Lessons Learned in Eudora Welty's The Little Store Essay

In this passage from her autobiography, “One Writer’s Beginnings”, Eudora Welty recalls early experiences of reading and books that had later impact on her craft as a writer of fiction. Welty’s language conveys the intensity and values of these experiences with the use of imagery, with the use of diction, and the use of details.

Lizabeth struggles with her emotions when she says, “I was still child enough to scamper along with the group over rickety fences and through bushes that tore our already raggedy clothes, back to where Miss Lottie lived” (261). Lizabeth is caught in a sort of limbo, acting childish, yet feeling as though she ought not to be. Consequently, she feels as though she possibly should be acting more mature. “Our already raggedy clothes” demonstrates how her clothes are dirty and ripped like a child’s clothes would be. Furthermore, the children are rushing to Miss Lottie’s to taunt her, an immature act in itself. Additionally, Lizabeth also shows how she wants the best of both childhood as well as adulthood when she says, “Y'all children get the stones, I’ll show you how to use ‘em” (263). Although she appears mature by displaying courage when she says, “I’ll show you how to use ‘em,” the fact that she is showing them how to tease a neighbor completely contradicts that. Acting just as immature as the children she’s talking to, Lizabeth is hardly a grown adult to be taken seriously. Through the emotions and phony bravado, Lizabeth’s acts and words paint a clear picture of her

Childhood is arguably the most exciting time of a person’s life. One has few responsibilities or cares, and the smallest events can seem monumentally thrilling. Often, people reflect on the memories of their youth with fondness and appreciation for the lessons they learned. Sarah Orne Jewett captures this essence perfectly in the excerpt from “A White Heron.” Jewett uses many literary devices, including diction, imagery, narrative pace, and point of view to immerse the reader in familiar feelings of nostalgia and wonder, and dramatize the plot.

The friends of the narrator, however, do not hide in the imaginary world of childhood and are maturing into adolescents. Sally, “ screamed if she got her stockings muddy,” felt they were too old to “ the games” (paragraph 9). Sally stayed by the curb and talked to the boys (paragraph 10).

As a little girl, I saw the world in the best light simply because innocence clouded my judgement. As a child, I was innocent of mortality, as a teen hope, and as a young adult love. However, later on that innocence took on the role of ignorance. Not in the sense of not being knowledgeable or educated on the matter, but rather knowing it all too well that I choose not to acknowledge it. Innocence can be served as an instrument to block out surroundings when problems arise. It is an illusion of reality to protect what the individual desires to be true to what is actual. In Wendy Cope’s poem “Reading Scheme,” Cope writes about an affair more from the perspective of children by using the villanelle form to illustrate the inability of the

The setting and time period of this story supports the adventurous innocence of its youthful characters, as well as enriching the story’s momentous and climactic confrontation between the forward-looking Mona, and her more traditional mother, Helen.

Eudora Welty’s sheltered, adolescent life, coupled with her parent’s emphasis on education and reading, helped to shape her as the writer she was by making her stylistic approaches daring and intelligent while keeping a southern tone and state of mind.

Before interment, the girl was a curious, active character but throughout the story, and her prolonged isolation, her self-identity and personality undergo many changes. For example, in the beginning when her mother reminds her they have to leave their home, taking only what they can carry in their arms, the girl declares, “ ‘I already know that’... She wore a white cotton frock with tiny blue anchors and her hair was pulled back in two tight braids. She tossed her books on the sofa and told the woman [her mother] that her teacher, Mr. Rutherford, had talked for an entire hour about prime numbers and coniferous trees” (12). This quote demonstrates how

Eudora Welty has been careful to show us that the narrator is not the only self-centered, melodramatic member of this family, so is Stella-Rondo. Stella- Rondo has gained everyone?s

Eudora Welty wrote during the modernism period. This literary movement is characterized by being known as a period of international movement during the European, American, and World art, literature, and culture. Some characteristics that are apart of the modernism period are narrations through fragmented, internalized, or multiple perspectives or viewpoints. During modern times classical and mythic reforms were remade. Modernism also increased industrialization and globalization around the world, during this time most modern fiction was cast by first person and the literature usually had a clear beginning, middle and end. Modernist stories were also known to point out Irony’s, satires, and comparisons between things.

But, for the first time, her daughter stares into her eyes, and her response is astounding as well as startling, considering her age. She says, “Mommy, there's a world in your eye. Mommy, where did you get that world in your eye?", and for the first time since the beginning of the piece, we experience Alice’s confidence once again (6). She realizes her self-worth, and that it is not determined by her appearance, she says, “Yes indeed, I realized, looking into the mirror. There was a world in my eye” and although she went through a good portion of her life believing that she wasn’t beautiful, or sufficient, it was all worth it because it taught her to love herself even more now (6). To end the piece, she illustrates a dream she had: it’s her old self-doubting self and another her, confident and radiating, coming together. She is once again able to speak of herself in a positive way, she states that the latter self is “beautiful, whole, and free. And she is also [her]”, which, in a way, exhibits that same attitude she had as a two-year-old (6). Twenty-seven-year-old Alice completely contradicts twelve-year-old Alice, who would “abuse [her] eye” and who did “not pray for sight” but “for beauty” (4); she now speaks of herself

p. 82). Therefore, the adult narrator’s ability to comment and reflect on his child-self effectively emphasizes the naïve and vulnerable nature of youth, and contributes to the mood of foreboding and suspense throughout the novel, ‘now I was over confident. I expected things to go my way’ (Chapter 1. p. 28).

The first example of the children losing their innocence is when they are describing the transition from elementary school to junior high school. Each has found that instead of one teacher, they in fact had many teachers. Additionally, the girls they were once friends with, now different in size and grace, ignored them. This becomes apparent that things have change as a result of age.

Furthermore, McEwan uses symbols alongside, motifs such as the Trials of Arabella in order to explain Briony’s mindset as a child. This suggest and supports the idea that Briony being young is unable to fully grasp and understand her surroundings.

The experiences we have in childhood do much to shape our adult identity. In her novel Cat's Eye, Margaret Atwood chronicles the life of artist Elaine Risley, and through a series of flashbacks shows the reader how she became her adult self. The retrospective showing of Elaine's artwork provides a framework for the retrospective of her journey from child to adult. Because Atwood was creating a fictional character, she was free to incorporate some very dramatic events that impacted Elaine's thoughts and feelings. Most of us do not have as much drama in our lives I certainly did not and yet the people, circumstances and occurrences in our lives affect us profoundly. We create our identity by the friends we choose, the decisions we make, and the way we respond to things that happen around us. Some things happen to us, and we also make conscious choices.