Last Night At The Lobster Analysis

More often than not, analyses of John Rollin Ridge’s Joaquín Murieta interpret the novel as a demonstration of male bravery, and regard the female characters as counterparts that exist to remind the violent men of their humanity. However, an analysis that only considers women for their roles as sentimental beings is one that fails to detect their true significance in the work. Instead, it is essential to recognize that the female characters of the novel diverge from traditional, confining expectations of womanhood, and embody traits of masculinity as a response to their social situations.

Man is a product of two worlds— the one he inhabits and the one he strives to create. The fisherman in Lawrence Sargent Hall’s “The Ledge” is caught somewhere between the two. A calloused, hardworking man who lives in a cold corner of the world, he is a father, a husband, and a man. Hall uses the perception of others, the actions of the protagonist, and direct narration to ultimately expose the real, imperfect humanity of the fisherman.

The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century

During the early 1900’s up until recent history, women have been treated through the lenses of men. Heller’s satirical Catch-22 tries to clean this lense, by overly showing the dehumanization of women. Through sex, and objectification, Heller is able to point out the problems in our own society. At the end of the novel, Heller contrasts these persistent themes with the men’s humanity, and he is able to make us want change in our society. Through prostitution, and the general use of women for sex, Heller paints a vivid reflection of society.

In a world where showing a bit too much shoulder was forbidden, came Susan Glaspell. Glaspell was an American playwright, born in the cruel times of oppression. This influenced women’s opinions on certain subjects which caused them to be silenced by fear of rejection from society. “A Jury of Her Peers” was based on an era where women felt as though it was unreasonable to speak up if they felt it was not absolutely dire. Harboring these pent up feelings could cause a person to act antagonistic. Minnie Wright was an example of this. She killed her husband and was subjected to the judgement of her peers. As the group investigated Mr. Wright’s death, there were two stories unraveling. The in depth explanation that the women figured out and the simplistic version the men had seemed to pick up (Glaspell). People would benefit from reading this story to begin to understand the struggle of what this and other women had gone through. Penn Manor American Literature students would benefit from having Susan Glaspell’s story “A Jury of Her Peers” in their curriculum because of how she expressed feminism through her writing at a time when it was new and discouraged; her ability to emphasize the themes with her settings and characters; and her literature that follows a protagonist that navigates through a sexist world.

“No man knows the value of innocence and integrity but he who has lost them.” This compelling quote from William Godwin shows the importance of integrity, guilt, and most importantly, innocence. Innocence, is the exact opposite of guilt, wrong, sin, and disgrace. Joan Bauer is the author of the extraordinary short story, “The Truth About Sharks.” This realistic fiction short story has a shocking ending where the main protagonist, Beth changes her point of view about guilt and innocence. One sunny day, a young girl by the name of Beth traveled one day to “Mitchell Gail’s,” which is her “go to” store. Beth needs to purchase clothes for her Uncle Al’s birthday party. As she browses through clothes she meets a friendly employee whose name is Hannah.

What’s Eating Gilbert Grape, a motion picture released in 1993 and directed by Lasse Hallström, follows the life of Gilbert Grape (Johnny Depp) and his younger brother Arnie (Leonardo DiCaprio), a mentally disabled 17 year old. Their mother, Bonnie (Darlene Cates), is morbidly obese and has been home-bound for the past seven years following the suicide of her husband. After their father died, Gilbert became the main caregiver and provider for Arnie, their two sisters Amy and Ellen, and their mother. As they grew up, Gilbert quickly became Arnie’s role-model, and the two now share a special bond. The brothers work together at the local grocery store, are often found playing hide and seek, and have a special tradition where they watch the campers drive through their small town of Endora, Iowa every year. This year while watching the campers, a traveler named Becky (Juliette Lewis) caught Gilbert’s eye, and he has trouble keeping up with a new love interest and Arnie’s constant mischief.

    “A Good Man Is Hard to Find,” one of O’Connor’s best works, describes a family on a trip to Florida and their encounter with an escaped prisoner, The Misfit. Although “A Good Man Is Hard to Find” is an early work in O’Connor’s career, it contains many of the elements which are used in the majority of her short stories. The grandmother, a selfish and deceitful woman, is a recipient of a moment of grace, despite her many flaws and sins. A moment of grace is a revelation of truth. When the grandmother calls The Misfit her child and reaches out to touch him, the grandmother has a moment of grace that enabled her to see The Misfit as a suffering human being who she is obligated to love. The grandmother realizes that nothing will stop The Misfit from killing her but she reaches out to him despite this. The Misfit rejects her love and kills her anyway. This moment of grace is very important

In his article “Consider the Lobster”, David Foster Wallace uses the Maine Lobster Festival as a medium for his argument regarding the ethics of eating lobster. Wallace frames his article as a conversation just to get people thinking, but a deeper look at his rhetoric shows that he is arguing against the inhumanities of eating lobster, while doing everything he can to avoid sounding like he is taking a stance.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.

Throughout “Consider the Lobster”, an article written by David Foster Wallace about the 2004 Maine Lobster Festival, Wallace demonstrates that not all of his writing is clear and concise. The author does this through his various viewpoints in the article, which allow him to capture the reader 's attention. A particular sentence that captures the initiation of Wallace’s writing is, “The suppers come in styrofoam trays, and the soft drinks are iceless and flat, and the coffee is convenience-store coffee in more styrofoam, and the utensils are plastic (there are none of the special long skinny forks for pushing out the tail meat.)” (Pg. 239). Within this sentence, Wallace describes the many parts of the festival and how they show the poor side of the festival. Between the cheap styrofoam trays and the flat drinks, the festival gives off a poor vibe to the reader.

Ruth L. Ozeki, in her novel My Year of Meats, utilizes epiphanies in her development of female characters in order to reveal the flaws of a patriarchal society. These epiphanies are employed in order to emphasis that women should take charge over their lives and to not be constrained to keeping secrets as a result of their fear of repercussion. Ozeki presents a vision of a progressive, feminist global community through her characters Akiko and Bunny. While Bunny realizes her need to voice her concerns having “drifted through life… never [having] made a single decision, (p. 294)” Akiko realizes she does not need to depend on a man and that “she would never need him again (p.181)”. In

The book Big Fish and its movie adaptation shows the importance of how different factors help to improve the story. This book tells of the legendary stories of Edward Bloom, narrated by his son, William. The tales of Edward Bloom seem fictitious and far too amusing to be real. His son is determined to find the truth in his father's stories in order to understand who his father truly was behind his fantastic stories. The movie does not fail in its interpretation of the novel, in fact the movie could very well be even better. The addition of new scenes and the focus on Edward's love life help the movie tell the story in it's own way, showcasing the brilliance of the art of cinematography. Although the movie takes a different approach from the

In Joyce’s, “Eveline”, most of the story is situated in the mind of the main character, Eveline. Eveline is characterized as passive, easily-influenced, and indecisive. Joyce highlights Eveline’s indecisiveness as she struggles with her immediate predicament; should she leave her abusive father and disobey her duty as a daughter, or pursue a new life with her potential husband Frank, to be free? As she contemplates, readers are taken inside Eveline’s mind to discover factors from her past and present that contribute toward her final decision. While Joyce utilizes rich literary devices including symbolism and dramatic irony, Eveline’s final choice is based on what is repressed in her unconscious mind – her mother’s last words. Eveline’s mother’s last word “Derevuan Seraun” is the deciding factor in which why Eveline chooses stays home.