Lewis Law Building Analysis

One of the first things that I noticed about The Met was its exterior architecture. Like many historical buildings and museums, The Met's architecture is highly influenced by European architecture; in this case, it appears as though the architecture is attempting to emulate the gothic style. Once inside the daunting faรงade, I was pleasantly surprised to see how richly illuminated the museum was. What made it even more remarkable was that much of the light appeared to permeate through skylights that had been built into the building's ceiling. Moreover, I was pleasantly surprised to see that The Met was considerably less crowded than the American Museum of Natural History, which I had visited the day before.

From the outside of the building much can be observed. By standing across the street, almost the entirety of the front of the building can be observed. It is completely light grey as it was most likely built of cement or concrete. The blocks form a staggered, brick-like pattern with a thick row of blocks topped by a thin row, topped by a thick row again and so on. There are not many windows on the front side of the

The Isabella Stewart Gardner Museum publically showcases Mrs. Gardner's collection in the greater Boston area. Each room functions as a chapter of a pilgrimage. When one travels through various countries and time periods, one inevitably ends up in a gallery built in the imitation of a chapel, and subsequently the Gothic room. In this paper, I will examine the Gothic room's theme in relation to the placement of its objects. I will also evaluate the room's strengths and challenges in serving the public, and how the conventions employed in this room contribute to the general accessibility of the museum.

Leila Aboulela writes “The Museum” in a way that can make the reader feel like they are connected and present with the characters. Held in a prestigious university in Scotland, the University of Aberdeen, “The Museum” highlights many difficult challenges that can be faced in a lifetime, and that makes the story even more relatable. Leila Aboulela really knows how to capture her readers, which makes her story so memorable. Aboulela uses explicit adjectives to describe common things that advance the story even more. For example the reoccuring color blue on page 372 that evokes the sad feeling that Shadia develops throughout the story.

This museum is the first time Johnson started to move away from the influence of Mies and the International Style. The international style of architecture emerged in the 1920’s and 1930’s. You can see this style of architecture in photo A. Common characteristics of International Style buildings are said to be rectilinear forms, ligh taut plane surfaces that have been completely stripped of applied ornamentation and decoration, and open interior spaces. The typical materials of this style are glass and steel usually combined with less visible reinforced concrete. In picture number four you can see Munson Williams Proctor museum has opaque stone-clad walls, and uses luxuriant materials such as granite and statuary bronze, and a very balanced and symmetrical design. These aspects were all part of Johnson’s growing new interest in neo classical typologies, or what would be known as New Formalism in modern architecture. Neo formalism emerged in the 1950s and really took off in the 1960s, it remained popular in the third quarter of the twentieth

The Courthouse can be identified in the middle left hand side; on the middle right hand side is an orb of light, which most likely can be determined as the moon. This building is very tall with a trapezoid-like roof and a dome tower on top. The tower is lit up with lights and has another, smaller tower with a flag pole on the top.

I was recently in Washington D.C. where I visited a number of public buildings. I immediately thought of Washington D.C. when I saw this discussion assignment. There are an abundance of buildings there designed in the classical order. However, I will focus on the U.S. Supreme Court building – which is one of the three above.

Beyond an overwhelming sense of secrecy, there is an immense feeling of importance the institution gives off. Large, decoratively carved Greco-Roman marble walls, floors, and pillars covered the building. This style of architecture reflects the seriousness, intellectualism, and importance the building gives off. Essentially, it helps add to the institutions credibility. In the front of the building there stands two statues; one depicting Contemplation of Justice, and the other depicting the Authority of Law. The first statue features a strong and powerful looking woman sitting in a grand marble thrown with the book of law underneath her left arm and a blindfolded lady justice in gripped in her right hand. The woman in the chair isn’t just a woman, but a symbol of intelligence, heroism, and beauty that the law requires. A blindfolded lady justice speaks volumes to how justice, law, and order should be insulated from outside influences, and that only the truth should be seen. While, the book of

The Lyndon Baines Johnson Library and Museum utilizes many different types of form to create a grand monument fitting for a man as “large” as Lyndon B. Johnson himself. Gordon Bunshaft and Max Brooks, the architects behind designing this building, used scale, proportion, space, shape, and color to make the Lyndon Baines Johnson Library the breathtaking memorial that it is today.

“Some day you will be old enough to start reading fairytales again.” -C.S. Lewis. We all have had experiences that bring about growth and maturity; the clear line that separates us from childhood to adulthood. The shift from childhood to adulthood happened for me when I started having my own opinions and my own outlook on life. You can always be traced back into your life, in the events that shaped your perspective of the world.

The purpose of this paper is to visit The Metropolitan Museum of Art and write a reaction paper about art works at the museum based on my impressions about them. To begin, I will start by giving you a little of background information about this interesting museum.

In many places throughout the world many buildings, monuments and sculptures have been made. Some were made centuries ago, and some were made recently. Many works of arts are significant or a great part of history. Some of the many buildings that have been made throughout time could have also been dedicated to someone or something. For example, the Arch of Titus was dedicated to Titus. Another example would be the Arc de Triomphe which was dedicated to soldiers. Many buildings can have a very significant meaning behind them, in the following essay I will be speaking about the importance of both of these works of art, which are the Arch of Titus and the Arc de Triomphe.

Historical buildings play an important role in describing the social and cultural beliefs and values of a place of its establishment. People visiting the historic buildings are able to develop a proper insight into the community beliefs and practices that exist at the time of construction of a building (DuTemple, 2003). In this context, the present essay examines and evaluates the way in which the architectural building of ‘The Colosseum’ describes the societal and cultural values of Rome. In addition to this, the essay also demonstrates the technical and spatial features of the buildings and illustrates the way through the building is able to develop a language of classical architecture in Rome. The thesis statement of the present essay can be stated as ‘The extent to which the architectural building of ‘The Colosseum’ in Rome depicts the cultural and societal values and principles practiced in Ancient Roman Society’.

“How do you make a building for contemporary art that stays contemporary in the future without stooping to a neutral language? And how do you attract a big public without compromising the selfish, private, exclusive time we all want to have in a museum?” These questions, put forward by Elizabeth Diller of Diller Scofidio + Renfro, represent the urbanistic motivation supporting the construction of Boston’s Institute of Contemporary Art (ICA). In such a manner Boston’s ICA engages, not only with the urban citizen, but also the urban landscape in which the site is located. The ICA conveys the idea of architecture as art in itself. As a presenter of art to the urban citizen and because of its open design, the inside allows the citizens to not only appreciate the art within the building but also see the art of the building’s natural environment and setting.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.