“Last Look” and “At Castle Boterel” both have a similar theme present, strong memories. “Last Look”, written by Seamus Heaney appearing in his sixth collection of poems in 1984, is both an elegy and a eulogy as it has a mournful tone whilst also being in praise of someone and commemorating their death. In this poem, that person is Gallaher, who we can assume is an old friend that Heaney misses. The title of the poem is ambiguous, it could mean the last time he saw Gallaher or it could suggest that this is one final “look” back at his Old friend. There isn’t a regular rhythm or rhyme scheme as it is a poem revolving around a strong memory and therefore it is more suitable for it to be more of a narrative story.
“At Castle Boterel”,
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The mood here is soporific.
The first section of Hardy’s poem “At Castle Boterel” is just the first stanza and like Heaney’s poem, it sets the scene for extended descriptions of his strong memories. It opens in the present with Hardy “driving to the junction of lane and highway”, both of which are significant to Hardy’s life at the time – the junction indicates Hardy has to make a decision on wheter to move on with his life or stay stuck in the past, the lane signifies his relationship with Emma, and the Highway represents the rest of his life. Pathetic fallacy of the “drizzle” falling on the “wagonette” reflects the sombre, unhappy quality of the present. When Hardy says that he looks “behind” this is symbolic of him about to look back on the time in his life with Emma. The adjective “fading” conveys the fact that despite the fact that the forthcoming memory is strong, things are fading in his head due to old age.
In stanza two of “Last Look” it appears as though it isn’t just Heaney that experiences strong memories; the old man also seems to be experiencing them too, so much so in fact, that he is solely focused on them rather than the present. This is conveyed by Hardy with a metaphor of the old man being like sheep’s wool that has been left behind on “barbed wire” or an “old lock of hay”. These comparisons suggest that the man is completely detached from the present and is pre-occupied with the past,
The tone of the poem changes as the poem progresses. The poem begins with energetic language like “full of heroic tales” and “by a mere swing to his shoulder”. The composer also uses hyperboles like “My father began as a god” and “lifted me to heaven”. The use of this positive language indicates to the responder that the composer is longing for those days – he is nostalgic. It also highlights the perspective of a typical child. The language used in the middle of the poem is highly critical of his father: “A foolish small old man”. This highlights the perspective of a typical teenager and signifies that they have generally conflicting views. The language used in the last section of the poem is more loving and emotional than the rest: “...revealing virtues such as honesty, generosity, integrity”. This draws attention to a mature adult’s perspective.
Writer, Jeannette Walls, in her memoir, The Glass Castle, provides an insight into the fanciful and shocking life of growing up poor and nomadic with faux-grandiose parents in America. With her memoir, Wall's purpose was to acknowledge and overcome the difficulties that came with her unusual upbringing. Her nostalgic but bitter tone leaves the reader with an odd taste in their mouth. In some memories, the author invites her audience to look back on with fondness; others are viewed through bulletproof glass and outrage.
In ‘I kneel to pick frail melancholy flowers among ashes and loam’ a tone of loneliness and sadness is established as the persona enters. Harwood describes the violets as ‘frail’ and ‘melancholy’, terms that arn’t usually associated with flowers. This is also explored in the juxtaposition of ‘ashes’ and ‘loam’. Ash is symbolic of death and decay which contradicts the ‘loam’, symbolic of life and birth. The persona’s dark and unpleasant perceptions reveal their uncertainty and state of mind. The present tense indicates the persona’s adulthood and their sense of longing and unsatisfaction conveyed through the nostalgic delivery of
“Life is a drama full of tragedy and comedy. You should learn to enjoy the comic episodes a little more.” The Glass Castle by Jeannette Walls has very important life lessons that will teach everyone to laugh at tragedies sometimes. In the memoir, one will learn these and accept them. There will be a lot of struggles thrown life’s way, but everyone will find a way to get through it and realize it makes one who they are.
Every kid wants to be able to go out whenever they want to, and yet a child wants to come home to a bed to sleep on every night. The question of whether a child wants to have freedom or security is one that someone can contemplate over and over again, and the more you think about it, the more your mind could alternate between the two options. After reading the novel The Glass Castle by Jeannette Walls, which is a memoir that describes the life of her nomadic family of six who dealt financial, family, social, and emotional issues all the way from her father being an alcoholic or the children at her school bullying her for her dirty clothes. The children had to deal with unusual circumstances in order to survive the ordeal, and while sometimes
Poetry written in the sixteenth century is not very different from modern-day poetry. Poets seem to continue to craft work based upon love and heartbreak more than any other topic. In Georgia Giscoigne’s 1573 poem “For That He Looked Not upon Her”, the speaker comes off as distraught over a girl, but actually has a more conflicting attitude towards her. The speaker feels desire towards this girl, but his desirer comes off as ambivalent at times. He shows indecisiveness about his feelings towards her, and at times comes off as regretful towards his past with her. Gascoigne presents a desiring, ambivalent, yet regretful attitude through his choice of title, diction, and use of metaphors.
