Lisette Model Research Paper

The stock market crash made her studio photography irrelevant since majority of the population could not afford to have their pictures taken. During this period, she became aware of all the unemployed people around her. It was during the Great Depression where her greatest pieces of works were developed. During the first years of the Depression, fourteen million people were jobless. There was a rich woman known as the

Among all of the great Hollywood portrait photographers, George Hurrell is arguably the most famous and is considered by collectors and historians to be the best in the business. It was his photos that actually inspired the term “glamour photography.” In 1936, Esquire magazine claimed, “A Hurrell portrait is to the ordinary publicity still what a Rolls Royce is to a roller skate.” George Hurrell said, “As long as I can remember I wanted to be an artist. As a boy, I was drawing all the time, in school and out.” As an art student in Chicago he started to work with a camera, as it was common for art students to photograph inspirational locations as well as their finished work. While at school he held a series of jobs, including acting as a colorist for Chicago portrait photographer Eugene Hutchinson who taught him valuable tricks of the trade, including negative retouching, darkroom developing and airbrushing. He moved to Laguna Beach, California where there was a thriving fine arts community. His many connections led him to meeting the famed photographer Edward Steichen, who saw in his work a natural talent for photography. Our childhood desire to create is nurtured into a talent by those who possess the gift. Following Steichen advice and encouraged by his friend and patron, aviatrix Pancho Barnes, Hurrell opened a photography studio in Laguna Beach. George’s first celebrity client came from Pancho’s referral of her best friend, silent film star Ramon Novarro. Ramon felt his Latin

Julie Becker was born in 1972, and passed away in 2016 at the age of 43[i]. Los Angeles was an integral part of her life as she grew up, created, and died in L.A; however she studied briefly at Hochschule der Kunste, Berlin in 1991 and completed a residency in Basel, Switzerland at Stiftlung Laurenz-Haus Foundation. Becker was the daughter of artists[ii], and subsequently grew up in constant travel from one apartment to the next while her parents worked odd jobs to survive. In lieu of finishing her senior year at Santa Monica High School, she became the youngest student ever to attend California Institute of the Arts in 1989 at the age of 16. From CalArts in Valencia, Becker received her BFA in 1993, and her MFA in 1995. Paul Schimmel, curator at the L.A Museum of Contemporary Art, selected Becker’s MFA thesis project, Researchers, Residents, A Place to Rest 1993-96, for the 23rd São Paulo Biennial, where she was the youngest participant.

Mary Cassatt is known world-wide for her impressing art in which she focuses mainly in the everyday life of women and children. She is an American artist born in Pennsylvania on May 22, 1844, but later relocates to Europe in 1866 to pursue to work in art. This was mainly due to her family’s and society’s objections to women in the field of art. There she met and befriended famous Impressionist Edgar Degas. Because of her close friendship with Degas, she grew courage to continue to do art in her own way. She continued to paint until she slowly began to lose her eyesight and later died in 1926. Cassatt was part of the Impressionist style movement, in which she painted portraits unlike many others who painted landscapes (biography.com). Her artwork

He was truly inspired to start his photography since he was really young, it begins with when his father and him were walking down Fifth Avenue and looking at the store windows he saw a bald man taking picture of a beautiful model posing against a tree. “He lifted his head, adjusted her dress a little bit and took some photographs. Later, I saw the picture in Harper’s Bazaar. I didn’t understand why he’d taken her against that tree until I got to Paris a few years later: the tree in front of the Plaza had that same peeling bark you see all over the Champs-Elysees.” Avedon recalled one of his childhood memories that helped him to grow his passion for photography.

Following high school, Lange, who’d never shown much interest in academics, decided to pursue photography as a profession. She studied the art form at Columbia University, and then, over the next several years, cut her teeth as an apprentice, working for several different photographers, including Arnold Genthe, a leading portrait photographer.

