Lion King Allusion Essay

As a child, I can remember watching the Lion King movie several times because my family loved this timeless movie. I always just thought of it as a story about the “circle of life” that we all hear so much about in church and from our parents. However, for this assignment I chose to watch this movie once more; giving particular attention to details and thoroughly examining Simba’s life stage development in relation to Erik Erikson’s psychosocial stages and Jean Piaget’s cognitive development stages. Needless to say, I was able to find significant evidence relating to these developmental theorists. The story not only displays the hardships of maturation, and the perplexities associated with growing, but it also deals with the search for one’s own identity and responsibility.

Many literary works can be compared due to vast amounts of similarities between theme and characters; Hamlet and the Lion King are two literary works in which character and theme are surprisingly similar throughout each work. The Lion King is thought to be just an animated children’s film, however, it is in fact a modern translation of Shakespeare’s Hamlet. The main characters in the Lion King are definite parallels to those in Hamlet. Along with the main characters and plot details, the stories were similar in the representation of the secondary characters. "Here's my little secret, I killed Mufasa.” The theme in Hamlet can be compared to the Walt Disney movie The Lion King. Hamlet and Simba are betrayed by their uncles whom murder their

"The King has returned." These are the powerful words Rafiki uses when telling Nala, Timon, and Pumba that Simba has gone back to the pride lands to overthrow Scar. Before making his entrance to Pride Rock, Simba's "palace," he gains three helpers to assist him in gaining his kingdom back; Nala, Timon, and Pumba all offer their services to him. There are a few scenes in the story that can be easily compared to the Odyssey. First, Simba wants everyone to continue to think he's dead, as Odysseus did prior to his own entrance. Second, Simba uses Timon and Pumba as a form of "Trojan Horse" to distract the hyenas while he and Nala sneak in. Third, Simba tells Nala to "rally the lionesses" as a form of weapon against the hyenas which are like suitors in his palace.

Shakespeare’s Hamlet is a largely known tragic play with many different interpretations, one of them being The Lion King. The Lion King is a Disney film indicating that the film was targeted for children. Considering Hamlet is largely violent it would not be suitable for children, hence differences were required to make it suitable and understandable for children. However, to keep the origin of Hamlet in The Lion King similarities are also required.

Almost everyone in the world is familiar with the infamous Disney movie The Lion King, but very few have gone into detail and analyzed the rhetoric within the film. Each scene is filled with a sense of pathos that tugs on the emotions of the audience and inevitably pushes them to one side over the other. It is interesting to see how the voices, color, and actions of each character have such an effect on their personalities which then has an effect on the audience and leaves them judging the morals of the characters. For people who grew up watching the original Disney movies, this is a great film to watch in depth and really figure out the meaning behind each scene.

The original Disney cartoon of a lion cub blamed for his father's death has been remade into a Broadway musical acclaimed all over the world. Seen by over twenty five million people in over 15 thousand performances this intricately designed wonder has taken over 37 thousand hours just to build the puppets and masks. Julie Taymor the director and costume designer was faced with a problem of whether to create humans or animals playing the part and she decided to make masks that show the animal face, as well as, show the human face giving the character his or her personality. As for expressing other animals that are not part of the main cast or to express a certain theme, 2 different kinds of puppetry were used

The nonfiction novel “"Lion"” by Saroo Brierley explores different attributes that a person must possess in order to survive. This novel ,”"Lion"” is based on a true story about a 5 year old indian boy who by chance leaves his poverty stricken home and ends up in the city of Kolkata. After 25 years of separation from his family he finds his way home. “"Lion"” showcases many idea’s about survival, some of these being thinking instinctively, knowing how to source basic needs and knowing when to trust others.

