Lily's Dissonances

What can ruin lives, destroy families, and cause self-destruction, but does not physically exist? Guilt. In Robertson Davies’ Fifth Business, the debilitating effects of guilt are used to show the importance of dealing with problems as they come. This is shown through the character development of Dunstan Ramsay from the moment of the accident with Mary Dempster, through to Ramsay’s midlife, and finally to the end of his “life” that the readers have become to know.

Jane Austen’s Northanger Abbey is a Bildungsroman, a coming of age story that focuses on the psychological development of the protagonist, Catherine Morland. This essay will analyse the language and narrative techniques of the extract, and discuss how this excerpt suggests vicissitudes in Catherine’s personal perspectives and relationships. In addition, it will discuss the ‘domestic gothic’ and abuse ubiquitous in ordinary situations. Furthermore, it will argue how Austen’s rhetorical techniques work to encourage reader interest as well as exercising perception when distinguishing between appearance and reality. Finally, it will conclude by briefly discussing the significance of the extract within the novel’s wider themes.

Lily feels alone in this world. She is ostracized at school, treated with an absence of love and lives day to day knowing that she has committed irreversible acts. When she thinks about her mother all of these complications melt away in the warm allure she feels.

Throughout his journey, romantic endeavours cause Ramsay guilt, which he deals with to remain sane and happy. While in Britain, he meets a woman whom he loves, but must abandon, moving on and dealing with the

Edith Wharton uses the diction of a fantastical republic and an analogy to emphasize how Lily and Selden’s relationship is secretive and it is not possible for them to marry in her book The House of Mirth. At this point in the novel Lily has financial difficulties and must marry someone who can provide her with money

Mullen describes Lily’s situation as “Lily Bart has been predominantly framed as a tragic victim caught within the irresistible market forces of capitalism and the fatal contradictions of gender and class politics” (45). The novel, “The House of Mirth” filled with nuances of gender and class politics. Mullen points out a weakness in Lily’s character, her position in the forces of the capitalist circle. The females in the novel face the pressures from the social circle as well. Lily is a product of her culture and upbringing. Success is measured by the capital worth and how one would survive in their social class. Unfortunately, Lily didn’t have to chance to remain in her former social class circle, after trying to pay off her debts. She died the night that she received her

This passage demonstrates how deeply rooted wealth and marriage are to Lily’s character. Lily cannot survive without money and she can never find a perfect marriage. At the time of this passage Lily is

Women in the early Victorian Era were very limited in their individualism as they were expected to conform to societal norms. The narrator craves freedom from the society she lives in, dreaming of having a room "downstairs that opened on the piazza and [has] roses all over the window." (Gilman 3) The narrator wants nothing more than to be able to express herself, yet she is held back as she reveals that "John would not hear of it." (Gilman 3) She knows her place is not to question her husband, so she finds other creative outlets that she keeps secret. She knows that these outlets of creativity are found, she risks her husband’s reputation as she would disrespect him. Throughout the narrative, the heroine acknowledges the importance of status in society. Even when her madness drives her to contemplate committing suicide, she says, “I wouldn't do it. Of course not. I know well enough that a step like that is improper and might be misconstrued.” (Gilman 15) Even in the most stressful times, it is the fear of ruining her husband’s reputation that keeps her from obtaining what she wants. Finally, the narrator breaks free of her confinement by tearing off the wallpaper, saying, "I've got out at

Instead of relying on another power that is above her, she takes her fate into her own hands and tries to save her own home. This self reliance develops early, and can also be seen much later in her life. When she is twenty-seven, Lily learns that her husband has a secret second family. She leaves him immediately and manages to annul the marriage. Although he had taken all of her money from their joint bank account, she does not go back to her parents in Arizona or try to find another husband to take care of her. Instead, she begins preparing for her future alone. “Since I obviously couldn't count on a man to take care of me, what I needed more than ever was a profession. I needed to get my college education and become a teacher . . . the time flew by, and when both the dispensation and the acceptance letter arrived, I had enough money for a year of college” (p. 90). Instead of wondering what to do and moping about her ex-husband, Lily is practical and knows what she wants to do next. She also mentions that she cannot depend on a husband to take care of her. If she did not have to fend for

