Linda Loman and the idea of unconditional love:
In the play of Death of a Salesman by Arthur Miller Linda Loman, the wife of Willy Loman, loves him unconditionally despite him being difficult, nasty and argumentative.. She is a woman in a difficult position however she still is oblivious to Willy’s illusions in order to protect him from the disapproval of others, as well as his own self-criticism acknowledging that Willy’s mind is becoming weak. Linda knows all there is to know about Willy, but she loves and accepts him and also fights fiercely for him even against her own sons as she tells her sons that “if you don’t have any feeling for him, then you can’t have any feelings for me” (page 43). The love she has for Willy eventually made Linda
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She sees Willy’s failures and has a limited view of Willy’s inappropriate thinking, but she loves him anyway as she has an unconditional love towards him. Linda would also do anything for Willy even though she has not been informed about the other mistress Willy was seeing on his travels or even his lie about his weekly pay, although she does know that he is not the greatest salesman. Miller used Linda’s character to present the idea of unconditional love so his readers can see that despite all of Willy’s faults, Linda believes that Willy “is only a little boat looking for a harbour” (page 59). She mentions this to try and avoid the truth about Willy, creating excuses for him and hiding his faults to everyone around him including his sons, Charlie and Bernard. Linda believes that her husband is “exhausted by life” (page 45) by his failures and his lack of standing respect in the world. Eventually this exhaustion creates thoughts in willy’s head to commit suicide, and because Linda cannot stop loving Willy all she is left with is confusion because for the first time ever “in 35 years [they] were just about free and clear” (page 110). Standing by the grave has made Linda metaphorically chained by grief and regret, as she knows they finally were financially free
way had glasses and a mustache and for the most part he looked normal. His nickname was The Green River Killer because some of the bodies of his killing were fished out of the Green River in King County, Washington. The killings took place from the 1982 to 2001 (Newton, 2000, p.223). It is known that Ridgway had sexual intercourse with the prostitutes before he killed them. After a while, he would also have sex with them after they were dead. Another interesting fact is that sometimes, after Ridgway had sex with the already dead victims, he would put rocks in their vaginas (Philbin, 2011, p.199). Ridgway may have easily killed up to 90 women, but it will never be known because in videos, he says that he is not completely sure exactly how many
Linda from Death of a Salesman was always taking care of her husband Willy even though he occasionally screamed at her. Linda knew her husband was not capable of going to work and she knew that he was suicidal. For instance, the night she was talking to her sons, Biff and Happy about their father Willy; Linda said to them “he’s been trying to kill himself” (394). It proves that Linda knew what her husband was trying to do every time he crashed the car. Furthermore, knowing Willy was not capable of working she agreed with it, letting him believe that he was capable to accomplish his dream of being a successful salesman. Yet, she did not perceive clearly that her husband did
When Linda refers to Willy as a "little boat looking for a harbor," another wind blows against Linda, pushing her to act with pity (1247). To her, he is nothing more than a small, helpless old man. She blames the business for forgetting Willy in his old age, and passing him over like an orange peel. Toward the end of Act I, Linda presents a sorry image of Willy, describing his past greatness as a salesman and ending with a sad description of treachery. She tells her sons that Willy is "exhausted" from driving 1400 miles without earning a penny, and that his reward from the ones he loved the most, his sons, is spite and rejection (1237). The picture she paints of her husband is on filled with pity and sorrow.
In Arthur Miller's play, Death of a Salesman, a major theme and source of conflict is the Loman family's lack of morality. This is particularly evident in the father, Willy Loman. Willy has created a world of questionable morality for himself and his family. In this world, he and his sons are men of greatness that "have what it takes" to make it in the competitive world of business. In reality, Willy’s son Biff is a drifter and a thief, his son Hap is continually seducing women with lies, while Willy does not treat his wife with respect and lies to everyone.
