Literary Analysis : Gertrude Stein And Meeting House Hill

Admittedly, form, length and literary devices are not requisite to a poem, as many fine free verse poems illustrate, but this poem does not compensate for its lack of structure by enhancing its other aspects. In Mary Oliver’s poem “Morning,” there are no devices aside from alliteration, yet Oliver’s poem is much more complex and interesting for other reasons. The imagery is more artistic, the words more creative, the syntax more fluid. Oliver describes the “linoleum,” the “wild words,” and the “curvaceous response” of the “lightly leaping” cat. The only adjectives Williams uses, “delicious,” “sweet,” and “cold,” are so common as to have been rendered banal in every reader’s mind. Rather than making “the ordinary appear extraordinary through the clarity and discreteness of his imagery,” as the Encyclopaedia Britannica asserts, Williams succeeds only in making the ordinary appear—well, ordinary.

11. A poet can work its magic on the reader by “choice of images, music of the language, idea content, and cleverness of wordplay” (Foster 17).

He thought poetry was an art of association, it inspires readers' imagination with symbolism rather than direct imitation of life, and hold the reader's feelings and arouse them to act with passion. His style throughout the 19th century formed the mainstream of American poetry”(1).

One of the 20th century’s most important and influential modernist poets was Hilda Doolittle, more commonly known as H.D. While other artists struggled to find a new mode of expression, H.D. found imagism and created intense poems delving into very specific depictions. In “Sheltered Garden,” H.D. employs intense imagery using nature in order to put forth an opinion or viewpoint, which is also highlighted by another poem titled, “Sea Rose.” By analyzing these two poems, one can more fully comprehend the modernist movement/mentality and how H.D. shaped her own form of poetry. In “Sheltered Garden,” the poet uses the image of a garden to not only push against society’s constraint of women, but also its imposed ideas of beauty, creating tension between the natural and the unnatural.

Throughout history, literature has been studied, perfected, and created. There are multiple different dialects, forms, and grammar. In poetry, the way an artist writes their poetry shows how they wanted their work to be perceived. Robert Frost wrote his work in common folk dialect, unlike many writers of his time. Frost’s poems Design, Road not taken, and my November guest exemplify his use of diction, imagery, and word choice to show situations in a natural form, which made Frost so popular to so many varied audiences.

Any poet’s mode of expression in a poem is set by the theme. White man and Melvine, in their poetry single mindedly aimed on re- echoing the chaos seen on their land during the civil war. The inmost mayhem as the two men tussled with apprehension is evident in each collection.

With so many rules in the English language, it is easy for one to wonder how they were created. The dictionary, for example, was only created a few hundred years ago by people who thought that was how language was supposed to be. Many artists have had the mission to go forward and break these “rules.” Gertrude Stein’s Tender Buttons, bill bissett’s “text bites,” and John Agard’s “I Ain’t No Oxford Don” question rules of grammar and synaptic normality. By the way, these poems disrupt words, use non-standard prose, and have ambiguous interpretations they break the rules of grammar and disrupt the formal laws of language, inducing new ways of about the how one produces meaning.

Robert Frost’s masterpiece of english poetry is more powerful and significant compared to Hill’s extract, nevertheless Susan Hill makes every word count and manages to put

Poetry is an art borne of a love for language and a want for individual expression. Especially evident during times of transition, poetry can be used to define exisistence or accentuate fantasy. The Modernist movement provided room for experimentation and provocation, proclaiming, "out with the old, in with the new”. Edward Estlin Cummings illustrated himself as an exemplar example of the Modernist poetry and challenged the expectations of contemporary poetry.

Both Whitman and Dickinson were legendary in the branch of poetry, making their marks by writing plenty of poems, concentrating on important themes such as the developing America/independence, and creating beautiful works of art by exceeding the norms of Iambic Pentameter in conventional poetry. These poets exercised great influence among the coming generations of poets, while also exemplifying their traditional uses of poetic devices. But an important aspect that distinguished the uniqueness of both poets was the tone that was exemplified in their works. As a result, Dickinson and Whitman’s poems incorporated a plethora of symbolic messages that supported their tone and mood of not only their writing, but also what influenced them in

In this compare and contrast essay I will be explaining the similarities and differences in Emily Dickinson's writing style as to that of Walt Whitman's, I will be explaining the differences in their writing styles that make that unique American poets. I will be focusing on the similarities they use in their work, and also the differences that they have in their works. My first paragraph is going to be about what these two have in common the way they write their poems. Both authors express a tone that is similar but achieve this tone in very uniek different ways, I know this first statement isn’t going to make much sense now but however let me explain. Emily Dickinson and Walt Whitman both write about one of the more commonly used

Gertrude Stein once said, “You can either buy clothes or buy pictures (cite Stein),” and it is their affinity for doing the latter that has made Gertrude, Leo, and Michael Stein revolutionaries in the world of visual art. American in origin, but long-time residents of Paris, the Stein siblings possessed a drive to change the way the world sees what art is. They were tastemakers and trendsetters, not afraid to express an appreciation for the avant-garde artists that the world had previously turned away. By selecting pieces based on the art itself, regardless of the artist’s educational success, they broke the longstanding tradition of only welcoming successful Academy artists. The Steins did not solely collect pieces that piqued their interest;

Two poets can be both alike and different, just as the two poets Edgar Lee Masters and Amy Lowell are Edgar Lee Masters and Amy Lowell write poetry about life, finding love and experiencing loss in very different ways, but both are successful in bringing about a truly touching connection with their readers. These two poets have an extraordinary ability to attract their audiences, by using both romanticism and modern techniques in their writing. Amy Lowell said it best when she said, “A poet feeds on beauty as a plant feeds on air,” and both of these poets are obviously very talented and successful in using natural beauty to be a driving force in their poetry. In her book Tendencies in Modern American Poetry,

Literary devices are tools that many authors use to make their novels, short stories, and poems rich with vivid details. However, poets are the ones who tend to use the most complex literary devices in their pieces. In doing so, they make their poetry abundant with many distinct emotions and sensations. In addition to that, authors mainly use literal devices to portray their message more effectively. For example, the poet Robert Frost in “Design” he uses rhyme scheme to explore the existence of good and question whether darkness will always be omnipresent.

The poem “I Am Learning to Abandon the World” by Linda Pastan is closely similar in context with Sharon Olds’ “Still Life in Landscape.” Each of the two poems narrates an ordeal with the persona being the writer of the poem. The persona directly speaks to the audience. However, these two works differ in the number of lines, the length and appearance of each line and the entire apparition of the poems. The two authors employ a similar tone as both use a melancholic and reflective tone. The poets present their thoughts in a simple diction and understandable language. It is evident that both authors have an impeccable interest in narrating their story.