All incidents and people in the book can be said to do something between their presence and their absent future and absent hope which is coming to them by the appearance of the war. The occurrence of the nature in the book which is placed mainly is not their purpose or their attempt for the purpose, but the interruption occurring in the everywhere and dispersing to the every place in the book. The interruption from the uncontrollable is the main character in Between the Acts. All words have another meaning which is not intended by the interlocutors so that it can be an another interruption between the interlocutors. It is the book about the control and release of the acts and words. All actions which should be controlled by the owners are dispersed in the whole book without any apparent connection. This book is written by Virginia Woolf who feels the imminence of the war. The characters and the situation in the novel are also confronted with the forthcoming war and feel the insecure ambience of the war. In this insecure background, this book is attempting to grasp something which is not here and also not there in the war. I think it is the hope for themselves and the hope which is dispersed in the nature around themselves. In Between the acts, there is no center which is gathering the story and the characters. It is the story to disperse the center if there is one. It is the story about the between. In between, there is a play which is cut and

Lily Briscoe is a character that can be viewed as unique. Unique in the sense that she was living in an era when women were expected to take on the domestic role and fulfill the role as a traditional woman. Lily did not live up to those expectations. She struggled to stay true to herself and found it a difficult task to conform to society’s conventions as it relates to gender roles and expectations. The novel “To The Lighthouse” takes place in the 19th century during that time often referred to as the Victorian era. During the Victorian era, the expectation was that individuals should follow strict gender roles and people who did not follow those roles were frowned upon. Women were expected to take care of their husband and children, take care of the home and make themselves available to fulfill their family’s needs. Men on the other hand were expected to provide for the family, work outside of the home and do “manly” things. They were considered to be the breadwinner for their family. As one reads throughout the novel, you are able clearly identify Lily’s struggles with society’s expectations of her as a woman and the difficult task of staying true to oneself as she visits and shares with the Ramsay family.

England has always had a rich history of interesting cultural traditions but arguably none as prevalent as marriage. Marriage, the union of two people with emotional ideals and expectations, are brought on by many different factors that include: for love, for money, for climbing social status, escapism, survival, etc. In Jane Austen’s novels, she focuses on the importance of marriage in her world because she wanted to emphasize how marriage is the most important life event of a woman as this would determine her place in society. Persuasion shows readers good and bad examples of marriage: the amiable Crofts and other couples such as Sir Walter & Lady Elliot and the Smiths. Jane Austen uses the Crofts to support the importance of marriage

Lily believes that “it [her painting] was bad, it was bad, it was infinitely bad!” (Woolf 48). She is very insecure and fearful of the opinions of others about her painting. Her insecurities about her painting are a reflection of her insecurities about herself. When Mr. Ramsay nearly overturns her easel, Lily is very worried that he or someone else might see it: “And that was what Lily Briscoe could not have endured” (Woolf 17). By allowing someone to see her painting, she would have allowed someone to see her. By hiding her painting from the world, she was also hiding herself from the world since her painting is a representation of herself and her insecurities. Because of her fear of the possibility

Examine Austen’s presentation of what is called in the novel, ‘women’s usual occupations of eye, and hand, and mind’. In Jane Austen’s society, the role of women was controlled by what was expected of them. In most cases, marriage was not for love, and was considered as a business arrangement, in which both partners could gain status and financial reassurance. Though Austen opposed the idea of none affectionate marriage, many

Mrs. Ramsay thrives in this role of wife and mother, and men support this role by loving and adoring her for it. In watching her fit the stocking to James' leg and at another time, read James a fairy tale, Mr. Bankes can not help but contemplate the wonders of Mrs. Ramsay. He sees her is the best of light, as childlike and beautiful from within. "If one thought of her simply as a woman", one who wished to be admired, they were mistaken. In his opinion, she was beyond all of that. Her self sacrificing nature brought her to a higher level, where although she was strikingly beautiful, she wanted only to be like everyone else, "insignificant", so as to serve those around her.(p. 30) The simple acts which she