Lenz, by Georg Buchner Essay example

The theory of Bildungsroman defines a genre that has been employed in several literature pieces albeit most novels have employed the framework partially. The Bildungsroman literary genre convention dwells on the growth of the protagonist from youth to adulthood morally and psychologically. Works that have employed the literary genre can also be referred to as coming of age genres. The novel by Viramontes entitled Under the Feet of Jesus gives an account of the plight of a family that lives as migrants. It has aspects that indicate similarities with the theories of the Bildungsroman. The essay evaluates how and to what extent the events of the novel fit the genre conventions in the Bildungsroman. Furthermore, the essay will delve into the justification behind the choice to use or not to use the genre conventions to enhance the theme of struggle as Estrella and her family experience hardships, focusing on migration and adolescence which characterize the life of the protagonist, Estrella, and her family.

But the brook, in the course of its little lifetime among the forest-trees, had gone through so solemn an experience that it could not help talking about it. ”(p.168) the quote shows that what she had done had caused her to be sad which made her full of anxiety. “trusting no man as his friend, he could not recognise his enemy. ”(p.119)

“…dragged from the house on his knees. His face was bloody and when he tried to speak he cried with pain.”

I was poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, I sat down and wept.” (pg.101)

For this essay, I am going to be discussing the short story “Swimming” found on the New Yorker, and written by T. Cooper. I have chosen this story for many reasons, and among those reasons is the personal sadness I felt when I first read the story, almost as if the universe was placing a certain theme in my life, that only the main character could possibly understand. I am talking about running, the god given instinct felt by all men, inherent in the nature of fear, and brought out in all who feel sadness in its full intensity. Though in my short life I can not compare the sadness I have felt with that of losing a child at my own hand, but if I had been placed in that situation, if fate had tempted my soul with such a sequence of events, I would like to think I could find the strength to endure and the courage to not abandon all I had previously known. Yet I am able to reconcile the themes of grief, the mode of recovery, and the longing to escape such a terrible tale. I think in this piece, as I will discuss in later parts, the author was able to put into words a transformation we rarely get to observe in closeness, the kind of transformation that turns a kind man into a “just man” the kind of death that turns this world from a beautiful and happy place into a world that is closing in on our main character, that is forcing him to surface temporarily and gasp for air, much like he does when he finds peace in the water, wading breath after air, after sea. I firmly believe that

In order to add a deeper and visual understanding of his view point, Czeslaw Milosz uses Figurative Language in order to assist the reader.

Helmholtz is “a powerfully built man” (59). His physicality’s as the case of Bernard do not inflame his resent. “A mental excess” (60) produced in Helmholtz’s brain causes him a “sense of apartness” (60) from all other members of the global organization. This excess brings him to feel clearly aware of the differences he shares with the citizens around him. As a result of this he feels “uncomfortably aware of being himself” (60) and alone at that. This intellectual overindulgence produced in Helmholtz’s case give him a “queer feeling” (62) in his works of writing hypnopaedia phrases. Watson feels as if he has “something important to say and the power to say it, only [he] doesn’t know that it is and… can’t make use of the power”

The author demonstrates that an adverse atmosphere can cause a person to relinquish their faith. The author establishes the purpose through the sufferings of Moishe the Beadle, Wiesel’s torment and plight of other prisoners in the concentration camp.

“She struggled violently under his hands. Her feet battered on the hay and she writhed to be free; and from under Lennie’s hand came a muffled screaming. Lennie began to cry with fright. “Oh! Please don’t do none of that,” he begged. “George gonna say I done a bad thing. He ain’t gonna let me tend no rabbits.” He moved his hand a little and her hoarse cry came out. Then Lennie grew angry. “Now don’t,” he said. “I don’t want you to yell. You gonna get me in trouble jus’ like George says you will. Now don’t you do that.” And she continued to struggle, and her eyes were wild with terror. He shook her then, and he was angry with her. “Don’t you go yellin’,” he said, and he shook her; and her body flopped like a fish. And then she was still, for Lennie had broken her neck.”

He felt good and he got all of his stuff ready. He ate brunch with his family and on his way out of the door, he said goodbye to his loved ones, they thought he was going on a hunting trip. He had a long way to the bridge on foot, around thirty miles. As he was walking a thousand thoughts flooded his brain. He could not stop thinking about his wife and his son and daughter. He felt awful about leaving them and he began to feel sick to his stomach the farther away he got from his home. He knew the feeling would go away right when he began to return

He drew a glass of beer and sobbed gently” (147). He, finally, sees just how isolated he is, how no woman will wrap her arms around him and be his cute, little wife. Even

By nights he would lie beside her, of necessity, In the hollow caverns, against his will, by one who was willing, But all the days he would sit upon the rocks, at the seaside, Breaking his heart in tears and lamentation and sorrow As weeping tears he looked out over the barren

In order to understand how insanity affected these artists’ works, the ways they developed it must first be examined. The first signs

“Her long shadow fell to the water’s edge. Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, half-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscrutable purpose…”

Charles Baudelaire’s poetry is a great example of when two seemingly opposing styles of writing, romanticism and realism, meet. The two intertwine in this work to form a masterpiece of natural beauty and painful realism. His use of nature to drive many of his deeper contemplations gives this work an air of romanticism. He contrast this beauty by discussing topics that a writer of strict romanticism would typically stray away from, such as the strongly negative reality of human behavior. However, the combination of these two styles that appear to stand in opposition of one another is part of the unique and haunting beauty that Baudelaire offers in his poetry.