Langston HughesHarlem And The Figurative Lynching Of Dreams

During the years of the 1920 's through the early 1930 's, African Americans established themselves artistically, culturally and socially. This intellectual period was known as the Harlem Renaissance. The period of the Harlem Renaissance brought together black authors, musicians, and poets. One of the most notable poets of this era was Langston Hughes. Langston Hughes is considered one of leaders of this period. He 's famously known for his controversial bodies of work. One of the most controversial poems created by Hughes is his poem called "Silhouette". Silhouette was written in 1936, where racial segregation and prejudice was emphasized. What makes this piece of work so controversial is how the tone within the poem takes a drastic turn when the speaker and gender are changed. This paper will analyze the ambiguous meanings of the poem once the speakers identity is transitioned.

Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.

Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).

Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the

Langston Hughes uses a unique style, language, and diction to portray his point about dreams. “Does it dry up, like a raisin in the sun?”(2-3) This symbolizes a hardening, from a grape to a raisin. If a dream is destroyed it hardens the heart. It becomes useless just the like the dried up raisin. Hughes also suggests that maybe unrealized dreams are a "heavy load" which symbolizes a burden, something to heavy to bear, something that weighs a person down always. This poem is like the American Dream, if you do not pursue your dream right away it may slip away from you and eventually it will be gone. The American Dream can be fulfilled through hard word work and passion, it will not come easy. Everyone has the opportunity to grasp the chance to become successful through dreams and goals. Langston Hughes realized the importance of dreams and having those dreams torn apart. His poem, "Dream Deferred", uses strong images to create a picture of a negative and destructive outcome for a dreamer left unable to dream. “Nothing can stop a man with the right mental attitude from achieving his goal; nothing on earth can help the man with the wrong mental attitude”, Thomas Jefferson.

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

‘America’ is a complex, layered idea; one that becomes all the more complex when the deeply embedded construct of race comes into play. As a black man born into a time of overt racial prejudice, Langston Hughes was all too familiar with the double consciousness that came with life as an American minority. This roller coaster is the subject of the vast majority of his literary work and has continued to be a major presence and inspiration for literary work everywhere today. Hughes shows a deep loyalty to the ideals that brought the Declaration of Independence and the Bill of Rights into fruition and, through repeated motifs of the American Dream, seeks to bring about calm in a time of social and political unrest.

Langston Hughes is one the most renowned and respected authors of twentieth century America not simply one of the most respected African-American authors, though he is certainly this as well, but one of the most respected authors of the period overall. A large part of the respect and admiration that the man and his work have garnered is due to the richness an complexity of Hughes' writing, both his poetry and his prose and even his non-fictions. In almost all of his texts, Hughes manages at once to develop and explore the many intricacies and interactions of the human condition and specifically of the experience growing up and living as a black individual in a white-dominated and explicitly anti-Black society while at the same time, while at the same time rendering his human characters and their emotions in a simple, straightforward, and immensely accessible fashion. Reading the complexity behind the surface simplicity of his works is at once enjoyable and edifying.

Travel back in time several centuries ago to the 1900’s and imagine how different life would be – oil lamps/candles, outhouses or one toilet shared between several people, movies known as “flickers” and lasting no longer than 10 minutes, no television, ice boxes as opposed to refrigerators, baseball being the main sport that people followed as opposed to football, and unless you were a White male, your lifestyle was not filled with many opportunities or rights. With slavery being abolished not too long ago, discrimination and segregation was still widely accepted and practiced. Life was much different back then. Although people were heavily being judged for the color of their skin, a movement called the Harlem Renaissance had a major influence on people’s views on African-Americans across the United States. The Harlem Renaissance created a new Black cultural identity through literature, music, theater, art, and politics. One of the leading voices was Langston Hughes, a writer whom wrote realistic portrayals, both suffering and victories of African-American lifestyles through poetry, short stories, novels, and plays. Through short, effective, and expressive words, Langston Hughes’s poetry promoted African-American culture and also addressed the oppression and injustice of African-Americans.

The Harlem Renaissance was an evolutionary period in terms of African-American cultural expression; in fact, the movement changed the way that black musicians, poets, authors, and even ordinary people perceived themselves. One of the most influential poets of the time was Langston Hughes. Hughes’ works display a pride in being black that most African-Americans are too afraid to show, even today. Moreover, he adamantly refused to submit to the sentiment that he should be ashamed of his heritage, instead believing that “no great poet has ever been afraid of being himself.”(p1990 From the Negro Artist). In the article “‘Don’t Turn Back’: Langston Hughes, Barack Obama, and Martin Luther King, Jr.” by Jason Miller, Miller analyzes how Hughes’ poetry has been used by Martin Luther King, Jr. and Barack Obama and how the House of Un-american Activities Committee affected that use.

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

Both “Harlem” and “That Evening Sun” avoid featuring the violent, dramatic depictions of racism typical of other creative works, but that does not lessen the impact of their messages on the topic. “Harlem,” for instance, begins with a deceptively simple question: “What happens to a dream deferred?” (Hughes 1). When viewed through a racial lens, a ‘dream deferred’ appears to allude not to violent and dramatic forms of racism, but rather the small disadvantages placed against African Americans via “harmless” laws and cultural norms. These laws and norms eventually add up to insurmountable odds that prevent African Americans from achieving their dreams. Due to the systematic racism African Americans faced at the time “Harlem” was written – and the slow efforts to eliminate this insidious form of racism – many had to give up their dreams of attending college, moving out of poor neighborhoods, or becoming financially stable. Their deferred dreams are described in the poem as having varying and disappointing fates

As kids, we all had dreams of being a doctor, firefighter or a superhero. Unfortunately, as one grows older, these aspirations are lost. In “Dreams” by Langston Hughes, he tells us to keep fast to our ambitions by using imagery and diction.

The Harlem Renaissance sought to revitalize African American culture with a focus on arts and literature and creating socioeconomic opportunities (Harlem Renaissance). This temporal setting, predominantly the influence of the Harlem Renaissance, of Hughes’s life explains the purpose of Hughes’s writing: to express the oppression of African Americans and the imperfections of Hughes’s America and to heighten African American morale during his life through his writing.

The meaning of, "A Dream Deferred," is that no one really knows what happens to dreams that are not fulfilled. The poem starts with the line, "What happens to a dream deferred?" and this plainly asks what happens to dreams that have not been paid attention to. The next line in the poem is, "Does it dry up like a raisin in the sun or fester like a sore and then run?" meaning does a dream simply wither away until it is no longer prevalent, or does it sit and stew until it becomes unbearable enough that it is fulfilled out of convenience. The following stanza is, "Does it stink like rotten meat? Or crust and sugar over like a syrupy sweet." This means that dreams could possibly be attainable, but people put them on the figurative back burner making them "rot" and "smell" like a constant reminder. A scholarly review written by Marie Rose Napierkowski proves my point by saying, "With the smell of rotten meat, Hughes suggests that dreams deferred will pester one