Literary Analysis Of Carole Satyamurti's I Shall Paint My Nails Red

During a time where African American literature was fueled with racial segregation and pride in ones race during the Harlem Renaissance, Zora Neale Hurston offers a different and controversial approach with her literary work “How it feels to be colored me”.(13) In the works Hurston uses several colloquialisms, anecdotes, imagery and figurative expression to invite the reader on an adventure filled with pleasure. The poem takes the reader from the beginning of the Hurston’s childhood back in Eatonville, Florida into adulthood in Orlando, Florida. Hurston proves that overcoming racism can be accomplished by uniting the public and ignoring the visual difference in a person’s outer appearance. Hurston’s strength, individuality and resilience scream

The two poems by Langston Hughes “Theme for English B” and “ I, Too” both identify racism that permeates all stations of life. In both texts, Hughes represents the two speakers as African Americans and identifies how one tries to elevate himself through education and the other individual remains trapped at a lower station. In the poem “Theme for English B” skin colour and all that it represents emerges when the speaker searches for his identity as well as what is the truth about his abilities. The speaker expresses his view in how he deals with his white counterparts (the instructor). “I, Too” centers on the idea of racial oppression, looking at how whites do not recognize blacks as equals and how this affects the individual. Yet the texts attempt to show the basic human similarities between African Americans and white people despite their perceived differences and societal segregation. The two speakers within the poems struggle with their own self-worth in relation to their colour. The similarity between the two speakers is that they approach their issues confident in their capabilities and futures. The two speakers differ in that they appear to have different stations in life; servitude versus achieving higher education, yet both struggle with self-worth.

The division between whites and blacks was clearly prevalent and the United States of America was a racially discriminatory society reinforced by its racist laws. Hughes took the initiative to speak his mind via poetry, resulting in his piece “I, Too”. In this poem, Hughes clearly signifies one thing: Just because his skin color is different from whites, does not mean that they get to sing the National Anthem louder. Arguing that all American citizens are the same, disregarding their skin color, Hughes applies in this poem a master-slave relationship. The assumed white master shows disrespect to his servant by sending him away whenever visitors come over, because he is ordered to eat secluded from the company. However he seems to not be faze by this and actually finds it funny, supported by “But I laugh” (5). Furthermore, not only does he find amusement in this unpleasant situation, but the isolation has a positive effect on him “And grow strong” (7), implying that even though he submits to his master, his spirit will not be diminished.

In Hughes poems, he talks about the dilemma of the difference between black and white from a prejudice state of mind. “Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life. I like a pipe for a Christmas present, or records-Bessie, bop, or Bach. I guess being colored doesn’t make me not like the same things other folks like who are other races” (Theme for English B, Ln 20-25), Hughes explains in Theme for English B, that his life is no different than his white professor’s life, and his likes, and

In the essay “How It Feels to Be Colored Me”, author Zora Neale Hurston writes to an American audience about having maturity and self-conscious identity while being an African American during the early 1900’s through the 1920’s Harlem Renaissance. Hurston expresses and informs her audience about how she does not see herself as a color, and instead sees herself as all she is made up of on the inside. Her primary claim is that she is not “tragically colored” and she should not have a single care about how the world reminds her of how she should act about her race. Her essay chronicles her personal experiences in being an unapologetically colored woman and creates the argument that she should not ever feel self-pity for being black. She utilizes her personal anecdotes and weaves them with metaphors, analogies, and rhetorical questions in order to create an immersive experience for the reader. Furthermore, Hurston engages the reader with her slightly sarcastic, strong, and blissfully positive tone effectively creates a way with words that communicate her claims in an entertaining way.

Zora Hurston wrote the essay ‘How It feels to be colored” in the 1920s. It is important notice that during that period a strong and open discrimination against black people existed. Racial segregation and unfair treatment added more constraints which made it more difficult for others to see beyond the skin color. The author writes and divides the essay in four different sections. Each part narrates and explains her childhood experience, black heritage, discrimination, social status and how she sees the world around her. As a starting point, Hurston utilized a strong phrase to clearly self-differentiate from others when she says: “I’m the only negro in the United States whose grandfather on the mother side was not an Indian Chief” (Hurston, 144). In the essay, she continuously emphasizes and express how proud she is of her heritage and constantly reminds us that we should be proud of who we are no matter the race, color or where we come from. What really matters is the contributions we as human beings can provide to the society where we live.

The memoir “How It Feels to Be Colored Me” by Zora Neale Hurston, was first published in 1928, and recounts the situation of racial discrimination and prejudice at the time in the United States. The author was born into an all-black community, but was later sent to a boarding school in Jacksonville, where she experienced “race” for the first time. Hurston not only informs the reader how she managed to stay true to herself and her race, but also inspires the reader to abandon any form of racism in their life. Especially by including Humor, Imagery, and Metaphors, the author makes her message very clear: Everyone is equal.

Allison Joseph and Sekou Sundiata are both great writers who engage the world by expressing their struggles through poetry. Both authors write about how people make assumptions because of what they hear and see around them. Their poems discuss the altercations and obstacles they have faced only because of the color of their skin. In the poem “On Being Told I Don’t Speak Like a Black Person,” Joseph incorporates a wide breath of experiences from her point of view. She expresses her strong emotion by using descriptive language which allows us to read with emotion. In “Blink your eyes,” Sundiata shows the intensity of his feelings by using the repetition of phrases and reinforcing the poems irony.

“But then I think: Why? Why I have to stand here and agree with her?” “But Aibileen”-Miss Hilly smile real cold-“coloured people and white people are just so…different.” “A course we different! Everybody know white people and coloured people ain’t same. But we still just people! ”. (Stockett 218)

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

Even though both Hurston and Hughes grew up around the same time period, they had very different ideals regarding their experience as African American’s as well as a different voice used within their works to convey their ideals. Hurston in her 1928 essay “How it Feels to be Colored Me” describes her childhood and coming of age with a delightful zest that cannot be contained. Although the essay does contain some dark moments such as when she describes her experience with her friend at the jazz club and the sudden realization of the racial difference between her and the other patrons, for the most part the work exudes her keen sense of dignity despite the popular opinion of the masses during that period. Lines in her essay such as “But I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes…I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it” (Abcarian, Klotz, and Cohen 812) beautifully express her sense of self dignity and refusal to give in to the negative energies surrounding her race. Despite the many hardships that the color of her skin caused her she was proud and determined to never let that stand in her way of

My response to Langston Hughes ' in Theme for English B is we have a variety of interests that are relatable to both of us. We encountered and conquered the greatest battles in our lives. We confronted segregation and rejection in view of the color of our skin and identity. After reading his poem, I was reminded of how I experienced discrimination and rejection throughout public school and I was labeled an outsider. I was discriminated and rejected not only just the color of my skin, it’s because of my disability. Langston Hughes’ Theme for English B made me feel the same way at public school. I wonder, precisely who am I? Where do I fit on this Earth? Indeed, these are a couple of questions that Hughes struggles with, aside from the world in which he was posing these questions. I was lost, but now I found my identity and build great character. My identity, which includes my race, disability, and my values are either accepted or not in this broken world. These three things affect how I read Langston Hughes’ poem because I was faced with deep ambivalence toward the prevailing society, but now I feel that I’m open and positive about society and my place in it.

The poem’s diction reflects the context and a confident, assertive tone. The speaker expresses a high level of self-respect and assurance. It includes

Many are unaware of the effects that race has played in their lives over the years. Some may not understand its implications, but are very oblivious to it. Race can influence such things like attitude and behavior. Nowadays being white or black means something more than just a Crayola color. No longer are they just colors, they are races with their own rules and regulations. People of color have been inferior to the white race for centuries. In their own way Zora Neale Hurston shows this concept in her story “How it feels to be Colored Me” as does Richard Wright in his autobiographical sketch “The Ethics of Living Jim Crow”.

Even with the concept race not being genetic, discrimination has prevalent in society and in the society Una Marson lived in where she writes “ I like me black face And me kinky hair. I like me black face. And me kinky hair. But nobody loves dem I jes tink it’s fair.” Marson describes an instance where she loves who she is, from her dark skin to her kinky hair but no one else does. Her constant instance that she loves her features, in some ways makes the reader believe that she only recently come to accept herself for who she was. A problem many people face growing up, but the feeling of not living up to a fair skinned and haired standard is common among many ethnic communities. With women who have darker being told they were ugly and being rejected the opposite sex who wanted light skinned or white women so there children come out pretty (Newmany). Although she know feels confident in with herself and her identity, she knows that due to other racist beliefs they won’t like her because her skin is dark and her is kinky. It’s not fair and in 2016, it’s still not