Literary Analysis Of Maya Deren's Meshes Of The Afternoon

A young Maya Angelou grew up in a strict household under the rule of Grandmother Henderson, who had two rules: “Thou shall not be dirty” and “Thou shall not be impudent.” In short, Maya was to be nice and respectful toward everyone. One day a group known as the powhitetrash girls began harassing Grandmother Henderson, who had earlier on told Maya to stay inside. She was, however, the closest thing Maya had to a mother, which had Maya torn between her desire to help Grandmother Henderson and her obligation to remain indoors.

The use of words to portray feelings slowly drifts away, becoming replaced with short sentences, the lack of descriptive words, and the use of emoticons in texting. Today there are hundreds of emoticons to describe your feelings, or even your location. Maya Angelou, commonly known as, “poet, author, performer, stage and screen producer, director, and a singer”, wrote the excerpt Graduation Day from I Know Why the Caged Bird Sings in 1969. She along with many other authors changed the minds of individuals by the strategic placement of letters and words. Today the art of English is dwindling away from Americans, although many refuse to accept the fact. Words alone have very little meaning, but when arranged and a few descriptive words are added,

Annie was very successful in her life. The story, "New Directions", by Maya Angelou, it states that Annie did many things for her family. She was successful by working hard at night, walked everywhere so she could sell pies and earn money, and making a store where people could buy her items.

Maya Angelou’s poetry occupies a very special position in her development as a writer (Chow 1). As a child, Angelou went through five years of complete silence after she was raped at the age of seven years old, by a man named, Mr. Freeman. As a result of telling about her traumatic experience, her uncle’s literally kicked the man that raped her to death. Beings she spoke of her traumatic experience and the result of the man dying, she then imagined that her voice had the potential to kill. Thanks to her teacher, Bertha Flowers, at school Angelou started writing poetry as a means of expression of her life events through her poetry (Chow 1). Poetry thus played an essential part in the recovery of her voice, which in

The excerpt titled “Champion of the World” is extracted from Maya Angelou’s autobiographical work I Know Why the Caged Bird Sings, published in 1969. This passage tells the story of Angelou’s community gathering at the local store to watch the match between Joe Louis and Primo Carnera in June of 1935. Angelou describes the spirit of the black community in Stamps, Arkansas as they listen to a match between two heavyweight boxers. Angelou Uses extensive imagery to depict the tension before the match, the excitement during the match and the celebration after the match. The imagery, hyperboles and many other rhetorical devices help to give the reader a great sense of the events depicted in this excerpt.

“You have tried to destroy me and although I perish daily I shall not be moved,” (Angelou, 2014), says Maya Angelou in her Commencement speech to the 1992 Spelman College graduates. Poet and award-winning author, Maya Angelou, is most well known for her poetry, essay collection, and memoir I Know Why the Caged Bird Sings. Angelou happened to be the first black female cable car conductor who later started a career in theatre and music (Maya Angelou: Poet and Historian, n.d.). Once her acting and musical career began to take off, Angelou began touring with productions and released her first album Miss Calypso (Maya Angelou Fast Facts, 2017). Later, Angelou earned a Tony Award nomination for her role in the play Look Away and an Emmy Award nomination for the work she performed in the television mini-series Roots (Maya Angelou: Poet, Civil Rights Activist, Author, Activist, 2017). Angelou was also the first African American woman to have her screenplay produced (Maya Angelou: Poet, Civil Rights Activist, Author, Activist, 2017). Out of the number of poetry collections Angelou published, Just Give Me a Cool Drink of Water ‘Fore I Die happened to be her most famous collection that was also nominated for the Pulitzer Prize (Maya Angelou: Poet, Civil Rights Activist, Author, Activist, 2017). The focus of this paper is to critique Angelou’s credibility, sincerity, and appeal to her whole audience in her delivery during the Spelman Commencement Address in 1992.

Maya Lin is a driven and innovative artist of our time. Many of her works have been seen as controversial and received harsh criticism. She manages to trudge on. Her works express both an artistic and mathematical feel, somehow finding a beautiful marriage between. Her obsession with art and knowledge can be greatly attributed to her parents, as she was very successful at an early age. Her art career is one of many triumphs and breaking boundaries in the art world. Lin has a great love for nature, and many of her pieces help to express the significance of this, and she loves to enthrall the audience.

Throughout the years, sports have become a major part of society. Sports, a large percentage of the time, are a part of peoples’ lives in one way or another. Whether they participate in them or just enjoy watching them, sports are a big deal to the majority of people. There are also some individuals who have redefined the expectations when it comes to certain sports. For instance, Babe Ruth redefined the way people think about baseball, or Michael Jordan completely changing the game of basketball. But Joe Louis and Venus and Serena Williams have changed their games in a way no one could have imagined. Although “Champion of the World” by Maya Angelou and “Woman Who Hit Very Hard and How They’ve Changed Tennis” by Michael Kimmelman are different, they are similar in the ways they show how the respected athletes, Joe Louis and the Williams sisters, changed the game and were seen using symbolism in racial and sexual progression.

Maya has a school assignment and needs to write about a person she would love to know better, she thinks about her biological parents but realizes that knows nothing about them. A.J and Amelia helped Maya figuring out a topic. Maya writes a figurative story about her mom, and her paper got elected for a story contest which she did not win. A.J feels disappointed, and wonders how she did not win. Lambianse dates with A.J's sister in law Ismay, and discovers that she had stolen Tamerlane. At the same time, A.J got to know that had developed a brain cancer that compromises his speaking ability. A.J got struck by the news and knew that had no money for the surgery, but Lambianse managed to convince Ismay returning Tamerlane anonymously. A.J

“Success is not final, failure is not fatal: it is the courage to continue that counts.” - Winston Churchill. What is the limit? Is it those spiteful words that make the choice of jumping off the bottomless cliff seem easier? Hurdling off into the darkness is the only way out. Or is it ourselves that put us at the breaking point? Failure is all around. Maybe that’s the only way that success can arise. In Maya Angelou’s poem, “Caged Bird,” we see two people and how much they limit themselves. Langston Hughes’s poem, “Mother to Son,” a mother is limiting herself to her past and telling her son not to do the same. Robert Frost wrote about a person that is limiting their view to two choices and, consequently, is not seeing the other possibilities in “The Road Not Taken”. Everyone has their limits, but the ones who don’t let those limits block the other possibilities will conquer their existence. The cliff is open to anyone. Will you take the fall?

People tend to disagree on whether America is a place to find individuality or lose it. The "melting pot" description of America as a place to come adopt a set of ideals and lose a heritage is a common one, and Maya Angelou and Richard Rodriguez are two modern writers who have taken hold of this idea and offered their own opinions on the matter. Maya Angelou weaves her poem "On the Pulse of Morning" around the images of the Rock, the River, and the Tree, using them as symbols for the facets of America. Each of them have physical qualities that can, in parallel thinking, align with aspects of American society. By capitalizing them, Angelou creates a constant reminder that the Rock, the River, and the Tree are not merely part of the physical environment, but they represent parts of the American environment;

The Mayan people of the Yucatan Peninsula have endured great changes over their history, but many changes have occurred more recently as documented in the book by Cindy Hull. During a study in which she lived in Yaxbe for several decades, Hull examined the effects that this change has had on the people of the village and the Mayan people at large. Initially, Hull found that much was different about living with the people because she was used to the US Midwest. She was not used to the diet or to the family structure she found among the people, but she quickly adjusted to the changes and became a member of the village. Her task while she was there was to discover the social structure of the clan and how the culture has changed over time. She conducted a longitudinal study (one in which she became an integral member of the tribe) because she wanted to understand the people from a basal level. She believed that, despite the differences to what she experienced in her normal life, that the hardships she would face would get her closer to understanding the culture she was studying.

The poem I chose to examine was the "Inaugural Poem" by Maya Angelou. This poem was written specifically for one occasion; President Bill Clinton's inauguration ceremony in January, 1993. Through the usage of several poetic devices, Maya Angelou enhances the meaning of her poem.

Maya Angelou is one out of the best known poets. She has written a lot of poems that inspires and assist people with their lives. She has a “desire humbleness to learn and experience all that life has to offer her” (gale biography in context, “Maya Angelou More than a Poet”) which makes her poems have a meaning to them. In addition, Maya Angelou got a lot of pieces of poems considered equality to her experience as a human of the United States during race times and her experience as a person who worked with other civil right activist. Maya Angelou uses deep themes that leaves the reader to think about the topic is being talked about. In her poem, “Still I Rise” she talks metaphorically about discrimination. In the poem, it states, “does my haughtiness offend you? ( the poetry foundation, “Maya Angelou”). This quote from the poem shows how the rest of the poem is about people believe they is better than other people and that the other people should suffer because they are inferior to the people, but the people being abused should not be embarrassed of who they are and be thankful for life(“Maya Angelou More than a Poet 1”).

The narrative structure in Meshes of the Afternoon (1942) is unique in that it uses abstract symbolism to transfer all narrative information to the audience, forcing the audience to actively engage with the narrative in order to piece together the plot and how it relates the story, if there is one being told at all. Meshes is told with distinctive narrative structure that relies on different interpretations for one to understand the purpose it serves as a work of cinema. The purpose of Meshes can be seen to represent, embody, or exemplify possible ways of seeing and being in the world itself. The artisanal and avant-garde style of Meshes, with its unclear chronological sequencing coupled with its overt referencing to a dream state, serves to explore the way in which director Maya Deren felt about her world, one she allowed us to peer into through the lens of her camera. Meshes also relies on its aesthetics as its primary form of language, with symbolic communication contributing to its poetic form. Meshes also largely employs an expressive form of emphasis through its use of mis-en-scene, as the entire film can be seen as the subconscious expression of Maya Deren’s thoughts of her life, specifically of her relationship with her husband Alexander Hammid. Meshes also uses a poetic form of emphasis in terms of the style of its narrative, with each repetition of actions serving as a stanza for the film, which unfolds in the form of a poem.