Life And Death By Woody Allen

In “The Last Stop” Brian Cable gives his rendition of what death is like and how we as human beings cope and handle it. Cable started the essay with his own view of death. In the first part he says, “Death is a subject largely ignored by the living. We don’t discuss it much, not as children, not as adults, and not even as seniors.” (104) Cable then gives a description of the mortuary he visits to interview a funeral director and its licensed mortician. He describes the building as, “a bit like a church, tall, with gothic arches and stained glass.” (104) He goes on to say that “it was not what I expected. I had thought it would be more like Forest Lawn, serene with green lush lawns and meticulously groomed gardens.” (104) However, instead

Death is a topic that unites all of humanity. While it can be uncomfortable to think about, confronting death in unavoidable. “Dying” addresses that discomfort and universal unwillingness to consider the inevitability of death. Pinsky’s use of imagery, symbolism, and tone create a poetic experience that is like death, something every reader can relate to. In “Dying,” Pinsky describes how people are oblivious and almost uncaring when it comes to the thought of death. Pinsky is trying to convince the reader that they shouldn’t ignore the concept of death because life is shorter than it seems.

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether its on television or newpaper, you'll probobly hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death effects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.

In literature, readers often see topics that one can relate to; topics that mimic everyday life, personal anecdotes or situations one has experienced . “A Rose for Emily,” a fictional story written by William Faulkner, shares eerily similar details with an article written in the Philadelphia Inquirer on January 30, 1987, “A Woman’s Wintry Death Leads to a Long-dead Friend,” by Dick Pothier and Thomas J. Gibbons JR. Faulkner’s narrator depicts the reclusive life of Miss Emily Grierson and the events leading to the discovery of a dead man’s body that had been locked away in her 2nd story bedroom for over forty years. In the article, Pothier and Gibbons report how a woman named Frances Dawson Hamilton was found to have “lived with the skeletonized remains” of her long-time companion for over two years after being discovered frozen to death in her home (153). Faulkner’s short story heavily relies on the narrator’s knowledge in addition to his point of view and experiences whereas Pothier and Gibbons report facts observed on scene or learned from interviews of neighbors, police, and investigators. Although fear of solitude initially motivated both women to behave so outlandishly, it is the authors’ distinct portrayal that illustrates each individual’s intentions.

In “Lives of the Dead”, O’Brien’s own innocence is preserved through the memory of Linda, a memory that remains untarnished by the inevitable corruption that results from life. O’Brien’s writings “save Linda’s life. Not her body--her life” (236). Storytelling and memories preserve the value of Linda’s existence while simultaneously allowing O’Brien to process death and destruction in a way that maintains a degree of optimism regarding his own life and future. Juxtaposing the images of body and life emphasizes his desire to save the idea of Linda while accepting the loss of her physical presence. O’Brien rejects the idea of death as absolute and final; instead he suggests that “once you are alive, you can never be dead” (244). Linda’s death solidifies her importance in O’Brien’s own development; she teaches him about life and real love as much as in death as in life. O’Brien’s paradoxical statement defines the lasting impact of Linda on him; her presence in his stories keeps her alive through memory; memories that even her death

Kurt Vonnegut followed many principles in his writings. He claimed that “people do not realize that they are happy” (PBS NOW Transcript). Feeling that people had the wrong view on war, he felt that he needed to get the facts straight. Vonnegut believed that art can come from awful situations, and that the truth is not always easy to look at. Kurt Vonnegut wrote Slaughterhouse – Five to tell of his experience in the bombing of Dresden, as a prisoner in war and the atrocities that occurred.

The short story the dead is written by James Joyce an Irish writer who lived between 1882-1941,he is best known for his modern writing techniques, with stories such as “The Dead”, this story is well known for its deep analogy of Irish culture, history, and how the story relates to life struggles, the difficulties of time and age and dealing to forget the dead ones we have lost.

Slaughterhouse Five by Kurt Vonnegut takes places on two contrasting planets. One is Earth, where war tears apart families and minds, and the other is Tralfamadore, where supernatural alien beings share their extended knowledge of the world. Vonnegut uses the two planets, Earth and Tralfamadore, to show the contrasting ideas of chaos and order, and that human actions have limitations that render them helpless against a meaningless universe.

Cormac McCarthy’s 2006 novel The Road is a story about how McCarthy believes the world will be after a disaster that kills millions of people. The book follows the lives of a man, known as Papa, and his son, known as the Boy. It is about their journey to find the other good guys, and how they survive in a world filled with starvation, pain, and death. In The Road, many people die. The two most important deaths are of the Boy’s Mother and Father. The two very different ways they die shows how death is accepted by various people and what they are feeling when they die. McCarthy uses death as a method of portraying how people felt about dying, and how it impacts the way that they are feeling when they die, and how it motivates them to live.

In the novella The Body, author Stephen King makes an attempt to explain a story about losing innocence, only to be replaced by maturity and the corruption that comes with it. To do so, King revolves a story around a group of four boys who go on a life changing journey to find a dead body they heard about through the grape vine. Little did they know that pursuing this journey would eventually change them for the worse. In its entirety, the crux of the novella was to show how the experience of meeting death hands-on will pivot a person’s life and will either lead them onto a slippery slope or mold them in to a man soon to be. More specifically, King reinforces this theme beautifully by using light imagery during the

In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.

The main theme in As I Lay Dying by William Faulkner is family. It is not a pleasant topic throughout the book. Poor or no communication creates intense barriers of misunderstanding and resentment between family member, but not particularly siblings who are rivals for their mother’s love. The family from the beginning isn 't based off love because of the sort of arranged marriage of Anse and Addie Bundren. Most of the explaining of the families dynamic is all explained in Addies one and only chapter.

The literary element setting includes the time when the story happens and location where the story takes place. Some stories use variety of settings to initiate an interesting beginning. However, the 12 Angry Man has only one fixed setting – the jury room, which is not commonly used in a novel. The author, Reginald Rose, overcomes the limitation in setting by describing changes in weather, initiating different types of character and imitating the events of the murder.

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian