Like Water For Chocolate Character Analysis Essay

In analyzing portrayals of women, it is appropriate to begin with the character of Margarita. For, within the text, she embodies the traditionally masculine traits of bravery, resilience, and violence as a means of liberating herself from an existence of abuse and victimhood. Even more, the woman plays upon stereotypes of femininity in order to mask her true nature. The reader witnesses this clever deception in a scene where the character endures a “wholesome thrashing” from her huge, violent, and grizzly bear-like husband, Guerra (81). Although Margarita “[submits] to the infliction with great apparent humility,” her husband is found “stone-dead” the next morning (81). Here, diction such as “submits” and “humility” relate to the traits of weakness, subservience and inferiority that are so commonly expected of women, especially in their relationships with men. Yet, when one

In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.

“You know perfectly well that being the youngest daughter means you have to take care of me until the day I die.” (10). This statement shows how Tita is being oppressed not by mama Elena choice but family tradition. Like Water for Chocolate by Laura Esquivel concentrate into the stories of the women of De La Garza. Tita the main character aim to find love, happiness and independent, and Elena De La Garza the antagonist who will stand in the way of Tita happiness and would do anything in her power to stop Tita to fulfil her goals which is to find true love with Pedro. This mother and daughter relationship was predestined since the day when Tita was brought up into this world, and her father’s sudden death. Mama Elena was the opposite of a loving, caring women she never had a relationship with Tita. While Tita formed a relationship with food that gives her the strength, and love she never experienced before. The women of De La Garza experienced many challenges in this strict societies. All the women expected to follow an oppressive family tradition.

In “The Myth of the Latin Woman: I Just Met a Girl Named Maria” Cofer shows the reader that Latin women are misrepresented in society and in the media, using the rhetorical appeals ethos, logos and pathos as well as allusions to popular culture and personal experience.

Laura Esquivel uses all of her strategies to make small moments in Like Water for Chocolate have meaning and emotion in relation to her characters. In the book, the month of July is where Tita, the protagonist, is staying with a doctor named John and she refuses to speak. That is until Chencha comes to see her. Esquivel uses repetition and imagery in a few paragraphs to enhance that moment, Chencha’s arrival, and to make it meaningful. With her use of repetition and imagery, Esquivel is able to convey her tone, create a mood and support her purpose in the matter of one page.

In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.

The initial state in Like Water for Chocolate is when Tita is saddened when she is told by Mama Elena that she cannot marry, and must take care of her mother until she dies, as this is the ritual of the family, since Mama Elena was a young girl. The final state is when Tita finally stands up to Mama Elena,

Additionally, the sorrow that Tita felt was also unintentionally transferred to others. . Specifically the wedding cake in which she managed to communicate her longing and sadness to Rosaura and Pedro 's wedding guests. As she prepared the Chabela Cake, her tears fell into the batter and icing. "The moment they took their first bite of the cake, everyone was flooded with a great wave of longing...Mama Elena, who hadn 't shed a single tear over her husband 's death, was sobbing silently. But the weeping was just the first symptom of a strange intoxication-an acute attack of pain and frustration-that seized the guests and scattered them across the patio and the grounds and in the bathrooms, all of them wailing over lost love" (Esquivel 39). The tears affected everyone at the wedding banquet with longing for lost loves, so much so that they become physically sick. They were literally love sick and Tita was responsible even though she had no idea what she had just done. In the same manner, even though Tita didn’t actually make the hot chocolate from story’s title "Like water for chocolate", it still symbolizes her biggest emotion. It is learned that once she hears Rosaura tell Alex about

Like Water for Chocolate by Laura Esquivel is a powerful novel that serves as a great introductory guide to the Latin-American culture. The novel consists of primarily female characters, the De La Garza family, where each one portrays a female stereotype, or perhaps their role in the society. The setting of the story takes place during arise of the Mexican Revolution in 1910, which helps to further distinguish the roles of the women and how they go about living their everyday life. Like Water for Chocolate can be looked at as a story about two women, a daughter and a mother, Tita and Elena De La Garza. Tita, our protagonist, struggles against her mothers’ tradition, to “serve” her until the day she dies, without having a life of her own.

Mama Elena, sensing Tita's reluctance to participate in her sister's upcoming wedding, warns her, "I won't stand for disobedience... nor am I going to allow you to ruin your sister's wedding, with you acting like the victim. You're in charge of all the preparations starting now, and don't ever let me catch you with a single tear or even a long face, do you hear?" (27). At the wedding party the following day, although Tita keeps a perfectly calm demeanor, her true feelings about her sister's marriage to Pedro are revealed in the guests' first bite of the Chabela wedding cake. "The moment [the guests] took their first bite of the cake, everyone was flooded with a great wave of longing... [T]he weeping was just the first symptom of a strange intoxication that seized the guests" (39), all but Tita, on whom the cake had no effect. The author uses the cake's effect on the guests to reveal first, Tita's grief over her loss of love through the guests uncontrollable weeping and second, her disgust over her sister and Pedro's

The phrase “mother knows best” refers to maternal instinct and wisdom. It is often used to describe how mothers are the most knowledgeable when it comes to their children’s needs. This cliche is frequently used by mothers who try to guide their children on the path towards success, especially when the child protests. Tita’s mother, Mama Elena, embraces this expression fully, and always pushes Tita towards what she believes is the road to achievement. Mama Elena is perhaps one of the best portrayals of “tough love” in a character in literature. Like Water for Chocolate’s author, Esquivel, depicts Mama Elena as a strong, independent woman who does not bother with things she deems insignificant. This translates to the reader through the decisions and actions Mama Elena makes throughout the book. Her disregard for emotions is often the reason why her actions are misunderstood by readers who claim that she is a cruel, unrelenting mother who is apathetic to her daughter’s suffering. However, this is not the case, as Mama Elena never acts without reason and only goes out of her way to discipline Tita when she believes that Tita is in the wrong. The readers see her go to great lengths to protect Tita numerous times, although these instances are often hidden behind her less than pleasant words, such as when she tries to shield Tita and Nacha from the rebels who were known to frequently terrorize families and rape women. Despite being a strict and unforgiving mother, Mama Elena’s

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

Laura Esquivel's Like Water for Chocolate The novel “Like Water for Chocolate” written by Laura Esquivel is a historical piece of South-American literature which is parallel to the Mexican Revolution which took place at the start of the twentieth century. The De La Garza family in the novel emphasizes certain similarities with the things going on during the Mexican Revolution, especially with the people in the lower rank. One important structural device used in the novel is the use of recipes which is found in each chapter and sets the overall mood and atmosphere for that particular chapter, the mood or feelings of Tita.

At the time Like Water for Chocolate takes place, the Mexican Revolution rages on. The book takes place during the turn of the nineteenth century, which leads to many other events in the story. The Mexican Revolution took place from 1910 to 1920, and brought many changes to the Mexican culture. In the novel, the reader can see that Gertrudis was one of the many women who participated in the Mexican Revolution, and worked her way up to being a general in the movement. Women that participated in the Mexican Revolution were sometimes found fighting beside the men, which was not something that many women did during that time. Also, during the time of the Mexican Revolution, the soldiers treated many women and young females poorly. Esquivel tells how many women were mistreated, “A group of bandits attacked the ranch. They raped Chencha. Mama Elena, trying to defend her honor, suffered a strong blow to her spine and was left a paraplegic, paralyzed from the waist down” (Esquivel 129). These events are described vividly from her first-person perspective to better understand the situations that took place during the time that the Revolution was raging on.

From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While Tita