Language In Mother Tongue By Amy Tan

Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth

Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture.  As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.

On one side, Amy Tan “Mother Tongue” shows how Amy Opens doors for her mother. One example of this is when Amy says “Just last week, I was walking down the street with my mother, and I again found myself conscious of the English I was using, the English I do use with her. We were talking about the price of new and used furniture and I heard myself saying this: "Not waste money that way." My husband was with us as well, and he didn't notice any switch in my English. And then I realized why. It's because over the twenty years we've been together, I've often used that same kind of English with him, and sometimes he even uses it with me. It has become our language of intimacy, a different sort of English that relates to family talk, the language I grew up with ” (Tan 363). This opens a door for her mother by being in and understand a conversation that she is not normally involved in. This is as simple as Amy talking to her mom in her mother’s language. This is similar to an adult explaining something to a child in the in

In “Mother Tongue,” Amy Tan an American writer, shares her experience growing up with the family where no one speaks perfect English, and how it affected her education and her life. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mother, who speaks limited English needs Tan to be her “Translator” to communicate with the native English speakers. Tan states, “I was ashamed of her English” (2). Her mother is like a burden to her, at least in Tan’s early years. But the cultural conflict she becomes the theme of her writing and it is under this situation she wrote many novels and essays including “Mother Tongue.”

Amy Tan’s literacy narrative “Mother Tongue” is about the different dialects of English, she is familiar with. She explains that her intelligence is judged by the way she speaks. Amy Tan, explains memories from her life where she encounters many forms of English. Her mother, a Chinese immigrant spoke “broken English.” She describes her mother as someone who was able to understand English, well the mother claims that she understands everything, but when it came to speaking, she spoke without the correct grammar. Due to her mothers broken English, Amy Tan has adapted to the type of English her mother speaks, their own type of English language. Tan feels as if the English she is speaking with it outside world is more complex than the English she

Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a

In Mother Tongue, Amy Tan talks about how language influenced her life while growing up. Through pathos she explains to her audience how her experiences with her mother and the Chinese language she came to realize who she wanted to be and how she wanted to write.

The purpose of Amy Tan’s essay, “Mother Tongue,” is to show how challenging it can be if an individual is raised by a parent who speaks “limited English” (36) as Tan’s mother does, partially because it can result in people being judged poorly by others. As Tan’s primary care giver, her mother was a significant part of her childhood, and she has a strong influence over Tan’s writing style. Being raised by her mother taught her that one’s perception of the world is heavily based upon the language spoken at home. Alternately, people’s perceptions of one another are based largely on the language used.

She had to keep all these English’s separate because each was like its own language. If Amy were to mix them, it would become confusing and wouldn’t have made sense to her or her mother as they had grown accustomed to this language and communication. One language was the English she spoke to her mother. Amy had to simplify her English when speaking to her mother; Amy would speak the basic ideas of what she was trying to say to make it easier for her mother to comprehend. For example she said, “Not waste money that way” to her mother one day; she would even say this to her husband because it was routine to her to do so. When she made a speech once, she felt as if the way she was speaking was wrong because her mother was in the audience. A second English language to Amy was how her mother used English with her. Tan describes her mother’s English as “broken” or “fractured” language. This type of English affected Tan greatly; she said it limited her possibilities in life and also affected her performances in school when she took achievements tests, IQ tests, and the SAT because it limited her language skills. Another type of language that she grew up with was Amy’s translation of her mother’s Chinese. She described it as “watered down” and yet sometimes she would grow in confidence when she was on the phone with people because of this. However, later her self-esteem would lower because of

Tan’s attitude towards her mother’s English begins with embarrassment and humiliation. Growing up in an immigrant family which speaks imperfect English, Tan witnesses many discriminations that her mother has encountered in department stores or at banks, those experiences help to shape Tan’s opinion to her mother’s English. For example, Tan states that “[she] was ashamed of [her mother’s] English. [She] believed that [her mother’s] English reflected the quality of what [her] mother had to say” (508). In young Amy’s opinion, her mother’s expressions and thoughts are broken and imperfect like the way she speaks, and she believes that linguistic expression is linked to a person’s intelligence. As a result, she was ashamed of her mother in public because of her fractured English.

There are numerous bilingual and multicultural individuals on the planet today. For some, decisions of which language they utilize, and how they utilize it, relate to what social or social group they have a place with. Amy Tan, a Chinese American writer, depicts this well in her short exposition “Mother Tongue”. Tan experienced childhood in two unfathomably unique universes utilizing diverse English’s. The primary world, which comprises of her nearby family, she talks what we may call “broken” or “constrained” English. The second world, which is her business and expert world, tan talks and composes culminate standard and scholastic English.

The essays, "Mother Tongue" by Amy Tan and "Public and Private Language" by Richard Rodriguez are recollections of both of the author’s personal encounters and difficulties with the gap that was created between their families by differences in languages. These two writers grew up with bilingual families, in which English was not the primary language. Consequently, they had a hard time accepting and understanding the issues surrounding the different languages they spoke with their families at home, and within society. Because of this, the gap between their public and private languages that had been created through the introduction of a second language slowly grew larger, and eventually impacted their relationships with their family and caused them to view them in a different light. In their writing, Both Tan and Rodriguez reflect on their personal experiences and memories and illuminate the effects that a private language can have on various aspects of life.

English is an invisible gate. Immigrants are the outsiders. And native speakers are the gatekeepers. Whether the gate is wide open to welcome the broken English speakers depends on their perceptions. Sadly, most of the times, the gate is shut tight, like the case of Tan’s mother as she discusses in her essay, "the mother tongue." People treat her mother with attitudes because of her improper English before they get to know her. Tan sympathizes for her mother as well as other immigrants. Tan, once embarrassed by her mother, now begins her writing journal through a brand-new kaleidoscope. She sees the beauty behind the "broken" English, even though it is different. Tan combines repetition, cause and effect, and exemplification to emphasize

“We are a country where people of all backgrounds, all nations of origin, all languages, all religions, all races, can make a home. America was built by immigrants” Hillary Clinton stated. What she means in this quote is immigrants had a huge influence on America. America would be extremely different without them, without the diverse population here we would not know or be exposed to the different cultures, languages, and religions that we know today.

This dialect, Tan says, became their "language of intimacy, a different sort of English that relates to family talk, the language [she] grew up with" (Tan 589). This type of language creates an identity for Tan, one which she was ashamed of growing up. This feeling of shame later backfired as an adult in her fiction writing. She wrote to prove she had "mastery over the English language" with large words, unheard of to the common ear, and sentences she thought were "wittily crafted." But as Tan matured, she realized she should envision an audience for her stories; this audience was her mother. She began to write stories using "all the Englishes" she grew up with. As she found out, this change of her own conception of language enriched her writing and added to her ethos. After all, her mother’s language, as she heard it, was "vivid, direct, full of observation and imagery." "That was the language that had helped shaper the way [she] saw things, expressed things, made sense of the world" (Tan 590). Her "mother tongue" is her identity as a writer, and she learned that someone’s English does not reflect the quality of what he/she has to say.