As I read the Glass Castle, the way Rose Mary behaves, thinks and feels vary greatly and differently throughout the memoir. The immediate question that pops up in my mind is to ask whether Rose Mary carries some sort of mental illness. Fortunately, given the hints and traits that are relevant to why Rose Mary lives like that in the memoir, we, the readers, are able to make some diagnosis and assumptions on the kind of mental illness she may carry. To illustrate, one distinctive example is when Rose Mary blames Jeannette for having the idea to accept welfare. “Once you go on welfare, it changes you. Even if you get off welfare, you never escape the stigma that you were a charity case.” (188). In my opinion, Rose Mary is being nonsense and
Jeanette Walls and her out of the ordinary family live their lives surrounded in pure craziness and poverty. Jeanette has been raised to be as independent as her age allows her. At age three she could make herself a hot dog and by the age of eighteen she had started a new life in New York away from the craziness that followed her parents throughout the kids nomadic childhood. Jeanette and her siblings Lori, Brian and Maureen live their childhoods with almost nothing. They were always wondering where their next meal would come from and where there parents had mysteriously disappeared to. Rex Walls, the father and husband was a severe alcoholic who spent most of his money on gambling or a beer from a local bar. Rose Mary Walls, the mother and wife was not better, never being to hold onto a job for long enough to get paid and support her family caused many problems for Rose Mary, Rex and most importantly… the kids. The kids all had the dream of escaping the prison their parents called home and heading to New York or California where they could feel endless happiness. The kids grow up with almost no parents, which forces them to become independent from the day they were born. In The Glass Castle by Jeannette Walls, Jeanette's parents teach her to only rely on herself and never get attached to something you can lose, forcing Jeanette to become strong and independent throughout her childhood.
“Don’t call me Grandma. Name’s Erma.” (Walls, 131). This is the first thing Jeannette Walls, author of The Glass Castle, hears out of her grandmother Erma’s mouth when they go to stay at her home in Welch, West Virginia. The Walls family has come across hard times and they need somewhere to live. “She don't like it none ‘cause it makes her sound old.” This was the response of Grandpa Ted, Erma’s husband, a more even tempered and gentle man. Does this make Erma an upper social class woman concerned of appearing less beautiful? Or a hardworking woman torn down by poverty who doesn’t want to feel less able than she was when she was younger.
The Glass Castle, written by Jeannette Walls, is an autobiographical novel that shows how hard life can be when you have little to no money and highly deteriorated parents. During the whole memoir it shows how hard it is to live in poverty while at the same time trying to raise a family. The exposition of the novel is how having parents that cannot support their children because the lack of a stable income. The rising action is when Jeannette was in a taxi cab going to a party when she sees her mother digging through the trash can and feels embarrassed and tells the taxi driver to take her home. The major conflict in the novel is a man vs. man because Jeannette, her brother, and her sister are all affected by her
The tone of the story, objects, and the sentence structures help us relate to the dark theme. "Speaking softly the names of our dead" and "now that summer has long since fled and time has had its way." these quotes are examples of how the writer's word choice affected how we feel about the story. The two quotes listed in the previous sentence give a dark, like death, feeling. The first quote gives a sense of hearing reminders of those how have passed in the wind. The second quote gives an understanding of "how time has had its way" an abundance amount of things significant to the narrator happened during the summer like him helping his younger brother walk as well as helping him accomplish other things that everyone thought he would never be able to do. Now all of those memories seemed to have been ages ago when in reality it might have been only a couple of months ago. Thereupon the unfortunate event of Doodle's death in the middle of August making it seem as if time were flying by. "summer was dead, but autumn had not yet been born, that the ibis lit in the bleeding tree" this quote is foreshadowing awful events that are to come. We later find out that it had been in the summer when the two young boys bonded. It might have started with pride, but it ended with the forming of an improbable
The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.
In George Gascoigne’s “For That He Looked Not upon Her”, the English poet emphasizes in his poem using a variety of intense images and diction to show that he can’t look at the one he loves. He structures his poem to have a rhyme scheme, so he can show readers the emotional experience he had with his problems and express it throughout the poem.
To start off the analysis, the setting of the entire poem is significant. Though the poem takes place in a house, the atmosphere the house is set in is also important. The month is September which is a month of fall which can be seen as a symbol for decline. It definitely insinuates that the poem is leading towards death. Line 1 has “September rain falls on the house” which gives the feeling of a dark and cold night with a storm on top of that. To further develop that, Bishop gives us the failing light in line 2 to also give us an idea of the grandmother’s struggle. Bishop uses the cyclical theme of changing seasons to show the unending nature of what is transpiring within the
As the speaker casually calls their parents, a setting of calm expectations is established. While greeting the speaker, the mother’s decision to “run out and get” (1) the father highlights the lack of urgency that is present. The mother is calm and fetches the father in an expected and relaxed fashion, further establishing the calm expectations of the ongoing call. The mother additionally states that “the weather here’s so good” (2). Heaney’s use of the word “good” reflects the setting of the mother and father’s home; the atmosphere of where they live is pleasant and unperturbed. The “weather” serves as a projection of the father’s own state, implying that the father is in good health and that death is not yet looming over him. The last spoken words in the poem reveal that the father was conducting “a bit of weeding” (3). The word “weeding” highlights the capability of the