Leanardo Da Vinchi Research Paper

One interesting fact about my historical figure is that he was born with his twin brother who passed away before the age of two. Another fact is that he loved drawing so much and started at such a young age (the age of three), his dad built him his own studio so he wouldn’t draw on anything in the

Tan has always been known as a very good user of the graphite pencil. This is something he has been practicing since he was a young child and is now very talented. Tan is able to capture in his pencil drawings such a large amount of depth and tonal range. Despite the fact Tan dislikes drawing realistic figures, he proved in his novel, The Arrival that he is quite talented in producing realistic

Shrinky Dinks entered the toy and craft scene in 1973. Inside the boxes were sheets of plastic—they came with either outlined drawings that you could color in yourself, or blank pages, upon which practically any tracing, drawing or rubber stamp picture could be imposed. After the artwork was colored in, you cut them out, laid them out on a cookie sheet (or looked over mom’s shoulder as she did), and then slid them into an oven or toaster oven for a few minutes. The plastic sheets shrunk to nearly a third of their original size, and became many times thicker. When you plucked the cut-outs from the oven, they had become hardened little masterpieces—their colors were brighter and more intense, and get this, if you accidentally colored outside of the lines when your creation was in its plastic sheet stage, your mistakes were miraculously baked away!

choices of medium seem to be purposefully chosen by the artists; the choice of color and

Audrey Claire Henderson Ms. McPeak Art1113 3 April 2017 Leonardo da Vinci Leonardo da Vinci was born April 15, 1452 in a little farmhouse along the rolling hills of Tuscany. Leonardo was the illegitimate child of a young peasant woman, Caterina, and a respected Florentine notary, Ser Piero. His father was also a wealthy businessman and landowner. He lived with his mother until the age of five and then moved in with his father where he welcomed as a member of the family and received elementary education. At the age of 15, Leonardo began an apprenticeship with the artist Andrea del Verrocchio in Florence where he learned a wide spread of skills dealing with technical and mechanical subjects. These included drawing, painting, and sculpting

TXT- Niepce invented a system to capture images through the power of light and transfer the image onto a lithographic stone. Then later he used a piece of metal to soaked in lavender oil and into a dark room using daytime exposure. Page 9

Around the early 1500’s and the late 1400’s there was a large amount of people sent to the New World. One explorer was a man named Giovanni Da Verrazzano, he went on several expeditions and was brutally murdered on his final adventure. Giovanni was sent to the New world by a king named francis l after waiting for many years. He was just one of the very many explorers of this time.

Fiorentino is often recognized as one of the founders of Mannerism. Many of Fiorentino's early pieces show elongated figures with harsh lighting and brilliant colors. Instead of trying to be like every other Renaissance painter, Fiorentino wanted to be the exact opposite of them. Rosso created his own style of art in order

pieces and helped Sandro find almost the same style for his own work. Sandro became

The main attraction to his exhibit were his antique processes. The two processes he used were Albumin and Palladium prints. These two processes were photography processes used near the genesis of the photograph but have since fell out of favor for newer and more efficient processes.

The artists that served strenuously that role were the draughtsmen. The draughtsmen’s paintings had the “role as ‘mere’ records of property” and the architectural style of the houses conveyed an image of the materialistic development and social progress that both free settlers and ex-convicts had achieved. These paintings allowed ‘men of humble stations are permitted to share in gratifications, once reserved to a privileged few’ and Costantini’s artistic work ensured a major contribution. Costantini fostered a contemporary art, an art of the ‘ordinary’ people. It is art that crosses several boundaries since even though, it can be considered political art, and it mostly makes a way into popular tradition. Equally, portrait paintings were commissioned for the same purpose

“I would rather be the first painter of common things than second in higher art”, Diego Velázquez. A painter that could easily be described as the best to inhabit Europe. A painter so talented that the famous Pablo Picasso and Salvador Dali considered his works and influence. A painter who is considered “the painter’s painter” or “the painter of all painters.” Diego Rodríguez de Silva y Velázquez was an extraordinary artist of the Baroque period; his childhood, midlife, and even life after his death display his great accomplishments and influences throughout his lifetime.

1478There are many striking similarities between Alberti’s and Leonardo’s views on painting. For example, they both begin their treatises with definitions of the points, lines, and planes that generate geometric perspective. In addition, both men agreed that a good painting should “move the beholder in the same way as the protagonist of the painting is moved”(Leonardo 220). A good artist should have the ability to paint his figures in such a way that their expressions and movements convey their exact emotions, and that these movements should illicit an appropriate response from the viewer.

The ability to add detailing, subtle colors and value graduations ended in extraordinary realism. Artists would add various layers of paint that observers could see the gemlike brilliance of color. Glazing, a process of adding a thin, almost transparent coat of oil paint, created the effect of glowing colors. If you look at Robert Campin's Merode Altarpiece, you can see the use of glazing in the centerpiece. The glow presented in Gabriel's wings is a precise model of the effect created by this method. Enhanced lighting reflects objects back to the viewer as an object with a deeper

The word “sfumato” came from the Italian word “fumo” which means smoke. Leonardo used this word to name the technique because of the unique smoky background in the paintings that the method was applied to.