Literary Analysis Of Paradise Lost

Satan’s character embodies the idea of a heroic figure because he questions what he feels to be true, even though his tragic fall is that he becomes easily misguided.

However, craving independence from God ferociously backfires on Satan when he finds out that even after leaving hell, he cannot escape it, “which way [he] [flies] is Hell, [he] [himself] is Hell,” (IV, 75). Satan finds his way to revolt against and separate from God to overrule Heaven and become king, instead however, he takes on the role of the representation of all evil which is evidently seen in his interactions with Eve.

Milton draws his inspiration from these verses in describing Satans pride and his attempt to wage war in heaven. However, in his attempt to make Paradise Lost both a conversation and a narration, Milton decides to describe Satans descend from heaven in closer detail, even with the risk of committing sacrilege.

Paradise Lost by John Milton thrives off the implicit and explicit aspects of Hell offered by the narrator and the physical and psychological descriptions offered by various characters. Their separate perspectives coincide to expose the intentions of Milton and the purpose Hell serves in this epic poem. Each character adds a new element to the physical and psychological development of this alternative world. The narrator and Satan provide the greatest insight into the dynamics of this underworld by attempting to redress the issues of accommodation.

Satan’s inability to comply with God’s law and ideals cast him out of Heaven and into the depths of Hell. Dismissing his eternal damnation in Hell as a mere setback in his ambition to reject God’s authority and rule over Hell, Satan remains convinced he can subdue the omnipotent.

John Milton’s epic poem, Paradise Lost, has been the subject of criticism and interpretation through many years; these interpretations concur in that Adam and Eve are the sufferers of the poem, and it is their blight to lose Paradise because of their disobedience; however, their exile is merely a plight brought by Satan, and it is he who suffers exile before any others. Satan changes from Book I of the poem to Book XII; his introduction is heroic and grand, appearing as a hero rebelling against an unjust God. But by the finalization of Milton’s poem, Satan is a burnt shell of himself and, though ruler of Pandemonium, he sits in a throne in the lowest pit from God’s light. Satan’s exile brings forth the salvation of mankind and his own regressive transformation; tying in with the theme of disobedience, Satan’s exile gives

John Milton’s Paradise Lost depicts the heroic features of Satan in his attempt to destroy God’s creations. Satan is portrayed as a better “god” than God himself despite his hellish actions. Satan uses his compelling charm to better the inducement of his evil machinations. The ultimate denouement of Paradise Lost was the presentation of the devil as the real hero, which is not the conclusion that Milton intended.

"In the forefront of the battle, where we expect him, is Milton's Satan, the great rebel of Paradise Lost" (Hamilton 7). Hamilton also introduces the idea of an underdog, describing Satan as a person fighting against an inferior power, with extreme odds against a victory for his side (14). In the scenes around the battle in heaven, Milton shows how Satan is viewed as a leader by the other fallen angels.

Following the standards of classic tragic heroes, Satan is a determined leader with an extreme amount of hubris. He knows that God is the most powerful being and yet he still

The character of Satan in this story can also be related to other tragic heroes throughout history.

In All of the fallen angels bulit a palce called pandemonium, the capital of Hell in Milton's Paradise where they meet to wheather ot not to paticipate in a battle to get revenge against God.

The theme of the 'heroic' in John Milton's Paradise Lost is one that has often been the focus of critical debate, namely in the debate surrounding which character is the 'true' hero of the poem. Most critics of the subject have, however, noted that the difficultly in defining the 'hero' of Milton's work is mainly due to our “vague understanding of what constitutes heroism”1 and the fact that “the term itself is equivocal”2. The 'vague' terming of what heroism can be defined as it what draws critics to disagree with one another over the nature of heroism, as Charles Martindale points out that there are 'different models of heroic', many of which Milton employs in his epic poem. To incorporate these different 'models' of the heroic into his

In his epic poem titled Paradise Lost, John Milton describes his work as a process to justify “the ways of God to men”. In terms of the personal and individual, Milton’s main concern was between a man’s relationship and God. With this, comes the very idea of free will itself. One can define free will as the ability and freedom to choose between different possible courses of action. Not only is free will portrayed in Adam and Eve, but is also associated with God, Christ, Satan and the fallen angels. Milton enables these characters to make their own choices and have their own consequences based on their own decisions and free will. Throughout the poem, John Milton supports this concept of acting freely under God, he shows the reader that choosing ones own actions freely and independently is way more substantial and becomes more meaningful to ones self. Each characters free will in this poem helps explain why having this freedom of choice is so important and crucial in expressing and becoming ones self.

As Book VIII of John Milton’s Paradise Lost begins, the “new-waked” human Adam ponders the nature of the universe and the motion of the stars (ll. 4-38). When Adam has finished his speech, Milton takes the opportunity to describe Eve, who is listening nearby. We find Eve reclining in the Garden, but with grace, not laziness: “she sat retired in sight,/With lowliness majestic from her seat” (41-42). This “lowliness majestic” is the central phrase to understanding Eve’s character—she is both humble and glorious. Everything that beholds her is captivated by her “grace that won who saw to wish her stay” (43). Even in this paradise, every other beautiful creation is drawn to Eve. She walks

John Milton's epic “Paradise Lost” is one that has brought about much debate since its writing. This epic tells the Biblical story of Adam and Eve, although from a different perspective than what most people usually see. Milton tells the story more through the eyes of Satan, whom most people usually consider the ultimate villain. The way in which Satan is portrayed in this story has caused speculation as to whether Satan is actually a hero in this situation. He certainly has heroic qualities throughout the story, yet still is ultimately responsible for Adam and Eve's sin. Satan can easily be classified as a hero in this story, as well as the main antagonist, depending on the viewpoint of the reader. Milton introduces Satan as an important