and the bleeding “sunset (line 14).” But it is more than that. The words, themselves, evoke a specific feeling. The personification of the wind in the repetition of “cries (line 2)” creates a dark foreboding that is continued with the slight foreshadow in the use of “pity (line 3).” The simile used, comparing hatred and racism to scattered seeds (line 12) that require nourishment of more hatred and implies an up rise, leaves the entire poem with a sense of dread for what is happening and yet to come. The continued motif of the word “dusk” suggests more future horrors. The word “dusk” shapes one of Georgia Dusk’s extended metaphors. “Dusk” indicates a time after the day has gone, but the night has not yet begun. It is also an implication of unrest, vulnerability, and endings. In Hughes’ poem, “dusk” signifies danger and coming death. Another dangerous metaphor in Georgia Dusk, is the use of the word “sunset,” referring, yet again, to endings and mortality. The first word I noticed, was the word “Sometimes (line 1).” It is a direct indication of how casually these deaths were considered in the 1930’s south, as though they were a natural and common occurrence, which they then were. The language and metaphor in Georgia Dusk directly parallel that of the jazz

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