Lena Kolyadenko's Freedom Ballet

The stage travels, and outbursts, many swirling, dazzling colors, followed by a stampede of footwork accompanying the sound of the mariachi. Envision it. Mesmerizing isn't it?

Initially looking at this image of the New York City Ballet’s company class, you see quite a few dancers, doing their everyday class work; a simple tendué combination away from the barre. However, when you look through the initial layer of the image you see there is much more to the snippet of class, frozen in time. Determination, criticism, and exhaustion arise to the surface. The everyday mundane of a ballet class is overshadowed by the ongoing, never-ending processing of the dancer’s brain.

My overall response to the dance concert is spectacular because each dance piece was moving, remarkable, and motivational. Each dance had an astounding affect on me and allowed to me repelled into the performance. These impressions came from me analyzing the dance pieces, “A Brief Study of Recent History and “One Heart, Two Worlds”, for the Spring 2016 Studio 115 Dance Concert Series at USM’s Dance and Theatre Building on May 4th. The first performance, “A Brief Study of Recent History” was choreographed by Elizabeth Lentz-Hill and introduced by the dancers Jennifer Alafat, Megan Bradberry, Shaquille Hayes, etc. While the second piece, “One Heart, Two Worlds”, was choreographed by Dejonelle Gleeton and the performers were Brittain Allgood,

To prove everyone wrong, an interest was sparked in supporting ballet to show the world that American artists are just as competence as its foreign competitors. Unlike the Russians who have already established their mark in the ballet world, Americans were not commonly associated as talented ballet dancers. Thus, in 1954, President Dwight Eisenhower set aside $2,250,00 to fund dance, theatre, music, and sports tours to showcase American talents around the world. One of the funded dance tours was a ballet tour by New York City Ballet’s in Western Europe and the Soviet Union in 1962 (Croft, p. 425). New York City Ballet was a company founded by Balanchine and Kristen so their ballet performances reflected the innovation style of American ballet while maintaining its classical grace. Before their tour in the Soviet Union, the dancers were prepared for criticism and even booing during the performance due to the tensions between the two countries. However, all political differences were pushed aside, as “three thousand Soviet ballet fans rose to their feet to celebrate

Contemporary ballet, although is a form of ballet but looks vastly different from classical and romantic ballet. Contemporary ballet consist of ballet and contemporary dance, and the dance often includes having a partner. Contemporary ballet is often done in a turned in position while classical ballet is done in a turned out position. A turned out position would be the first position in ballet where the dancer’s feet are usually pointing outwards. Like modern dances in the 20th century, contemporary ballet often hints a message to the audience. Alonzo King, a local San Francisco dance company owner inspired many choreographer with his choreography by having a perfect blend of traditional and modern dances in his piece. His choreography often contain a strong, controversial meaning. “The Moroccan Project”, choreographer Alonzo King suggests the message of love and inequality, using their trademark moves: spinning and elevating, in the contemporary modern dance style.

Dance is defined by Webster as “moving rhythmically to music, typically following a set sequence of steps”. However, it can also be used to sway an audience’s judgment or exhibit feelings and emotions that cannot be conveyed by the usage of verbal language. When watching a show, I would like to be able to get something out of it and with this it brought childhood memories and rung my old tomboy ways and made me realize not only is it okay to sometimes still have those tomboyish habits but also to see you don’t always have to be an adult and take everything in life seriously. During this performance two of my favorite pieces were 909 Lamentations and On the surface. I felt as if these were two of the strongest pieces throughout the whole performance.

The first experience of watching a ballet, for me or any little girl, can be fascinating and exhilarating. Wondering how a dancer can be so steady on her toes as she spins in circles and leaps through the air. Watching a ballet, there is a feeling of wanting to be graceful, as well as the warm sensation felt by a little girl as she slips into dream land. My mom had taken me to my first ballet when I was 11 years old. When we returned home home, she signed me up for classes at the local dance center. The expectations to become a prima ballerina would involve much hard work and concentration. I knew when I started it would take years of steady practice and commitment. Learning the history of ballet and the famous