A consortium of scholars conducted the Capital Jury Project (CJP), a large scale multistate research initiative in the 1980s, to find out what causes a jury to sentence death to some defendants but not to others. Devine and Kelly (2015) used the full data set of CJP which consisted of 1198 jurors from 335 capital trials held in 14 states. Certain conditions were set and observed for data collection and inclusion or exclusion of some particular factors.
In Death of a Salesman, although Linda never finds out about the Woman, her relationship with Willy is still affected by the Woman. For example, Willy says, "Will you stop mending stockings? At least while I'm in the house. It gets me nervous. I can't tell you" (1745).
Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I
In fact, she kicks out her children from the house when their behavior upsets Willy. In many ways, Willy is like a child, and Linda acts like his mother who protects him from his children and the rest of the world. For example, Linda states, “He’s the dearest man in the world to me, and I won’t have anyone making him feel unwanted and low and blue.” (Miller Act 1). Linda is patient and kind when it comes to asking Willy to pay the bills, and she does not lose her temper when he becomes disrespectful.
The lives of the Loman’s from beginning to end seems troubling, the play is centered on trying to be successful or trying to be happy, and the sacrifice which must be made of one to achieve the other. The environment that these characters live in encourages them to pursue the American dream, which can be said to devalue happiness through the pursuit of material success. Death of A Salesman written by Arthur Miller has several themes that run through the play, one of the most obvious is the constant striving for success. Willy Loman put his family through endless torture because of his search for a successful life. Willy, Biff, and Happy are chasing the American dream instead of examining themselves
Throughout his life, Willy Loman thinks of himself as well-liked in the play "Death of a Salesman" by Arthur Miller. It is the most important attribute to him. Willy lived his life thinking he had thousands of friends all over the New England territory and that he would be recognized anywhere he would go. He boasts this to his sons and they think he is the greatest man on Earth. He raises his two sons, Biff and Happy, to be well-liked and Willy does not care about their grades. He believes they will be better prepared for the business world if they are well-liked, and does not think education matters as much as personality, appearance, and physical skill. Although he has set high standards for sons, his morals are being well-liked, he
To some extent she acknowledges Willy's aspirations but, naively, she also accepts them. Consequently, Linda is not part of the solution but rather part of the problem with this dysfunctional family and their inability to face reality. In restraining Willy from his quest for wealth in the Alaska, the 'New Continent', ironically the only realm where the "dream" can be fulfilled, Linda destroys any hope the family has of achieving 'greatness'. Even so, Linda symbolically embodies the play's ultimate value: love. In her innocent love of Willy, Linda accepts her husband's falsehood, his dream, but, in her admiration of his dream, she is lethal. Linda encourages Willy and, in doing so, allows her sons, Biff and Happy, to follow their father's fallacious direction in life.(Griffin, 1996)
In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.
During pages 8-10 Arthur Miller uses Linda and Willy’s interactions to display Linda’s misguided attempts at restoring Willy to mental stability. Throughout the rest of the play Miller’s permissive characterisation of Linda catalyses the deterioration of Willy’s psyche and relationships. Miller presents Linda as Willy’s enabler; she is seen as not only allowing but socialising Willy into a self-destructive way of being.
Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.
Arthur Miller (1949) demonstrates that Willy Loman is trapped in his feelings of guilt for what he did in his past, and how his decisions led up to his present in Death of a Salesman. Willy regrets his infidelity while both his career and children leave him trapped in the past. He relives his memories of his brother Ben when he is complaining of his job, often idealizing Ben. "Why didn’t I go to Alaska with my brother Ben that time! Ben! That man was a genius, that man was success incarnate" (p. 27). Willy also begins to think of the woman he adulterated with when he is appreciating his wife, because he knows that he does not deserve her. "You’re the best there is, Linda, you’re a pal, you know that? […] The Woman has come from behind the scrim and is standing, putting on her hat, looking into a »mirror« and laughing" (p. 25).