Life Of Pi Comparative Essay

Yann Martel`s Life of Pi follows A journey of a young man and a Bengal tiger as they travel across the ocean in a lifeboat.Director Ang lee made many consider the book to be beautiful,but virually unflimable.Being needed to told on screen Ang lee discerned very adeptly,about Life of Pi ‘’if there is will there is a way’’.

The island can be compared to the Garden of Eden. Pi discovers the “black fruit” on the twisted branches of the tree of “knowledge of Good and Evil” and his illusion of a perfect island is destroyed. There is a heaven and hell type scenario with the passing of each day and entering of each night. At day the meerkats eat without having to kill and show no fear not even towards Richard Parker. At night however, the ecosystem of the island feeds on itself. Pi then realizes, “*he+ preferred to set off and perish in search of my own kind than to live a lonely half-life of physical comfort and spiritual death on the murderous island” (Martel, ). The algae island provided Pi with a protection from the struggle he had to survive on his journey across the Pacific. The island provided Pi with food such as the algae and the meerkats which he did not have while he was on the boat. It also provided Pi with shelter against storms; he also did not have that in the boat. Yet Pi still left the island because he realized to live in this island he would surely die without ever meeting another human being again. Pi left this lifestyle and chose to go with Richard Parker back into the voyage across the Pacific. The last object of symbolism is the colour orange. The colour orange is shown to be associated with survival. However, Pi has been exposed to the colour orange before through Hinduism. In Hinduism the colour orange is used to symbolize fire, when the religious

Survival is an instinct. Often times, in order to survive, people must shed a part of their innocence. For some, it may be subtle, taken in tiny bites along the way, and for others it could be in one traumatizing moment. Ang Lee, director of “The Life of Pi,” explores this theme throughout his film. Lee shows the viewer this loss in the use of imagery, lighting, and color. He takes the viewer on a journey through the eyes of Piscine Patel as his innocence and humanity slowly get chipped away and he is forced to do what is necessary to survive and the lengths he goes to to regain that lost innocence.

1. Firstly, part three of the novel presents the reader with a change in the form of the narrative. Up until chapter ninety-six, as we’ve seen, the novel has consisted of two types of narrative: first person from the point of view of the author, and Pi’s first-person account, which is constructed by the author. Now, the exchanges between Pi, Mr. Okamoto, and Mr. Chiba are entirely dialogue. The new form of narrative is a third-person transcription, which lacks rich detail, potential illusion, and over exaggeration. As an audience, we perceive this as solid, factual information. But, Pi is also preparing to retell another version of his survival story. We now have to decide what story—one, both, or none, is the true story.

Life standed on the sea is very grueling and risky. Only a few are able to face the

When considering the novels Lord of the Flies by William Golding and Life of Pi by Yann Martel, the reader notices that they do not appear to be similar despite both being stories of becoming stranded and rescued. However, both books contain elements of religion that dramatically change the way each novel affects the reader. The reason that the characters in Lord of the Flies regress into evil behaviors and the main character in Life of Pi does not is due to a difference in devotion to religion.

The will to live is a strong urge of survival that occurs when one’s life is threatened. The novel and film Life of Pi is about a boy named Piscine Molitor Patel who is lost in the middle of the Pacific Ocean due to a shipwreck with a 450 pound Bengal Tiger. The theme that fits the novel and film the best is the will to live. The novel and film effectively prove the theme by using symbols to portray how badly Pi wants to live. Characterization also plays an important role in proving the theme as the novel and book show how Pi and his tiger have to change themselves to live. Cinematic techniques such as different types of camera angles are used as well to prove that the will to live is the essential theme in the film. In the novel, Yann Martel shows how the camera angles prove what they prove. The film and novel Life of Pi effectively capture the theme of the will to live by the effective use of symbolism, characterization, and cinematic techniques.

Lord of the Flies and Life of Pi are two epic adventures with a bountiful amount of similarities and differences. William Golding writes Lord of the Flies in 1954, and Life of Pi is written by Yann Martel in 2001. Golding’s write is set up with boys who are stranded on a island and are left to take care of themselves with no one to answer to. They face many hardships and are left to make their own decisions. Yann Martel sets up his story with the main character Pi who faces his hardships after he is left stranded after a accident on the waters. Both of these two works accentuate the question of what happens to people when there is no one to answer to, and they must make decisions on their own. The two works reveal how the human condition is within

On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which

He's offered us a completely abstract image which offers layers of large blocks of color that affect each other with regard to pushing and pulling, into and out from, the picture plane. It contrasts those ordered rectilinear blocks with a series of chaotic splotches that seem to shrink down in decreasing size, all the way down to passages that are almost pointillist in feel. So we get from this visual context, a kind of sense of landscape, which is reinforced by the fact that the dominating color along the lower part is a kind of tawny sand-like color; and the dominating light blue above it, suggests the shore of the sands and the sky, and then all of that green dominated material in between could be taken to be vegetation that is growing on the edge of the sea, into the sky. (L40,

Due to Pi’s devotion to all of his faiths, particularly Hinduism, not only changed how he thought about his current situation, but also changed how he would think about every single situation after in Martel’s Life of Pi.

In order for human kind to survive the painfully realistic days of existence, a sort of belief system is direly needed. As shown through Pi Patel from Life of Pi and Chuck Noland from Cast Away, holding onto a belief of something provides one with the determination to survive the worst conditions. Both the novel and the book share the story of two castaways who depend on their belief in something to survive and conquer their respective challenges – Pi Patel who depends on his faith in religion, and Chuck Noland with his faith in returning to civilization back to his loved one. At one point, they both lose this faith that keeps them

despair through the cinematic event lighting. We feel despair within the darkness of the sky and hope within the constellations illuminating the sky. The ocean becomes a character which creates solitude at times and fear during other times. When the ocean signifies the sustainability of life with serene blues and greens and despair with the darkness of grays and blacks. During a big storm with waves engulfing the lifeboat, Pi looks into the sky to see a ray of light through the intense thick clouds.

Yann Martel’s Life of Pi is a prime literary example of the major impacts the roles of minor characters have on the plot of a story. Without such characters as the protagonist’s father, uncle, and brother, the entirety of the main characters’ lives would be shifted dramatically. So much, in fact, that the events of the novel may never have occurred had these secondary characters been absent.

Pi could survive on the ocean for many months is a miracle, and he even stayed with a tiger during the venture. He probably was eaten by the tiger, but he didn’t. In Yann Martel’s Life of Pi, Pi survival depended on his past experiences, Pi not only survives, he becomes stronger due to learning how to swim when he was young, believing in three religions, and stay with animals for a long time because he father used to own a zoo.