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Although The Lion King and Macbeth seems like two different stories. One is set in the medieval era while the other is set in postmodernity, but both displays the similarities of the character’s strategic battle for power. Scar, known as the villain in the movie, The Lion King, committed selfish acts to fulfill his distorted desires. As Simba was at the edge of the cliff, about to be murdered by Scar, Scar snarled at him, “That [is] the way your father looked before I killed him” (The Lion King). Simba leaped up from the side of the cliff, and pushed Scar to the ground demanding him to confess to his crime of killing the king, his father, Mufasa. This quote proves that Scar’s ambition leads him to do ruthless acts, wanting to kill Simba, who was next in line of the throne. These malevolent plots are what fuels the battle of evil against the good. Scar stated to his three murders, the Hyenas, “We [are] going to kill him. And Simba, too” (The Lion King). In the movie, The Lion King, shows that Scar is resentful of the king, Mufasa, and the power he retains. In this quote, he plans a plot on who he wants to kill with the three hyenas to help him finish the deed, which shows his strong ambitions. Another

Out of spite, both protagonists plan to take revenge on their evil uncles. Hamlet ponders on the idea of revenging his father’s death, but it wasn’t until Claudius’ guilty conscience was exposed during the play and also when the Ghost orders Hamlet to “Revenge his soul!” that Hamlets purpose was clear. In the end, Hamlet confronts Claudius but it is pointless ending in a blood battle. Simba on the other hand was told, “Run away and never return!” after believing it was himself who killed his father. Wanting to do what was right, Simba followed his uncle’s orders and it wasn’t until a chance encounter with Nala, that he realised the damage he had caused. Trying to take back what was rightfully his, Simba defeats Scar but instead of death as his revenge, he banishes Scar from The Pride Lands, telling his “to never return”. Both antagonists in the texts experience the heartbreak and misfortune of revenge but deal with it in ways their intended audiences will understand and learn from.

Nala explains the wretched condition of the Pride Lands since Scar became King and urges Simba to return. Simba comes in contact with the wise baboon. He hesitates out of fear, and out of his rebellion he has a vision of his father that prompts him to return home. When he returns he challenges Scar and wins. He becomes King of the Pride Lands as his father had taught him he would. Nala gives birth to a cub of their own completing the circle of life.

Michael Ondaatje's In the Skin of a Lion narrates the forgotten stories of those who contributed to the building of the city Toronto, particularly immigrants and marginal individuals. In the very first page of the novel, Ondaatje stresses the concern with personal narratives and the act of storytelling: "This is the story a young girl gathers in a car during the early hours of the morning [...] She listens to the man as he picks up and brings together various corners of the story..." (4). Similar to Crossing the River, there is a framework story, that of a man telling a story to a girl, that opens and ends the novel and gives coherence to

On the other hand, in Disney's The Lion King, Simba's father is killed after he falls from a cliff into a herd of antelope. Simba falls into a deep depression after Scar twists things around and convinces Simba that he is the one responsible for Mufasa's death. Simba can not deal with what has happened and Simba exiles himself where he meets a warthog and meerkat, named Timon and Pumbaa, and develops a carefree lifestyle with them. Later on in the story, as an adult, Simba returns to the Pride Lands to reclaim the throne from Scar.

The movie The Lion King II: Simba’s Pride follows the life of Simba and Nala’s daughter Kiara. She falls in love with Kovu, a male lion from an exiled pride known as the Outsiders who was once lead by Simba’s evil uncle named Scar. Separated by Simba’s prejudice against the Outsiders, who are followers of Scar with a vindictive plot planned by Kovu’s mother Zira, Kiara and Kova struggle to overcome the two obstacles that are keeping them apart. Desperate to be together, Kiara and Kovu become the key to join both prides at peace. This paper will be focused on Kiara’s life within the movie and also examine Kiara’s process of development through Freud’s psychosexual and Erikson’s psychosocial stages, and as well as Piaget theories.

The Lion King is a classic movie, beloved by many. On the surface, this movie seems to be a light-hearted, carefree tale of a lion cub’s journey to justice. However, on taking a deeper look, one finds that the tale consists of conflicting worldviews and philosophies, while presenting the idea of destiny. But which religions and philosophies is it portraying? Let us take a closer look.