Later in the story, Pi reveals a second interpretation of the seven month journey. He replaces the animals with humans like his mother and the cook. In this side, Pi portrays himself as the ferocious tiger, Richard Parker, essentially becoming his doppelganger. While Pi was on the inescapable lifeboat, he was trapped with Richard Parker. In accordance to Foster’s idea that no literature is original, this version could be extremely comparable to The Picture of Dorian Gray and Dr. Jekyll and Mr. Hyde. In The Picture of Dorian Gray, Dorian is forced to deal with an evil side of him after he trades his life for youth. In Dr. Jekyll and Mr. Hyde, Jekyll accidentally creates a concoction that gives him another personality called Mr. Hyde who commits crimes and can easily be named evil. In all three cases, the protagonist is faced with an uncontrollable alternate personality.
Pi’s life before the boat crashing was full of hope and wonder. His presence was ethereal, making a purpose out of everything around him. His family ran a zoo, which gave him a tight-knit relationship with animals. Pi loved to try new things. He met new people which led to his exploration
“Without Richard Parker, I wouldn’t be alive today to tell you my story.” The significance of this quote is that the presence of Richard saves him from the effects of loneliness. “The lower you are, the higher your mind will soar.” This quote is important because when Pi is at his lowest point, he reaches for his only remaining sources of salvation, which is his faith and imagination. “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The element couldn’t be more simple, or the stake higher.” The quote significance is that the few that survive the ship are force to face each other in a strategic battle of wits to see who will
This setting is the cause of Pi’s development of primitive instincts because it is associated with chaos and a battle with the environment. The lifeboat is floating in a barren body of water that has a lonely atmosphere, which helps portray Pi’s need to be independent. To tame the survival instincts inside of him, Pi needs to rely on his own decisions and logic. Because Richard Parker’s territory is within the lifeboat, the lifeboat represents the origin of Pi’s savagery; therefore, it’s atmosphere is tense and overpowering. The action of the passage occurs in the lifeboat because Pi needs to tame his inner tiger in the same setting where it was born. Pi discusses that he spends more time in the lifeboat after his confrontation with his brute behaviour. The raft allowed Pi to hide from his developing instincts, but now that he has tamed his savagery, he can live along side it in the
Yann Martel offers two accounts of Pi’s survival story so that Pi is able to personify animals and also give animalistic qualities to humans. This exchange is only seen after both accounts are read. The reader is able to determine which he or she accepts as reality, but since the facts of the story go unchanged and both tales are primarily the same, the sole purpose is to highlight the traits humans and animals posses. Yann Martel exemplifies human traits in animals and animal traits in people through his claim in passage A by telling the two stories of Pi’s survival.
Part One is narrated in the first person by Pi. Pi narrates from an advanced age, looking back at his earlier life as a high school and college student in Toronto, then even further back to his boyhood in Pondicherry. He explains
This thread develops during the novel because while he is on the lifeboat Pi starts questioning who truly he is and wants to be. The young boy who was once dedicated to vegetarianism, which was rooted in his religion, must make a life changing decision.
When pressed on the issue of the lack of credibility of the animal story, Pi is forced to give a second, human story because it is the only story that would be reasonably believable, full of “dry yeastless factuality”.
1. The main characters in Life of Pi are Piscine Molitor Patel (Pi) and Richard Parker the Bengal tiger. Pi is the protagonist he is hopeful and believes that things get better. He is very optimistic which gets him through a lot of his troubles. In the beginning of the book Pi seemed to have things the rough way and continues that way but he was very hopeful. In the beginning of his lifeboat journey he was sure things would get better but as time went by he wasn't sure anymore but he had things to remind him to keep going. I also think he became more grownup and stronger by the end of the book. Richard Parker is the tiger on the lifeboat with Pi he is there every step of the way with Pi. He helps Pi get through things. Richard Parker is very
Its importance is far more than just trying to survive. This part of the book doesn’t make it better than the film because it is not shown in the movie but more because the detailed process of killing and eating the turtle provides the reader with an example of Pi’s desperation to survive.
