Life and Work of Sam Shepard

At the Kearsarge 2018 Regional Theatre Festival, Oyster River High School gave a performance of Peter Tarsi’s Tracks. The play, depicting multiple characters navigating the afterlife, uses its production elements effectively throughout to help convey the story. As a whole, the actors’ performances help to define their characters, who are often portrayed as modern archetypes. But despite all this, the play falls victim to the inconsistencies and often plodding nature of the script. Ultimately, the poor story structure stops the entire production in its tracks.

Stephen Mallatratt’s adaption to play of “The Woman in Black” portrays the story of a man named Mister Kipps, who is a solicitor who has been sent to an abandoned home in the East of the country in order to collect the legal papers of a recently deceased woman. However, the audience learns that the woman living in Ell Marsh House was haunted by a spirit known as The Woman in Black. Being based in the turn of the previous century, the play tackles the themes of how the fear of the unknown can transform a man of science into a man fearful of the dark and every single creek; and how the concept of revenge can cause an embittered woman to seek vengeance and claim the thing she lost: Children. The play is set during the time where superstition was surpassed by science and where a rational explanation was being required for how everything occurs but how science can be destroyed by the unexplainable…

The proportional use of Character, narration and episodic structure to modernise the contemporary play Hoods generates s a production abounding with challenging dramatic action and significance. Primarily via the two Hood narrators, this performance effectively contests the viewers to examine their own soul against others surviving in hardship and confront this cruelty with thoughtful consideration.

The theme of Orloff’s play focuses on examining these expectations of good playwriting with a surprise lesson being discovered in the end. The Teacher, who is supposedly showing how the scene should play out between the Jumper and Good Samaritan, learns a valuable lesson himself on the craft of writing a good play. The lesson being that in theater, just as in real life, nothing is set in stone and anything is possible.

“Away” is a play written in 1988 by Michael Gow. Away refers to the central ideas of Australia in 1967-68. The central ideas embrace the outsiders, family conflicts and grief and loss which affected families in the play. Gow uses three main families to convey the message of the play. The use of language and stylistic devices influence the way Gow has been able to speak to the modern Australian audience. In the play “Away” Gow is able to speak to the modern Australian audience with the use of allusion. Gow alludes to two of Shakespeare’s plays; Midsummer Night’s Dream and King Lear, two well-known actors in the 1960’s; Chips Rafferty and Laurance Olivier and the Vietnam War. The modern audience would have to do research to

In the play “Grand Concourse,” the talented playwriter and actress Heidi Schreck develops a plot based on the natural human conflict about the forgiveness toward unintentional actions. Heidi Schreck is a recognized writer who has been awarded with one-year residency by New York's Playwrights Horizons (Silk Road Rising 17,18). Named after the main street of the Bronx in New York City, the play shows the conflict that its characters face in the internal war between goodness and evil. The opposition between the actions of Emma (antagonist) and Shelley (protagonist) shows the complexity of human compassion towards the evil (sometimes unintentional) actions. Looking at the main actions of Emma in the play she egotistically seems to manipulate all the characters to feel better about herself. However, a deeper glazing indicates that her depression leads her to hurt people around her unintentionally; she tries to get forgiveness, but she realizes that the solution it is more complex that just an apologize.

The situations and informal diction or vernacular in the play create an atmosphere of familiarity with the audience, and this familiarity helps the audience to realize that Troy, Rose, and Cory are just like them. Wilson’s technique of drawing the audience in is a method of breaking down social and racial barriers that existed during the time depicted in

Richard Gremel’s original comedic play, The Mysterious Murder at Manchester Manor (TMMMM) premiered at the Vail Theater of the Arts. This show was directed by Richard Gremel himself, and the cast was Empire High School's Advanced Drama class. This play report will emphasize the performance of an individual actor, Emily Gates (portraying Nancy Waters), under a rubric of six traits: movement, believability, beats & intentions, subtext & inner monologue, physical score of action (PSA), and overall performance.

At Pittsburgh’s Halfway Art Gallery he found his audience for poetry, and got to meet some of Pittsburgh’s black literati. In 1981, Wilson submitted Ma Rainey’s Black Bottom, and it was accepted in the O’Neill Center. It did however, undergo many changes in the summer of 1982, it went on to play at Yale and became the first Broadway play in 1984. His next play that he wrote was Fences. Now Fences is a interesting play to read, because reading the background information I feel as if he was writing this book from his point of view. His dad was not always there, his dad cheated on his mom, his mom raised the kids, and his dad was a worker and then came home and never messed with the kids or played with them. Not so much as he treated the kids like slaves, but in a way you could say he did. Reading the play and then writing this paper has been a wonderful experience. Reading the play gives us some back ground information about what the “1980s” were about. The racism, the abandonment, the shame, the cheating, we see it all in this play. Wilson did a good job at showing us what it was like to be a boy in this time when you wanted to play baseball but could not because you were black, or wanted to go somewhere and you could not because you were black. Some people would think that only “blacks” would like to read something like this because they would “understand” it, but that is not true. Reading Wilson’s

Miller presents the character of Mary Warren in an important way to show the message of status and power. Mary Warren’s character is seen to be vulnerable and timid. The key events that makes her role important are her roles in the girls’ group, the scene with the poppet and her confession in court. Through the events in the play Miller portrays Mary Warren with tension and suspense. This makes the audience question her status and power.

He successfully presented the varying perspectives toward homosexuality in the Laramie Community at the time of Shepard death. The play was unbiased and did not show favoritism to a particular group. By showing the different perspectives towards homosexuality, I was able to see the full picture about the matter. After familiarizing with The Laramie Project and Mathew Shepard’s story, I realized all the different perspectives others have towards homosexuality. It is not plainly black and white but there are different shades of grey. The author of the play achieved his objectives because of all the viewpoints that were provided from the different groups of

The Laramie project captured the audience's attention by utilizing different design methods on stage. This included sound, stage and hand properties, light, and music. With an ensemble of 10 actors playing over 30 roles, this proved to be an amazing play to experience. The playwright was constructed in a clear manner, which eliminated the confusion of "who is who." Through the usage of the stage elements as well as the dynamics of each character, this brought about an effective plot.

Adam shepard was more admirable and left a bigger impact on many people. The reason I say Adam is because he worked for where he was and made others realize that it is possible to obtain the American Dream. Chris McCandless was a complete different person he did things that were admirable but I don’t find him an admirable person. Through everything he went through he did everything wrong, many people go through a hard time and if everyone did what he did this world would be completely different. What Adam Shepard did was not only for himself but impacted others to believe they can accomplish the same goals.

In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.

Waiting for Godot, Samuel Beckett's existential masterpiece, for some odd reason has captured the minds of millions of readers, artists, and critics worldwide, joining them all in an attempt to interpret the play. Beckett has told them not to read anything into his work, yet he does not stop them. Perhaps he recognizes the human quality of bringing personal experiences and such to the piece of art, and interpreting it through such colored lenses. Hundreds of theories are expounded, all of them right and none of them wrong. A play is only what you bring to it, in a subconscious connection between you and the playwright.