Lascaux Cave Painting

The prehistoric men painted in caves than 10 000 40 000 BC. AD The colors used were: black, red and ocher (yellow-orange). They painted scenes of life, animals ... by using their hands to their mouths. Prehistory begins with the appearance of hominids there are about 2.6 million years ago in East Africa. It is divided into major periods that correspond to the major stages in the evolution of men. The Paleolithic includes the development of tools, development of graves and first artistic manifestations. The Neolithic is the settlement of human groups, to beginnings of agriculture, livestock, and arts of fire (ceramics and metallurgy). Prehistory ends with the birth of writing, which appears at different times in various parts of the world and opens the story time. There are many works of art that could help demonstrate the way or methods that were used to create or make them. However we would be focusing on the “TOMB INTERIOR WITH CORBELING AND ENGRAVED STONES”. Newgrange is one of the most famous archaeological sites in Ireland, located in County Meath, north of Dublin. It is a mound 85 meters in diameter, within

Various pieces of art found thousands of years ago depict characters based on certain events and legends. I will be analyzing two works of art: The Sound Box of the Great Lyre, a wooden music box (33 x 11 cm) found in present-day Iraq c. 2600-2500 BCE, and Lapith Fighting a Centaur, a high metope relief (1.42 m) on the side of the Parthenon in Ancient Greece c. 447-432 BCE. The former represents a bull with a low relief under its head, depicting animals mimicking the lifestyle of humans. The latter exemplifies a nude man struggling against a mythical creature that is half-man half-horse2. Although these works are from across the world with completely different cultures, they both have similar

The last article talks about the 59th Unnamed Cave, in Florida. This cave is located in the eastern part of the Florida Panhandle. From the dates of the artifacts and the dates of the glyph, the site was occupied in the Late Woodland period. The cave was discover in 2007 when a group of cave explorer saw fine engravings on the wall. This site was the first cave art site that was found in Florida and it is the second rock art site that was found in the states. Rock art is very rare in Florida, but now with the site found there is a wider perspective on the importance of rock art. The site did not only include the petroglyph drawing of the past, but it included some artifacts that was use to help date the time that the cave was occupied.

What are common motifs found in cave paintings such as those at Lascaux and Altamira? Summarize the current theories about their original meaning and purpose

Lascaux Cave and Stonehenge are both prehistoric pieces of artwork that reflect the values and beliefs of their respective time periods. They both have ties to astronomy, with the former depicting constellations in the form of animals and the latter being aligned to the Sun’s solstitial axis. But the main similarity between the two is the fact that they served a higher purpose than simply being art. They both had a function and meant something to the cultures that built them. They are both highly influential pieces of art that inspired many generations of people.

Joy describes Lascaux as a beautiful, prehistoric cave located in Sarlat, France that became closed to the public due to high carbon dioxide, mold, human footprint, and contamination levels. Due to the diminishing natural integrity of the cave and the art on its walls, the cave has since been sealed off. It is estimated that the cave was painted 17,000 years ago, when the world was at about the Last Glacial Maximum (LGM), the coldest it has been for the past 70,000 years. Some of the paintings show some of the extinct animals, bison, horses, ibexes, no fish, wolves, raptors, or mammoths. This didn’t mean those animals didn’t exist in this area though, why did the humans at this time select these animals? There were generations of humans living in these

Lascaux is a complex cave with several areas (Hall of the Bulls, Passage gallery), it had been opened for the public after the world war two, and it closed to the public in 1963, it contains about 600 paintings and 1,500 engravings (ART HISTORY, VOLUME 1, PAGE 10). Lascaux became too popular in France because the visitors brought heat, humidity, exhaled carbon dioxide , and some other contaminants. The Lascaux painters had been drawn cows, bulls, horses, and deers. Along the rock one scene was discovered in a remote settings on a wall at the bottom on a stone lamp and spears. This scene is actually weird because it is telling a story which is the human who is suppose to be the hunter,was greatly simplified in form but recongnizably male with a head of bird or wearing a mask of a bird’s head had been lying on the ground, and the painting was also showing that there were a big bison appears above him. The bison has been emboweled and dead. As well as on the left side there was a rhinoceros running off (ART HISTORY, VOLUME 1, PAGE

