Lighting In Edward Scissorhands

In ES he uses low key lighting Edward in the Big dark castle when the lady first encounters him. This shows how isolated and lonely he was. And him coming away from that darkness signified him trying to really come out. In CACF he uses low key lighting to a similar effect. He uses this on Willy Wonka. When he puts the low key lighting on Willy’s face this shows how in his factory he was very alone and had a troubled past. Which caused him to be more distant when the time came to actually socialize with the kids that came to the factory. In the Corpse Bride he uses this as well. When Victor sits down and plays this piano we get a shot of him and the piano surrounded by low key lighting. This shows how isolated and lonely Victor was. That when he plays his music or paint his painting that he actually comes out of his shell. This shows that lighting that he uses really has a effect on his

In the film, Edward Scissorhands, there are many different characteristics between how the lighting and colours influence, scenes of the movie, such as, Edwards dark, gothic mansion. Edward’s mansion has a gothic influence and has dark and bland lighting, we are shown the gothic feel of Edward’s mansion when Peg goes up the old dark staircase to the large dark room where she discovered Edward hiding in a dark corner. Peg was frightened when Edward came toward her with his Scissorhands moving, which Peg thought were weapons until she discovered a scared, shy being known as Edward. When Peg saw Edward, she felt as though she needed to help him and so she brought Edward into a completely different type of world than Edward is used to, a bright,

Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to

Another example of Burton’s use of low key lighting is expressed in his short film Vincent. As Vincent and his zombie dog search for victims through the night, dim lighting is used to give him a mischievous appearance. This gives the audience the impression that there is something wrong with Vincent because he does not act like a normal kid. This displays importance to the story because the audience judges him by the way he appears, only to find out later that he just prefers to live in his dramatic imagination. The use of low key lighting assists the audience in believing that Vincent is aberrant until his mother explains that he is not insane, but living in a fantasy

idea and I think that Tim Burton Is trying to say to the audience that

In his popular film, "Beetlejuice" Burton clearly demonstrates his intent through the film's lighting. He mostly uses low-key lighting to establish a mood of drama and tension, such as in Beetlejuice’s famous wedding scene. As Beetlejuice uses his ghostly powers to force a young lady to marry him, holding her parents captive as witnesses, we can clearly see how the

Often times, people judge those who diverge from the typical ideals that societies have created in place for them. Although, director Tim Burton challenges societies’ norms through his work in the film industry and exemplifies his argument through outcast protagonists that alter the perception of normal. The differences, not only in the characters, but the setting as well, are seen as a “peculiar” set of characteristics that make them unique and special. Tim Burton expresses the idea that individuality is preferable to conformity through his use of contrasting settings and misfit protagonists in films such as, Miss Peregrine’s home for Peculiar Children and Edward Scissorhands.

Director Tim Burton uses lighting throughout his films in order to create a feeling of sorrow toward his characters. One example

In one scene they use high-key lighting to show more of an exciting and fantasy scene to stimulate the audience’s sense of excitement in the film. However, in other parts of the film low-key lighting can be seen. Like when Dorothy meets the wizard for the very first time. These scenes create a scary, suspenseful feeling for the audience. Another scene where they use low-key lighting is at the beginning of the film when Dorothy is taken by the tornado.

On what I saw, low-key lighting was the most frequent kind of light used in the movie. For example, when Ray is sleeping with Abby multiple times, it is very hard to see what is happening in the background. Many shadows were visible in the movie and this made the film have a more dramatic look. It had a very mysterious and dark atmosphere, which created more suspense.

In Bowen’s article, he discusses the different gothic motifs that make up gothic literature such as power and restraint, clashing time periods, strange places, terror versus horror, and a world of doubt. “Edward Scissorhands” has always been considered a strange film while We Have Always Lived in a Castle has always been considered a gothic novel. According to Bowen’s list of gothic motifs, “Edward Scissorhands” would be considered more gothic than the novel We Have Always Lived in the Castle because it fits more of the gothic conventions.

High key lighting makes the viewer feel very happy and open, since high key lighting is usually used in bright and playful scenes. For example, in Burton’s Charlie and the Chocolate Factory, when the Willy Wonka is introducing the tourists to the candy room, there is a variation of colors and the lighting used was very bright. By using this type of lighting, it makes the viewer feel joyful and very positive. Also, in Burton’s Edward Scissorhands, the scene when Edward is introduced to Peg’s neighborhood, the lighting is very bright. This makes the viewers understand the differences between Edward’s deep and dark mansion, compared to Peg’s bright and colorful neighborhood. The contrast allows the readers to feel the uniqueness between the two different lifestyles of Edward and

Generally when there is low key lighting, the audience feel tense, which creates a sense of suspense. The audience want to know what will happen next and the darkness foreshadows a bad even to come. Dark looks and styles are a key gothic horror element, an example from the film is the low-key lighting used in the boy’s room, which has not been touched for many years. This along with intense music sends a chill down the spine of the audience, as we will feel a demonic presence within that room. When the woman in black meets Arthur Kipps in person to see her son, the dim lighting makes us worried about what she will do next to Arthur Kipps. Due to the lighting in the film the scenes look dark, which makes the The Woman In Black a gothic horror

The film Edward Scissorhands directed by Tim Burton is about a boy who has been kept away from society his whole life in a mansion surrounded by unkempt bushes and rusted gates. Alex grey once said, “In a society that tries to standardize thinking, individuality is not highly prized.” And that shows when Edward is ostracized because he is different and does not conform to the so-called statuesque but the almost unwavering love from the Boggs family nearly helps him overcome his rejection after people are so cruel.

Lighting and filming through the movie is applied creatively causing people to be interested in not only the plot but the aesthetic . Lighting gave the movie a mysterious ambiance. They also use the lighting to create a contrast of characters, they manipulate the lighting in a scene with Harvey Dent to show the dark side Of himself. Doing these