Leather Apron Alternate Ending

Chapman may have served as many as 10 men that night. Even if it was

Within the setting of the Yew Alley in which Charles’s murder occurred, is an eerie atmosphere:“There are two lines of old yew hedge, twelve feet high and impenetrable. The walk in the centre is about eight feet across.” “Is there anything between the hedges and the walk?” “Yes, there is a strip of grass about six feet broad on either side.” “I understand that the yew hedge is penetrated at one point by a gate?”

Larson utilizes imagery to exemplify Holmes’ character and actions to the audience. He describes Holmes’ reaction to a friend’s sister’s death to give the reader an idea of the cold inhumanity he possesed. Even though “Holmes told Ned how sorry he was” about her passing, yet “in his eyes there was only a flat blue calm” like that of a “lake on a still August morning” (123). Larson presents this imagery to give the reader a clear view of Holmes’ point of view on death. When he reacts with such a “flat blue calm,” the reader can clearly see that he did not posses even the slightest bit of sincerity. This serves to help the reader see the surface, and allude to what lies beneath. Larson further proves his inhumanity with the portrayal of Holmes’ murder of his pregnant fiancée, Julia. Holmes promised he would marry her, but with the condition that she had to allow him to execute an abortion. He then “held the cloth” coated in chloroform “over her nose and mouth” and within seconds “her eyes fluttered and rolled upwards” followed by “the inevitable, reflexive disturbance of muscles, like a dream of running” (148). Larson uses words like “flutter” and “rolled” to show the reader that her consciousness fled from her with no objection from her being noted. This is to

She requested for clothes in jail and I wondered which clothes would make her feel most comfortable. She is a farm lady she needs an outfit that will suit her simple status. The men leading the investigations have no appreciation for the women in the house. They are all over looking for evidence, and they evidently do not need our support. They must be underestimating the power of women. As the investigations are underway, I am left thinking to myself what kind of a man was Winnie’s husband. He was a man of dignity because he did not drink like other men. But he was silent and he kept most thinks to himself, Winnie must have been bored by her husband’s antisocial

The sympathy is heightened by the Inspector’s use if emotive language once again, this can be seen once the Inspector states, “her burnt out insides on a slab.” This macabre account of her demise is intended to increase the audience’s sympathy for Eva Smith. Not only is this a use of emotive language, but also a use of structure, as by creating this sympathy from the audience, Priestley then later on in the play, post conveying his political and moral standpoints on the viewers, then makes the viewers comprehend their collective responsibility. Not only does this affect the audience but also the characters; Sheila says she feels “rather distressed” by the Inspector’s language and “can’t help thinking how the girl – destroyed herself.”

Andre Dubus’s story, “Killings,” is complicated; it is fraught with hard moments of loneliness, heartache, violence, adultery and murder. For Matt Fowler loneliness and heartache over the murder of his son drove him to seek revenge against his son’s killer Richard Strout by seeking the help of his friend Willis who sympathized with Matt. In the case of Richard Strout the heartache from his wife’s divorce made him jealous of the man she was now with. He wanted to continue to be with her and if he could not have her for himself then no one else could.

Not being able to sleep that night he got up and looked out the window hoping that Humperdinck had not sent his men. Early in the morning when the birds sung a beautiful song and the flowers bloomed with bright colors Jack and Peter walked back home pulling a deer on an old cart. Although this wasn’t the only thing going on in the morning, Humperdinck had just sent ten guards to locate Westley and Buttercup. The guards had arrived, they busted doors, windows, walls, and anything they could get their hands on. They would even risk their lives to have Westley dead and Buttercup returned safely to their king. Once they made their way into the house they yelled out for Westley to give up. There was no response. They all split up and found Westley sitting at the table with a sword in his left hand and a warm drink in his right. He got up quickly and killed two guards. With eight left he fought until one of the guards’ stabbed left arm. Another guard stabbed his back and he fell to the hard wood floor. He bled and bled. They then left with Buttercup crying in tears as they walked past

- O’Brien feels guilty about the victim he killed he explains he situation in almost the sense of negotiating with the reader about his actions through confusion, he imagine the life of the victim, this proves the impact of this story on his life, he goes through his entire life, he focuses on his physical aspects and attributes, it has a severe emotional impact and is in painful of the death of the young man and the power of guilt that has shadowed over him like a dark cloud.

Linder led the way around the corner eagerly, through the dining area and out into the back yard, the scene crawling with forensics. After finally making their way through the crowd they were confronted with the horrific sight of the two murdered Halley children, lying side by side. Around them the once freshly mowed emerald grass was now saturated red, in blood. Linder, invigorated by the whole ordeal, fervently bent down beside the two children and began to examine their wounds; “fascinating”, he muttered, scanning the gory corpses at which any other person would have been nauseated at their mere sight. Gesturing to Toussaint he began to share his observations, “In comparison to Mrs. Halley the wounds on these bodies are comparatively minimal. A single slice to each throat being the fatal wound with barely any other significant

Life was hard for people in London, England during the 1800’s. Many adults, teens and children had to work in horrible condition just to survive. It’s sad to say, but many women turned to prostitution to earn money. Little did they know, this could be the most life threatening decision at this time for Jack the Ripper had come out to play.

The bubbly nineteen-year-old from Leeds was among seven victims found buried in identical triangular tombs in an isolated New Zealand forest new par. Each had been stabbed more than twenty times and placed face down comma, hands bound behind their backs point new par…” (Kane, 1995, p. 12). Kane through Ian’s lines informs the reader about the terrible act of human cruelty. As it can be seen in the whole text of ‘The Blasted’, beauty cannot reign in author’s world. The portrayal of characters in the play are neither kind nor loving. On the other hand, these lines arouse the feeling of insecurity in readers referring to the possibility that as readers we may also be a victim of such a horrible murder. Pessimistic mood in the play can arouse anxiety and fear in the reader which we can associate it with media effect. The author forces us to show a tendency to see the things through gloomy

The entire story of Killings is cast with methodical characters while delivered in an almost untidy way. The author’s style sways within paragraphs into different conversations and occurrences until it becomes more linear near the end of the story. The character’s though make decisions that are portrayed as well thought out, sometimes over a period of weeks.

People kept saying how a sweet, innocent, young lady died that evening not in my eyes one very guilty, gross, homewrecker was murdered that night and the look on Nicole’s face when she felt the knife sliding in and out of her made it all worth while. How would I know this you ask? Because I am the murderer. When I was finished I smiled and watched drops of her blood fall from my knife. I was almost in some kind of daze like a dream but I was well aware what I had just done and I knew exactly how I would get out of it too.

The horror that killed Sir Charles is prowling the moor once again.” This shows that there is something in the moor that is going to kill but we don’t who. 1 evaluation I liked how you could tell that Sir Henry is a little worked up because it say “Suddenly, Sir Henry stiffens, aware that he is not alone.” I like this because it adds suspense before Perkins walks in the room and Sir Henry realizes there's nothing to fear.

“Okay, this all started with my great great grandpa, have you ever heard of Jack the Ripper? Well anyway, I come from a long line of bad people. When I saw you I instantly fell in love. My father was the one that prepared me for this. I had been so nervous and I was walking down the street. My father told me that when the right ‘prey’ I would stumble across I would know. I saw you walking there all alone and looking gorgeous and I couldn’t do anything we had planned this night for weeks. The perfect hiding place, down on kings street so no one would hear for twelve hours. I had everything. All of the tools I would be using for killing you. My father always told me that you must inflict as much pain as possible. Just as I was going to start to tie untie your hands so I could suspend you by the chain in the room hanging from the ceiling. Then I recalled on something my father told me early on, always look them in the eyes. So I did, I looked into your eyes, no your soul and saw good. I knew I couldn’t get rid of the good in such a bad place that is earth. When I looked into your eyes I saw myself. What I could be and