The New York City Ballet conducted a dance performance titled “New Beginnings” on the 57th floor of the Four World Trade Center in New York. The performance took place September 12th, 2013 and was intended to commemorate September 11th, 2001. A tragic event, such as September 11th, tends to leave a bitter taste in one 's mouth. The public is generally heartbroken, angry, and distressed. This performance seeks to influence the general US audience by using dance as a means of changing the perception of the aftermath of disaster. By following a narrative structure, the dance performance begins by setting the scene of New York City. The performance is then followed with analogies through dance designed to provide moments of action, climax, and resolution. The New York City Ballet uses pathos and an instance of logos through movements to enforce their attempt to alter one’s perspective. There is plenty of pathos used throughout the dance performance in order to motivate a change in thinking from the audience. I believe this strategy was extremely effective because by influencing how the audience emotionally reacts to the performance there is more likely to be a change in audience perception. The ballet incorporates inductive reasoning by taking the specific situation of September 11th and implying that, after tragedy, we will ultimately have a “new beginning”. I believe the logical appeal of this implication is effective because the audience is naturally inclined to believe if

While the speaker has succeeded in providing an enhanced image of the performer, the act of assigning meaning to the performance and the representation used holds the capacity to limit the experience. As the speaker continues to reconfigure her strip tease into a “[graceful] and calm” artistic dance, he makes a simultaneous attempt to distance himself from the crowd, making no mention of his gender or race directly (5). However, the speaker’s attempt to portray the dancer from objective eyes falters as his

Ballet is one of the most beautiful, graceful dances known to the dancing world. From the tutu to the pointe shoes the need to see the expression of the steps given. Being able to see how the illusion of a flying princess is one of the most mysteries that come with a ballet show. The history of Ballet has evolved into one of the most well-known type of dances in the world this is from only the men having roles in the ballet to women being able to express emotion.

The audience then became lost and frightened as there were no signs leading them to their next destination, once again forcing them to partake in the performance. This physicalisation not only successfully involved the contemporary audience, but demonstrated the necessity of physical composition to give audiences that real experience. This use of physical composition provided immediate reaction and emotional expression through action and contrast. These elements ultimately enhanced the mood and symbolism of the performance, allowing audiences to not only partake in the production on an intimate level but also on an emotional level. Another way in which mood and symbol can be created is through the use of complicité.

“Resonance: Alonzo King LINES Ballet and Bernie Krause” is a part of the Resonance series of musical performances at the Exploratorium. In this episode of the series, a dance piece is created from the collaboration between choreographer Alonzo King and ecologist Bernie Krause. The work pairs Krause’s recordings of wildlife from various natural habitats with contemporary dance of King’s LINES Ballet Company. The purpose of the performance seems to be the reconnecting of man to nature.

She won the gold medal at the Korean International Ballet Competition. The Kremlin Ballet has been a participant in her entering various competitions. Certainly, she received coaching from her Kremlin Ballet coach for the competitions. Without doubt she has proved that she is a talented dancer with huge potential. She posted photos at the Korean competition of herself with the director of the Kremlin Ballet. Unfortunately, she does not have a professional mentor who can guide her in her social media and other publicity; however, I think grace demands credit where credit is due. She has done exceptionally well in these competitions. I watched the lineup at the Moscow International Competition. Truthfully, it wasn't all that impressive. I was impressed by

Their dancers connect with the dance tradition embodying feelings of existential human anguish and references to specific geographic places, dancing focused on surreal situations, body use and the relationships between stage and

While watching the video “Ballet, Sweat, and Tears,” I noticed that the Ballet teachers in Russia are more strict and severe than the ones in America. The teachers at the Russia academy yelled a lot and physically touched the students, while here I America that is not allowed. In my opinion a difference that I saw was that the students over at the Vaganova Ballet were not lazy at all. The students from the Russian academy were more focused and traditional. Russian ballet also focuses on moving the body as a “whole,” their moves are more controlled and precise. They also tend to focus on flexibility and endurance as well as the positions of the arms. I also noticed that the students attending the Vaganova academy were more willing to make sacrifices. And example, would be the little girl that stated that she has not been able to watch television for over two months now. Now, the typical student here in the United States tends to be lazy and usually has a careless attitude. I know the students over here in America would not wake up at six in the morning just to keep practicing, especially in today’s generation. While, I also watched some ballet videos from the school of American Ballet I saw that the diet is not as firm as the one from the Vaganova Ballet Academy. Many people have also stated that compared to the Vaganova Ballet Academy the school of American ballet is a breeze. A major difference that I saw was the performance while the Russian ballet performance was precise