Literary Analysis Of Brenda Miller's 'The Date'

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Aziz Ansari published his first book Modern Romance, on June 16, 2015, where he teamed up with notable sociologists to uncover the mysteries of the changing dating scene around the world. Ansari states that relationships have been evolving for the past century for reasons ranging from people having different wants and desires to more advanced technology. These developments have revitalized the dating culture, but simultaneously have also made it very complex. Ansari’s reason for writing this book was that he was “fascinated by the questions of how and why so many people have become so perplexed by the challenge of doing something that people have always done quite efficiently: finding romance” (Ansari 6). In the book, he dives into the

Miller made in her life upon being enslaved by Miriam with conflict. As Miriam’s brazenness intensifies Mrs. Miller finally admits that, she doesn’t “want to see her again” or be “anywhere near her”. Upon meeting Miriam for the first time, Mrs. Miller becomes “oddly excited” and is “glad” to do a favor for her but as she begins to take advantage of her solitude Mrs. Miller is more forceful in getting rid of her. When Miriam pushes Mrs. Miller over the edge and demands on living with her, “she began to cry as though she had not wept for a long time, she had forgotten how“ and she loses her self-preservation. Mrs. Miller finally confronts Miriam and frantically pushes her out as opposed to her leniency when she negotiates with Miriam. Over time, Mrs. Miller learns that she can only get rid of Miriam if she loses her passivity and stands up for

Roiphe begins her essay with a personal anecdote describing the “horrifying” realization that she married a man exactly like her father. This technique immediately establishes the essay as informal and personal. It is a great way to capture the reader’s interest. Also, this particular anecdote is used as background information for the first point Roiphe makes in the following paragraph—that “. . . people . . . have at one time or another been fouled up by their childhood experiences.” Another anecdote in the essay explains how Roiphe’s mother used to give Roiphe “mad money” before going on dates. “My mother and I knew young men were apt to drink too much . . .” and “mad money was for getting home on your own, no matter what form of insanity your date happened to evidence.” Anecdotes such as this are entertaining and tend to lighten the mood of the essay. Also, it is quite easy for readers to relate to personal experience. Another function of anecdotes in this essay is to substantiate and support main ideas. At the end of one paragraph Roiphe

The narration of the mother lecturing her daughter with commanding diction leads to the theme of women conforming to domesticity and if they don’t conform then they will lead a life of promiscuity that will affect the way people perceive them. Women in the past believed that a woman’s role was that of a domesticated housewife. The narration of the third point of view in this story and the commanding diction of it places an importance in the reinforcement of this idea, that if a woman doesn’t follow social norms, she will eventually turn to a “slut” one that her family will be ashamed of. She must set the table for lunch and for breakfast that is “how to behave in the presence of men who don’t know [her] very well, and that it the way they won’t recognize immediately the slut that [the mother has] warned her against becoming.”(Kincaid 485) through her commanding diction, the mother is telling her daughter how to set a table, how to cook, she

eye on the institution of marriage is very characteristic of her stories (11). In "The Story of an Hour", we do not so much see as intuit Mrs. Mallard's skeptical eye.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.

Both Chercover and Madsen’s critiques focus on problems associated with immigration, however Chercover takes the analysis of unsuccessful immigration one step further by concluding that paper acts as the underlying mechanism behind this problem. Paper traps females into constrictive gender roles, which results in the feelings of unhomeliness. Wayson Choy highlights both the positive and negative effects of paper on his characters throughout his novel All That Matters showing how paper provided a means of liberating them from their old life but also applied a constant constraint to each person’s freedom. In the essay that follows, I will explore the role paper plays in the hardships faced by characters in Choy’s All That Matters focusing specifically on females and how paper negatively influences the development of their identity.

Waiting to Exhale, produced by Forest Whitaker, based on Terry McMillan’s novel, is a movie with many strong themes, most of them associated with people rather than ideas. The film details the trials and tribulations of four women searching for “Mister Right”. Several themes such as racism, feminism, the search for true love, and the connection between friends all are brought to light with this movie. However, the theme of commonality stuck out most to me as I watched this film. Every woman, Robin, Gloria, Savannah, and Bernadine, all have different lives; however, they all have something in common: they are searching for love in all the wrong places.

In the words of Sigmund Freud, “The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind.” The legendary psychologist saw dreams as an avenue to study one’s underlying motives for action. Similarly, in literature one finds striking significance from the illusions of protagonists that often predict the nature of one’s psyche. Two such examples present themselves in Blanche, from Tennessee Williams’ A Streetcar Named Desire, and the grandmother, from Flannery O’Connor’s A Good Man is Hard to Find. The former tale follows a lady without a home who finds herself reliant on her belligerent and bestial brother-in-law. The latter traces a family’s road trip South and their encounter with a wanted fugitive. Both Blanche and the grandmother find themselves tethered to their idealistic and often times hypocritical fantasies which signify their underlying mental instability and foreshadow their eventual ruinations. Williams and O’Connor examine their protagonists’ delusions through gender, clothing, and nostalgia.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

In a country where Divorce is more normalized than ever before, one can be guilty of neglecting to consider the pain it can cause, not just the couple, but also their children. The short story “Hot or Cold” by Maile Meloy is a remembrance from the author's life which communicates the divorce of her parents represented in a nostalgic memory from her past. In the piece, the author’s young self plays in a van while her parents deal with an unexpected encounter with a bear. After a brief chase, the parents escape and the family drives away. The author masterfully develops the story by hinting at the nature of the parents relationship by adding clever metaphors, until it is apparent that the parents eventually divorce and that the story is only a dream. In the short story, the author utilizes juxtaposition, a motif, and metaphors, to suggest that memories create narratives, true or otherwise, that help one comprehend events that are otherwise incomprehensible.

Every relationship is not the best relationship because sometimes it is like your trapped and isolated so that makes it harder to adjust and bond. In the story “ The Story Of An Hour” Mrs. Mallard was in an overbearing relationship to where she felt trapped. However, her luck would soon change when she gets terrible news about her husband’s death. Meanwhile, the freedom that she thinks she has at that moment will soon be no more because her husband will not be dead. Furthermore, she will soon lose it once the news is broken to her about Mr. Mallard’s status of health. However, just from that, she will begin losing her sanity and herself all at once. And in the end, will die of a joy that kills or sadness that kills. This relationship can be good or bad because it is not always what the spouse wants (Chopin 720) “The Story Of An Hour” relationships are not for everyone simply because it is a commitment until death and some people aren’t as committed.

“The Story of an Hour” describes the journey of Mrs. Mallard against the Cult of True Womanhood as she slowly becomes aware of her own desires and thus of a feminine self that has long been suppressed.  While this journey begins with the news of her husband’s death, Mr. Mallard’s unexpected return at the very end of the tale tragically cuts short the journey towards feminine selfhood.  Yet the tale is tragic from beginning to end, for the very attempt to create an identity against the gender constraints of patriarchal society is riddled with a sense that such an attempt can only end in defeat.  “The Story of an Hour” demonstrates that the patriarchal society that defines gender roles which control and delimit women’s experiences deny them a self founded on true feminine desires.  Ultimately, Mrs. Mallard’s journey towards selfhood only serves to reveal the erasure of identity, indeed of being, that women experienced in the nineteenth century.