Her work is based on events happening and who and what was most popular through the 1930’s and the eventful changes happening throughout. Her work through the time of 1930’s New York documentation took the camera on a journey through the changed and events happening at this specific time, her main idea was to get across the point of why she documented New York and to show the dramatic changed that a year can make to such a big city at this time. She documented different areas of New York including the urban scene and the architecture that represented New York in such a big way. She had focused on a lot of types of photography throughout the start of her career and moved on to architecture when documenting New York as she embarked on new found interests in her career. Her main focus was to base her photography on the ‘Changing New York’ and that the time of the 1930’s had such a huge

The father of photography, real name Louis Daguerre, was born on November 18, 1787 in Cormeilles-en-Parisis, France. He grew up amongst a middle class family, although he did not receive a very consistent education due to political issues for the duration of the Revolution. One thing that Louis did show a genuine spark in, was drawing and painting. So much, that at thirteen years old, he shadowed an architect. However, his architectural career came to a close as Daguerre moved to Paris in 1804 and began involving himself in local theatre, opera, and church activities. By early 1820s, Daguerre had demonstrated unique creativity by working with a collaborator to assist him in the creation of an illusions theatre which he named a diorama. His

Annie Leibovitz who is considered one of America's best portrait photographers can be recognized by her trademark of bold colours and poses. She focuses on the style of portrait photography. Annie Leibovitz was born October 2nd, 1949 in Waterbury Connecticut. She was born as one of the six children of Samuel Leibovitz, a lieutenant colonel in the U.S. Air Force and Marilyn Edith, a dance instructor. She began taking photographs when her father was stationed in Philippines during the Vietnam War. She enrolled at the San Francisco Art Institute to study painting. She continued work on her photography skills during this period. Leibovitz is influenced by Richard Avedon and his personal style of developing

Her works were characterized by the “pairing down” that was done to essential shapes and forms, which was dominated by stark black and white shapes capturing the essence of form. These style characteristics were prevalent throughout her life, even from young age when she gravitated towards plain, dark, or black clothing, alternating with white during the summer months (Textile). These preferences correlate to the pieces she created when in art school – charcoal drawing, in rich black on white. Later, through her relationship with Alfred Stieglitz, she became aware the powerful abstraction in black and white photography. All of these elements helped define her basic aesthetic sensibilities that were reflected in her personal appearance. Her distinctive style became immediately recognizable. The simplicity seen in her landscapes paintings, and the abstraction of her still-life compositions as well as her floral forms, flowed seamlessly. As she stated, “Nothing is less real than realism – details are confusing. It is only by selection, by elimination, by emphasis, that we get real meaning of things” (Textile).

Diane began attended Alexey Brodovitch's workshops at a New School. However Arbus found herself drawn to the work of photographs like (Weegee) Arthur Fellig, Louis Faurer, Robert Frank and, especially to the unusual pictures of Lisette Model. In 1958 Arbus enrolled in a class, Model was offering at a New School.

The photographer Vivian Maier is an interesting woman and her photographs are even more intriguing. Vivian was born in New York City in February of 1926 and in 2009 she passed away. She was born to a French mother and an Austrian father. She is known today as an American street photographer and many of her photos were taken on the streets of NYC and Chicago. While growing up Maier spent the majority of her life in France. In 1949, while she was still in France she got her hands on her first camera which was a Kodak Brownie. Two years later in 1951 she returned to American and took a job as a nanny and caregiver. She carried her camera everywhere she went. When she first started taking photos they were in black and white, but as the years passed she then switched to color when she bought a more advanced camera. She took documentary portraits of strangers while walking around New York City and Chicago. Over a course of five decades, she accrued more than 100,000 negatives.

In 1956, Arbus quit the commercial photography business. Although earlier she had studied photography with Berenice Abbott, her studies with Lisette Model, which began in 1956 with her enrollment in one of Model's classes taught at The New School, led to Arbus's most well-known methods and

Born in Hoboken, New Jersey, Alfred Stieglitz became interested in photography as a young boy. In 1890, at 26 years of age, Stieglitz moved to New York to prove that photography was a medium as capable of artistic expression as painting or structure. In 1902, after becoming a solo photographer, Stieglitz became the editor of “ Camera Notes,” using his favorite quote, “ Like none of none photographer, and their pictures”. In this quote he meant that the beauty and creativity of this photo is like none of any other, and only this photography can make it seem this way.

Eileen Gray spent most of her designing life in France and was influenced greatly by a veriety of designers and architects. She found her self indulged in the art of Toulouse-Lautrec, Cezanne, Van Gogh, Gaughin, Seurat, and Bonnaard. Eileen Gray admired Le Corbusier’s Five Points