Literary Analysis Of Ava Wrestles The Alligator By Karen Russel

Two more pertinent points are made by the author, in regards to the grandmother, follow in quick succession; both allude to further yet-to-be seen gloom within the story. O’Connor writes of the grandmother “[s]he didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself” (1043) and of the way she is dressed “[i]n case of an accident, anyone seeing her dead on the highway would know at once that she was a lady” (1043). These two observations are innocent enough on the surface but provide true intent on the foreshadowing that O’Connor uses throughout the story. It is these two devices, irony and foreshadowing, that I feel are prominent and important aspects of the story and are evidenced in my quest to decipher this story.

In the passages Confetti Girl by Diana López and Tortilla Sun by Jennifer Cervantes, the narrators and the parents have different opinion on what is the right thing to do, and because of their different opinions, tension and distance in their relationship is created. The narrators in both passages feel alone or left out either because of the lack of attention of because they are missing a beloved parent. In both passages the narrators feel uncomfortable with the parent and is not fully opening up to them. In the sections Confetti Girl and Tortilla Sun, the different opinions between the two narrators and parents create distance and tension in their relationship.

     The significance of the role Twyla?s mother plays is just one twist to the way in which the story can be read. This makes the meaning of the story different to every reader. My interpretation of the details left by the author can be completely different to interpretations of someone else, and there are probably deeper meanings to the story that I didn?t even come across. This characteristic is what made this narrative unique and interesting for me to read.

The book is enjoyable to read because it shows not only the way Georgia lives, but what we can learn from the book as well. My experience with this book is beyond great and showed me how rough Georgia lived her life. She is independent to take care of herself. In the novel Georgia finds hope to do what

The main character, Charlie must navigate through it even while feeling motionless and scared. He tells his story to the reader from his perspective. The reader sees life from exactly the way he sees the events and understands those events through a teenage boy’s eyes. The crisis is introduced when the town outcast Jasper Jones asked Charlie, a bookish young nobody of a boy for help. The reader sees Charlie’s internal conflicts of wanting to go with Jasper, feeling terrified, excited yet so wanting to be accepted by him Charlie does in fact sneak out in the middle of the night with his new friend. Jasper takes Charlie to the scene of the crime where Jasper’s girlfriend is hanging from a tree. The manner that Silvey describes Charlie’s reaction to the hanged girls is true to human nature, “I’m screaming, but they are muffled screams. I can’t breathe in. I feel like I’m underwater. Deaf and drowning.” This description foreshadows the solution to hide the body and Jasper and Charlie throw Laura Wishart into the lake. Unknown to either is Laura Wishart’s sister, Eliza. She witnessed the suicide of her sister and wrote the word “sorry” on the stump of the tree before she leaves. Charlie and Jasper find this word, assume that the killer wrote it there, and immediately jump to the

When a young author from New York City decides to take a trip to the southern city of Savannah, he finds himself falling in love with the town and ends up renting an apartment. He encounters many different characters, including Danny Hansford and Jim Williams, that gives the reader a good look into the aura of Savannah. The main conflict in the book occurs when a murder happens in an old mansion located in the town. The book follows the progression of the trial and the outcome following the court’s decision.

As the two dogs tied the battle, altercation between Skeetah and Manny arose as to who won the battle. Not to mention that the entire cause of the occasion was to a confrontation that had taken place beforehand at Randall’s basketball game. When daddy loses his fingers during the exact time frame of China killing her own puppy, intense emotions arose within me. The scene was a vivid surprise and seems to have even been a foreshadow of how shocking the arrival of Katrina was to the citizens of Bois Sauvage. These violent scenes create suspense of fear and sympathy for the characters in the story all the way up until the last horrifying event. Also, by adding these scenes Ward is able to anticipate the arrival of hurricane Katrina. Allowing readers to ponder upon how these characters are going to come together when Katrina arrives. These scenes also distract the reader from the obvious that a storm is on its way; however the characters within the novel seem to be disregarding it. When the storm finally hits readers are able to clearly see how the family sets aside almost every brutality to save each other’s lives. This is where the tenderness of the characters persona’s come in to play. In other words, although Ward wanted to place scenes of intensity within her novel, it is perceived to be that she did so with a mindset to build up to a mind boggling ending. With all the violence and chaos throughout the story it humbles the

Saturday night her girls were acting even crazier than usual. They seemed to bounce of the walls of the cabin, and she was relieved when the bell rang for the campfire line call. She gathered her but they could not stand still, and by the time they

