Like water for Chocolate

“Like Water for Chocolate” by Laura Esquivel, is a beautiful romantic tale of an impossible passionate love during the revolution in Mexico. The romance is followed by the sweet aroma of kitchen secrets and cooking, with a lot of imagination and creativity. The story is that of Tita De La Garza, the youngest of all daughters in Mama Elena’s house. According to the family tradition she is to watch after her mother till the day she does, and therefore cannot marry any men. Tita finds her comfort in cooking, and soon the kitchen becomes her world, affecting every emotion she experiences to the people who taste her food. Esquivel tells Titas story as she grows to be a mature, blooming women who eventually rebels

It is a known fact that every human being communicates through language, but perhaps a little known fact that we communicate even through the food we eat. We communicate through food all the meanings that we assign and attribute to our culture, and consequently to our identity as well. Food is not only nourishment for our bodies, but a symbol of where we come from. In order to understand the basic function of food as a necessity not only for our survival, we must look to politics, power, identity, and culture.

Neither life nor culture can be sustained without food. On a very basic level, food is fundamentally essential for life, not simply to exist, but also to thrive. A means by which carbohydrates, fats, proteins, vitamins, nutrients, and calories are introduced into the body, food is a mechanism of survival. However, on a more abstract level, food is also fundamentally essential for culture by establishing its perimeters and dimensions and in shaping its authenticity and character. Food becomes the

“You know perfectly well that being the youngest daughter means you have to take care of me until the day I die.” (10). This statement shows how Tita is being oppressed not by mama Elena choice but family tradition. Like Water for Chocolate by Laura Esquivel concentrate into the stories of the women of De La Garza. Tita the main character aim to find love, happiness and independent, and Elena De La Garza the antagonist who will stand in the way of Tita happiness and would do anything in her power to stop Tita to fulfil her goals which is to find true love with Pedro. This mother and daughter relationship was predestined since the day when Tita was brought up into this world, and her father’s sudden death. Mama Elena was the opposite of a loving, caring women she never had a relationship with Tita. While Tita formed a relationship with food that gives her the strength, and love she never experienced before. The women of De La Garza experienced many challenges in this strict societies. All the women expected to follow an oppressive family tradition.

The title of this novel, Like Water for Chocolate, is also a simile for the burning passion Tita and Pedro had for each other. In Latin countries, “like water for chocolate” mean to boil water to the right temperature in order to make chocolate milk. Figuratively it is a metaphor for state of sexual arousal. Despite their true love for each other, Tita and Pedro had to restrain their feelings under the eyes of society. Their love is like the boiling point of water.

Laura Esquivel uses all of her strategies to make small moments in Like Water for Chocolate have meaning and emotion in relation to her characters. In the book, the month of July is where Tita, the protagonist, is staying with a doctor named John and she refuses to speak. That is until Chencha comes to see her. Esquivel uses repetition and imagery in a few paragraphs to enhance that moment, Chencha’s arrival, and to make it meaningful. With her use of repetition and imagery, Esquivel is able to convey her tone, create a mood and support her purpose in the matter of one page.

In Jessica Harris’s “The Culinary Season of my Childhood” she peels away at the layers of how food and a food based atmosphere affected her life in a positive way. Food to her represented an extension of culture along with gatherings of family which built the basis for her cultural identity throughout her life. Harris shares various anecdotes that exemplify how certain memories regarding food as well as the varied characteristics of her cultures’ cuisine left a lasting imprint on how she began to view food and continued to proceeding forward. she stats “My family, like many others long separated from the south, raised me in ways that continued their eating traditions, so now I can head south and sop biscuits in gravy, suck chewy bits of fat from a pigs foot spattered with hot sauce, and yes’m and no’m with the best of ‘em,.” (Pg. 109 Para). Similarly, since I am Jamaican, food remains something that holds high importance in my life due to how my family prepared, flavored, and built a food-based atmosphere. They extended the same traditions from their country of origin within the new society they were thrusted into. The impact of food and how it has factors to comfort, heal, and bring people together holds high relevance in how my self-identity was shaped regarding food.

1. a) In Like Water for Chocolate the novel deals with issues such as family relationships, the plight of women, sex, love, feminism, religion and to some extent morality.

Tita-youngest daughter of mama elena and also the protagonist of the novel. She is barred from getting married as per family traditions in the understanding that she would care for her mother till death. She faces many struggles such as not being able to marry her desirer Pedro and also watch him get married to her sister. The book progress with her life and shows a main focus on her disturbed relationship with pedro and also displays her hardships in her life to pursue love and distinctiveness from others. The purpose of her upbringing was to be excellent in the culinary arts.

A soul in distress is always looking for a mean to escape through a difficult situation. In the story Like Water For Chocolate, Tita De La Garza who suffered like no other, isn’t the exception. This young woman since birth was instilled with a very deep love for cooking. When the people who she loved most betrayed her, cooking eased her pain. All of the intense emotions that she felt while preparing food, were unknowingly added to the recipes. The author, Laura Esquivel through the use of symbolism, she demonstrates that the role of food in the story isn’t there just to sustain life, it also transmits strong emotions such as desire, sorrow and healing felt by the

Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and

An oppressed soul finds means to escape through the preparation of food in the novel, Like Water for Chocolate (1992). Written by Laura Esquivel, the story is set in revolutionary Mexico at the turn of the century. Tita, the young heroine, is living on her family’s ranch with her two older sisters, her overbearing mother, and Nacha, the family cook and Tita’s surrogate mother. At a very young age, Tita is instilled with a deep love for food "for Tita, the joy of living was wrapped up in the delights of food" (7). The sudden death of Tita's father, left Tita's mother's unable to nurse the infant Tita due to shock and grief. Therefore Nacha, "who [knows]

From the very first page of Laura Esquivel's Like Water for Chocolate it is clear that the real world in which her characters inhabit shall be greatly exaggerated. When Esquivel's narrator describes Tita as being so sensitive to onions that “when she was still in my great-grandmother's belly her sobs were so loud that even Nacha, the cook, who was half deaf, could hear them easily.” (Esquivel, p. 5) the reader encounters something at once refreshing, as is always the case when one experiences the supernatural where least expected, and yet ancient at the same time. While Esquivel could have attempted to tell her story, really the tale of a (mostly) unrequited love, in a straightforward manner, the casual inclusion of the extraordinary places it immediately in the tradition of magical realism.

Food, has a specific meaning to all of us; for some it is a form of nourishment, for others it is a cultural act,

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. The physically punished Tita endured, multiple times, by the hands of Mama Elena, forced her to live the life as a servant and a house cook; as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). While under Nacha’s care, Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, and if Mama Elena saw signs of Tita disobedience, she would strike Tita in rage. The preparations for Pedro and Rosaura’s wedding was Tita’s responsibility, which Mama Elena placed Tita in charge just to lower her spirits and eliminate any hope she may have within, causing Tita to have a weak moment that triggers her to hallucinate. In the opinion of