This study is focus on the 11th Unnamed Cave in Tennessee. This cave was the first of its kind because this cave is the only one that was found to contain pictograph, petroglyph, and mud glyph all in one site. The article explain that the site is significant because there are evidence to showed that the site underwent a series of diverse but interrelated uses. The first out of all the cave sites to contain all three different form of rock art. Also, because the site was found in the eighteenth century which had some form of documentations on the uses of the cave. The authors believes that since the cave showed many different kind of activities, it is possible that the activities reflect a complex behaviors more elaborated and sacred than

I selected a sculpture from the museum to analyze. The sculpture’s name is: Totem Pole. There was not one specific artist, instead there were several artists who helped create this piece of art. The Coosa Valley Woodcarving Club members worked together to carve this Totem Pole in 1985. The media used was wood and oil paints. The Totem Pole represents the many tribes of Native American tribes in this area. Meaning that the animals shown would represent different groups or tribes who are all a part of a close community. There are many elements of art that are visible with this sculpture. One element of art displayed is Line. There is a contrast of both regular and irregular lines where some regular lines are incorporated closely to irregular lines. This is shown on the wings of the bird towards the middle of the totem pole where the top of the wing is straight and the lines that are carved in a more vertical direction seem to look irregular due to the lines not being completely straight down. Irregular lines are used mainly here since the lines used look to be reflecting the wilderness of nature and

Modern figurines of art stem directly from the hands of the ancient’s. The organic forms of modernly sculpted artifacts can most likely be directly referenced to the movements of prehistoric artworks. There seems to be an ongoing transition on how cultures no matter how stretched apart through time, contrasted by ethnicity or religious views; can all be somewhat related to each other by the methods or principles portrayed through their artworks. In fact, I saw that very transition; within two works in which are extremely different in meaning, craftsmanship, time, culture and so on. However, I was still able to find similarities within the artifacts. In this paper I will examine Venus of Willendorf, a Paleolithic carving in limestone; which can fit in the palm of one’s hand. As well as, The Sacrifice of Chacmool, which are a plethora of Mesoamerican statues emulating rituals of sacrifice.

“I’ve been balled up in the cave thinking about hieroglyphics. Or, I guess, pictographs. On one of our day hikes last we, the jailers took us to a secret place where Native Americans had drawn things on a cave wall. [...] The pictographs were faded, barely even there, but John pointed them out, one by one. There was a circle, big X’s, a bird, fire, a man with wavy arms, and rain clouds. [...] He also explained that some wall art dated back to 7000 BC and said that we were in the presence of “America’s earliest storytelling documents. He said that the pictographs were painted by mixing natural minerals with plant and animal oils to make colored paints, which were then put on the walls with fingers or brushes made out of animal hair or yucca leaves.” (Van Draanen)

The Chauvet Cave, which is located in the southern part of modern day France, is full of Palaeolithic (Paleolithic) paintings created about thirty to thirty-three thousand years ago. The last Ice Age period was estimated to be around one-hundred-and-ten to twelve-thousand years ago, and places this within it. However, it was only discovered about twenty-two years ago in 1994 by a group of “cavers” led by the man himself, Jean-Marie Chauvet. Today, the cave is compelling to many observers as it is described to be loaded with “skillfully executed” charcoal and carved creations including animals such as horses/stallions, deer-like figures, lions, hyenas, owls, panthers, and rhinos.

This paper will discuss relative points and insights relating to sculpture of the Paleolithic era, specifically the Venus of Willendorf, through the essays of Christopher Witcombe.

One of the most visually intriguing pieces in the exhibit is the Portrait of Père Bouju by Maurice de Vlaminck. It was painted around the year 1900 by the French artist. It is not particularly beautiful by normal standards. At first glance, the texture of the paint stands out more than any other feature. It has very strongly defined brush strokes and thick paint in portions, especially the face of the man and the background. The lines in the paint are mostly straight, short, and wide with some that are thinner and wavy, like the smoke. The man is in the center of the canvas, he is the only discernable image, and he is almost devoid of detail aside from the face and the hat. The colors are almost entirely neutral aside from the red scarf. In this oil on canvas portrait the man is wearing a

The first evidence of cave art appeared in Western Europe (Berenguer 67). Early cave paintings were characteristic of Western art. They were supported by an acute vision,