It is a rather non-traditional history book, being half a travelougue and often going on tangents according to Vowell's whims, but it teaches the reader plenty nontheless. While she does delve into deeper topics, such as individual political views and more morbid things about both the killer and killed's deaths, she keeps a lighthearted and cheery tone about it as she continues on with a lighthearted and cheery tone. However, Vowell does tend to insert a lot of useless facts in an attempt to stay interesting, which actually does the opposite at times. You learn a lot of quirky facts about her, such as her problem with phobias and a long story about her yellow teapot's past, which have nothing to do with the actual topic she's going on. This could be quite distracting and pointless with these irrelevant facts stuck between the presidential assasinations she talks about, yet she always does bring it back on-topic before the reader loses interest. For example, when she talks about the Mudd Family, she diverges into a story about her own great-great-grandfather and a discussion of the grandfather complex. But in the end, she does connect it back to what she was talking about with Mudd’s

Chapter 1 is more of an introduction to some important characters. We learn that Mr. Pontellier isn’t around often, and isn’t much of a family man. We meet Edna and Robert, who have a seemingly romantic connection. This chapter will likely affect the story as the relationship between Edna and Robert continues to build and cause turmoil. In Chapter 2 we learn that Edna and Robert are both aesthetically pleasing, and that Robert is not wealthy because he rolls his own cigarettes. Robert reveals he will be traveling to Mexico at the end of the summer. This chapter affects the story because Robert’s trip to Mexico will deeply affect Edna and their relationship. In Chapter 3 we learn that Mr. Pontellier and Edna’s relationship isn’t all it’s cracked up to be. Mr. Pontellier leaves for the week even during their summer vacation to work, so he is rarely around. This chapter will affect the story because the problems in their marriage will contribute to Edna’s development as an individual. Chapter 4 reveals more about Edna to the reader. We learn she is not a “mother-woman”, meaning she doesn’t put her kids or spouse before herself. We also learn she is the lone non-Creole around, and is not comfortable talking about sex, unlike the Creoles. This will play into the story as a whole because Edna’s feelings of distance from the Creole community will play into her growth as a character. Chapter 5 reveals more about Robert, and how every summer he devotes his feelings to a woman,

The simplistic plot of the novel and the overall theme of love allows the author to span the lives of the main characters. The reader sees the span of the life of two of the main characters, Sidda and her mother

Early in their lives, two young sisters, Ruth and Lucille, experience loss and abandonment from the men in the family. Their grandfather had died in a train derailment into Lake Fingerbone before they were born, and their father leaves them while they are very young. Then their mother commits suicide, but not before dropping the girls off on their grandmother’s porch. Moreover, then, “she sailed in Bernice’s Ford from the top of a cliff named Whiskey Rock into the blackest depth of the lake (23), again into Lake Fingerbone. After only a few months their grandmother dies leaving the girls to the remainder of the family, a collection of eccentric females. The girls deal with all of this by relying on each other. Soon, their great Aunt’s,

A horrible epiphany of the truth about the plantation strikes the grandmother which then leads her family and herself to a mishap. It is significant that the story reveals how nowadays, circumstances are getting worse because before, everything was fine and this produces a positive effect to the young characters such as the grandchildren. Having said that, this is also the reason why they get into a misadventure where they encounter their vicious murderers.

The old shrews gathered, and in spite of the cold, they couldn't wait to chew that mutton...

Cynthia Ozick exploits figurative language in The Shawl to create a grim and surrealistic atmosphere representative of The Holocaust’s brutality and impression of interminability. Though depicting The Holocaust– which is often recounted through biographical narratives–Ozick, uses abstract yet stirring metaphors when recounting her characters’ plight to attain emotional precision. From lines like “a walking cradle” when describing Rosa to “blue tigers” when describing Magda’s eyes, readers immediately sense the relinquished spirit of the former character and the vivacity left in the latter. Rather than providing journalistic accounts of various days and horrific events, Cynthia Ozick focuses on the victims’ mental and physical states and creates a virtually cinematic nightmarish vision. For what better way to inspire understanding of the horrifically unimaginable than through darkly unimaginable imagery? Focusing on Rosa and Magda specifically, Ozick’s language when describing these characters’ and the torturous occurrences they endure conjures a surrealistic impression; however, though the visuals may be mystical, the representations are emotionally authentic and illustrative. Thus, through utterly “unreal” language, Ozick provides readers with a “real” account of The Holocaust’s impact.