As Pi has to fight through adversity when he is stranded in a the middle of the Pacific Ocean, he has to adjust his eating habits. When one is in a situation where there is not much to eat, any little thing must be consumed. As a very famous proverb says, “Beggars can’t be choosers.” This was Pi’s most difficult challenge when he was on the boat. As a child, Pi grew up to be a vegetarian. The idea of killing and then consuming an animal really freaked out Pi. He remembered from his childhood, “To think that when I was a child I always shuddered when I snapped open a banana because it sounded to me like the breaking of an animal's neck” (197). Even when Pi was eating something like a banana that is not related at all to an animal, he
When writing, authors focus on what they wish for their audience to gain from the story, what they want the readers to learn from the actions and thoughts of the narrator. In The Life of Pi Yann Martel uses Pi and his experiences whether the audience believes Pi’s grand story of his survival or not, to impart upon them the relativity of truth. In the beginning this is shown threw Pi’s explorations with different religions already guiding the reader to consider what truth means with his thoughts on the different religions. It is later explored in Pi’s telling of what occurred to him while shipwrecked to the officials and their reactions to his tale. Especially once it becomes clear that the few differences between the stories were the lack of animals in one. Pi asks the officials which story they prefer; the officials can choose to believe whichever story they prefer, and that version becomes the truth to them.
He starts out with a zebra, hyena, an orangutan, and a tiger, but the animals slowly diminish leaving only Pi and Richard Parker. Pi works to tame and care for Richard Parker, and the two survive for two hundred twenty-seven days. Pi encounters a fellow French castaway who is eaten by Richard Parker (Martel 311-320). Pi also comes across a man-eating island (Martel 322-358). The events that take place are fairly far-fetched, and the probability of all of them occurring to the same person in the period of time given is even less believable. The second story, on the other hand, is a perhaps more believable retelling of the original story. Pi relates the second tale upon the request of his interviewers for “‘a story without animals’” (Martel 381). In this story the animals are replaced with human representatives including an injured Chinese sailor, a French cook, Pi’s mother, and Pi himself. The second story, like the first, begins with many passengers on the boat, but in the end it leaves only Pi to survive by himself after brutally murdering and eating the cook who killed both the sailor and Pi’s own mother (Martel 381-391). Unlike Pi’s first story, this account is dark, desperate, and harshly realistic, without any sense of hope to counter it all. After relating both of these stories to his interviewers, Pi asks them which story they think is better (Martel 398). Although the
Furthermore, his vast knowledge of animals, having grown up at a zoo, helps him to tame Richard Parker. Pi knows tigers’ psychological thinking and exploits this by classically conditioning Richard Parker. Likewise, Pi’s experience of watching a tiger kill a goat in his early childhood taught him the fundamental lesson that ‘an animal is an animal’, enabling him to strategically and mentally survive his long and testing time at sea. In addition to that, during the early parts of Part 2, Pi comes across a survival manual, a crucial object for his continued existence. The book gives him critical information on the do’s and don’ts of survival at sea and it is hard to imagine that Pi could have survived without this book which also gave him the opportunity to write down his words which were “all he has left’’.
Pi anthropomorphizes a zebra to show how weakness cannot be exhibited on a stranded lifeboat. Through his anthropomorphizing, Pi illustrates the dangers of being weak and dependent on the sea, and how important it is to be independent and strong. When Pi fell into the lifeboat, one of the first animals he saw was a zebra. Pi noticed that the zebra had a broken leg and was unable to move. Pi reasoned that if the zebra was unable to get up and move around, it would be quickly eaten by the predator animals that were also on the lifeboat. Pi said, “It lay near the stern, where it had fallen, listless, but its stomach was still panting and its eyes were still moving, expressing terror”