Late Medieval Italy ( 13th And 13th Centuries )

When comparing and contrasting, Cimabue’s Madonna Enthroned with Angels and Prophets and Giotto’s Madonna Enthroned, the main idea of Mary is the same just the subject matter differs. Cimabue’s painting shows angels surrounding the throne. In Giotto’s work, the angels are in a more horizontal-like appearance.. These angels are all visibly showing their distinctive features and emotions. In Cimabue’s work, the throne is on a platform and in Giotto’s painting a roof is just above Madonna. These differences add to the painting. Giotto’s Mary looks attached to the ground, while in Cimabue’s Mary is floating. I also notice that Cimabue’s Mary shows lines to define her clothing. I believe to show Mary’s presence dark and light contrast on her to

Giotto is considered the first artist to be fully immersed in the Renaissance, and the man who truly brought the Renaissance to Florence. He learned from the skills and progress of the artists before him and took their work one step further. By this time, artists were viewed as skilled workers in society, whereas before they had been seen more as craftsmen. It was recognized that creative and intellectual skill were needed to create art, and artists became more educated, prosperous, and prominent in society, and this increased respect allowed the artists to develop their skills further and take greater pride in their work. One of Giotto’s most extensive projects was the Arena Chapel in Padua, which was a series of frescoes lining the walls and ceiling of the chapel. He worked on this for five years, from 1305 to 1310. Giotto was commissioned to paint this chapel by Scrovegni,

The School of Athens is a fresco done by Raphael around 1510-12 in the Stanza della Segnatura, St. Peters for Bramante. It is a large figure group situated within a linear perspectival environment. Two main figures, Aristotle and Plato stand in the center of the large figure group in the background. There are two smaller figure groups on the left and right in the foreground. In contrast, the Adoration of the Magi, painted by Leonardo da Vinci around 1481-2 is a large figure group with a central triangular figure group. In the background on the left are ruins of a building and men on horseback fighting. Leonardo was commissioned by monks of San Donato a Scopeto in Florence, however, was left unfinished by Leonardo when he left for Milan.

First, 14th century Florence was governed by a guild regime. The Florentine commune was led by priors elected from upper guilds for two month terms. The short term limits and election from higher guilds meant every citizen of rank in Florence had a chance to hold office. Those worthy of being elected would have belonged to an upper guild and had the respect of peers. Also, public office was important for reputation and social standing. The desire for election was not limited to Florence but applied abroad as well, “Florentines yearned to go abroad as foreign rectors both because of need of added income and in the avid quest for honor and reputation.” The many communes of the Italian peninsula made repeated office holding possible for many citizens. Moreover, events such as the black plague starting in 1348 allowed more than just nobleman to become officials. The sudden change had, “temporarily reshuffled the deck of social rank and entitlements.” Men who had enough ambition and effort could become high standing members of Florence no matter their station at birth. The desire to be recognized by society at large would shape the lives of Pitti, Dati and Alfani.

As Europe left the Medieval Era and entered the Renaissance, its political system changed in major ways. All political power was essentially ruined by the Huns and the beginnings of Western Countries being divided into countries started. “Europe was ruled by a new aristocracy: the noble” (Manchester 41). Men would acquire a following and then make a claim to land, the greater the following the more land was earned. These land claims were bound together to unify the Modern countries of Western Countries, the same boundaries today are common, such as England, France, and Spain. Most of these men thanked the divine power and were extremely loyal to the church. “By A.D. 1500 most of these sovereign dynasties were in place” (Manchester 55). One leader ruled over all of these countries known as a monarchy. Monarchs would have complete control over the lives of the people and in turn their people would service them first and their

After being separated since the fall of the Roman Empire and acting as only “a geographic expression,” Italy finally underwent the process of unification and succeeded in 1870. For hundreds of years, Italy was ruled under city-states, therefore the peninsula was unable to form a unified nation. However, through several political leaders, such as Giuseppe Mazzini and Camillo Cavour, helped manifest the Italian unification process to success in the 19th century. As Italy struggled for unity and national identity in the period circa 1830-1870, contrasting viewpoints emerged on what type of government should rule over the peninsula, with options such as a republic, papacy, or not unifying at all.

The Italian and Northern Europe Renaissances were both an important mark in history by changing the ideals of life, thought, culture, and art of the people’s of this time. In this paper I will explain the motive for change in these cultures, including the similarities and differences of the two cultures.

In this essay I will talk about; The growing wealth of Italy, divided Italy, the classical period, humanists, trade and exploration. The main reasons of why the Renaissance started in Italy during the 15th century were the growing wealth of italy because the history

A post Middle Age Italy was afflicted by medieval wars and the bubonic plague. A change was needed to restore the vision of what Italy could become. This change was found within one family: the Medici’s, who helped to return the glory and influence to Florence. The Medici’s saw the value in contributing to the advancement of the greatest minds of the period. This was evident in their patronage of leading Artists such as Michelangelo and of renowned Teachers such as Galileo. The sphere of influence the Medici’s enjoyed also extended to the political arena, which happened to be heavily influenced by the Catholic Church at the time. The Medici’s were able to capitalize on the power of the Church and through this influence and the use of

There were many great artists spread across the time of the Renaissance. Some of them were leading the way in new artistic techniques created during the Renaissance, while others used inspiration from a past artisan to establish their own styles and methods. About a century before the art caught on, a Florentine painter by the name of Giotto was the first to break away from the Middle Age style of painting. "Giotto was the towering artistic genius of the 14th century, so far ahead of his time that no other painter approached his level of work for almost a hundred years" (Walker 78). Even though Giotto was ahead, he lacked the awareness of perspective, but he used space, light, and color to create a very strong sense of the human form, along with a storyteller's ability to capture the central moment in a particular scene (Walker 78). One of the important pieces of the revolution that Giotto started was that he established painting as a major art for the next six centuries, and he also founded the method of pictorial experiment through observation (Gardener 568). After Giotto there was a architect that came along in the early

In this essay, I will be discussing the origins and relevancy of Rome’s conquest of Italy during the Middle Republic. Included will be Rome’s governing structure of it’s allied states, and the treaties, both of which aided in the long term success of Rome.

     The style and the form of these two paintings reflect the development of the artistic techniques during the Italian Renaissance. While both reflect a Biblical theme with a central focal point of the Madonna and Child, “Madonna Enthroned” has a key image that is best viewed from a central position and “Madonna and Child…” has a greater degree of importance over the majority of the surface of the canvas. In “Madonna and Child…” the viewer does not perceive that an image is being forced upon them as is found in the work by Giotto. A use of light and space is also key to preventing the Puligo piece from being “forced”, where the organization of distance visibly removes the viewer from “Madonna Enthroned” while drawing the viewer into the painting in “Madonna and Child…”. Color also serves a similar purpose, where Giotto’s work is monochromatic but ocher while Puligo’s work carries a greater expression through the detail involved.

The one constant theme from any period in history we examine seems to be that of change. As Europe began to take shape, it did so with an expansion and contraction rate that was dramatically impacted by changes in political organizations, positive and negative economic forces, and through shifts in social structure. The path to the creation of the European empires was a long and tedious journey. Sixth century feudalism gave way to the creation of a central authority. The thirteenth century was scarred by the Black Death but it brought about economic changes that would resonate well into the Renaissance period of the fifteenth century. Nation-states began their formation as the need for a centralized government dictated. With each step

The renaissance was a time of great and immeasurable change within all aspects of European life; so much so that it could be seen as beginnings of our modern western society. Leading this revitalization in culture and society in Europe’s historical development were to the two of the most dominant states of renaissance Italy, Florence and Venice. These small city-states were the powerhouses of the time and assisted speeding up the renaissance and helped spur revolutionary developments along the way being the main hubs of influence in the Italian peninsula during the late 13th and early 16th century. Florence could be characterized as a financial centre, with their banking system considered extraordinarily ahead of time; in addition being the main producers of fine elevated their chances to conduct successful trading ventures. Venice was considered one of the largest centers of trade being a coastal city of the shores of the Adriatic Sea, which allowed for prosperous trade with what was then considered the Eastern world; the city was also well known for their quality in ship building as well which likely contributed to them being a large naval power in the region. Now due to fact that both city-states were two different sovereign parts of Italy meant having two different approaches and views on or about a multitude of ideas. To understand the impact of Florence and Venice, the two very influential and affluent republics in renaissance Italy, it is crucial to analyze their over

Italy holds a long and rich history, starting from how it became one country during ancient times. For thousands of years, people have lived in Italy, relying on its vast amount of assets and resources. There was no established group of settlers to arrive first, because the chief pioneers entailed many different types of people who spoke different languages. Italy was at first preceded by several non-Italian cultures, including Greeks. The Greeks occupied southern Italy, including areas around Sicily. This remained a wealthy extent of land because of the tremendously fertile soil, which then caused the sprout of new cities and civilization. These Greek cities ultimately stood taken over by Roman control. As far as northern city-states, the Etruscans lived in areas influenced by Greek culture. The Etruscans stayed well-known engineers, builders, and traders. Italy was always back and forth in the control of foreign authorities, but finally landed in the power of the Roman Empire. The Roman Empire took over at about 450 B.C., but eventually collapsed. The land that now stands as Italy was ruled by Julius Caesar. There were many civil wars before and after Julius Caesar’s death. The land was then restored by Octavian, Caesar’s son, who later passed his throne to his son Tiberius. Although ancient Italy had been taken over by diverse commands, it still held on to its vast culture and