Essay about Language in Amiri Baraka's The Dutchman

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Language in Amiri Baraka's The Dutchman The popular saying "actions speak louder than words" is upended in Amiri Baraka's play, The Dutchman, where words, or in this case language, speaks louder than the actions of the characters, Lula and Clay. Language governs the characters and their actions, and is therefore a prominent feature in shaping the identities of Lula and Clay. In the play, Baraka conveys the significance of Lula and Clay being enabled to change their identities by a simple change in the type of language they employ. Though it may seem that the characters have dominion over the language and can shape their own identities by a simple change in the language they utilize, through repetition of the concurring motifs of…show more content…
She uses lies to make Clay feel that she knows him and has control over his life. Therefore the lies become a form of control that Lula has over Clay, and white people have over black people. What Lula fails to comprehend is that by lying she doesn't control the world and her identity in society, but the world starts to control her and her identity in the social structure. Clay, like Lula, is also caught in this trap of lies because of the fact that he is black. Clay argues that "[people] don't know anything except what's there for [them] to see. An act. Lies. Device. Not the pure heart, the pumping black heart" (34). He is living a lie; his whole identity as a black person as perceived by outsiders is a lie. Even though he chooses this fake façade of a white man instead of murdering white people, the language of lies once again shapes his identity as a fake white man. Lula also tells Clay that by telling her he loves her is "the only kind of thing [he] will lie about. Especially if [he] think[s] it'll keep [her] alive" (27). What Lula implies here is that if Clay doesn't lie about loving her, then because he doesn't employ the language of lies, he will act upon the truth and murder her. Though Clay denies this accusation, the fact that Lula believes that Clay would lie, shapes his identity as a liar. Both Lula and Clay try to form their identity apart from what society has imposed on them by lying. Both fail on this account,
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