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Leonard Bernstein Musical Influences

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A concert pianist, author-lecturer who spread the knowledge of music to millions, versatile composer of orchestral and vocal works, and beloved conductor are a few descriptions about the Leonard Bernstein. Bernstein inspired generations of musicians by embodying an undeniable passion and dramatic flair for music, and it was for the same reason Bernstein had many critics. Bernstein sets himself apart as conductor with an energetic and hypnotic style of conducting that propelled him to musical fame. This essay will examine the religious influences of Bernstein’s works, other musical influences from fellow composers, and Bernstein’s ability to bridge that worlds of popular and ‘serious’ music.
Bernstein was born on the 25th of August 2018 to …show more content…

The music that was heard each week at the Temple Mishkan Tefila contained traditional melodies, an organ, and choir, and these components (Jusdaism or Jewish musical traditions) can be found in his symphonies, Jeremiah and Kaddish (Myers 17). Completed in 1942, Bernstein’s first symphony, Jeremiah, was inspired by composers, such as, Dimitri Shostakovich and Gustav Mahler. The work was well received considering it was Bernstein’s first symphony, and many critics reviewed the work as a passionate cry for Jewish people. The finale, Lamentation, portrays the fall of the city of Jerusalem; the movement is sung in Hebrew and features text taken from the Book of Lamentations. Bernstein composes a heart wrenching movement around the potent scriptures he selected, here is a portion of the text, translated into English, that Bernstein chose from the Book of Lamentations, Chapter V …show more content…

After the successful collaboration between Leonard Bernstein and chorographer Jerome Robbins, the two decided to work together on a modern version of Shakespeare’s Romeo and Juliet set in New York. The highly popular West Side Story, would finally be completed seven years later, with music by Bernstein, dialogue by Arthur Laurents, and lyrics by Stephen Sondheim. The plot for the story tackled serval social issues including Racial prejudice and social injustice; themes that had not been present in many entertainment musical-theater at the time. West Side Story brought an unprecedented mixture of song and drama with powerful choreography; Bernstein wrote rhythmically complex music and fused a broad range of styles from vaudeville and Latin rhythms. Examining the song America can provide insight into the compositional creativity of Bernstein; he accomplishes this by alternating meters in six eight and three four. This compositional style is similar to those found in Final Dance: Malambo by the Argentinean Alberto Ginastera (Kamien 515). Further enforcing the Latin atmosphere in America Bernstein orchestras typical instruments of South America. In Tonight,

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