Literary Analysis Of Catcher In The Rye

It seems that Holden is finally coming to the conclusion that every child will have to fall at some point and he is accepting of that. This part of the novel is significant because it is one of the first moments that a reader can clearly note that Holden seems to change his original mindset from the beginning.

Throughout the story Holden emphasizes his love for childhood innocence. In a passage he says “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything.” (Salinger 211) This immediately points to his affinity for innocence and not having the limits of being and adult. The

Holden’s immaturity causes him many problems throughout the story. Although he is physically mature, he acts more like a child. “All of a sudden I

Throughout the novel, Holden attempts to find the true from of himself as he struggles with the social interactions around him. Due to the struggle and confusion that arouses from it,

J.D Salinger expresses Holden growing up in a vivid image where people can see the clear view of Holden rising upward to be an adult. Throughout the book, Holden ostracizes himself in the society and makes him lonely. The readers can visualize Holden maturing when he realizes that not everybody is his enemy. For instance, when Holden leaves his teacher’s house in fear because the teacher was petting his head; he wondered “if just maybe [he] was wrong about thinking [the teacher] was making a flitty pass at [him]” (194). When he starts wondering if it was his own fault, it exemplifies that Holden is deeply thinking about his acts toward other people. His thinking can also relate to the last sentence “don’t ever tell anybody anything. If you do, you start missing everybody.” (202). The last sentence is an example of Holden setting his importance on the people around him. But with all the obstacles that he goes through, he realizes that people that are involved in his life are an important factor of his life, and regrets having a live social life. This realization is an example of coming of age because we can truly see Holden’s thinking of what he thinks of a good life is which involves people around him.

Teenage years are difficult. Time tells this story of struggle again and again. The Catcher in the Rye is a classic novel showing the struggles a teenager goes through while transitioning into adulthood. The main character, Holden Caulfield, is a judgmental and temperamental boy who struggles to see the positivity in life. Throughout the story, Holden searches to find himself, as he feels forced to grow up. He holds onto aspects of his childhood and isolates himself so much that it is even harder for him to transition. J.D. Salinger uses the red hunting hat, the museum and cigarettes as important symbols in the story to convey the themes of transitioning from childhood to adulthood, loneliness, and isolation.

This character is going to tell it like it is, and he does. The most powerful emotional standpoint in the story is when Holden goes to his sister’s elementary school to deliver her a note. While he is there, he discovers two words scribbled on the wall. “Fuck you.” Most people would look at that and think nothing of it. Some would bow their heads in shame at the person who thought it was funny. Others might laugh. Not Holden. He did not think about the normal persons response to the note. He thought about the child’s response. About how a little kid is going to see that seemingly meaningless phrase and wonder what it means; about how some dirty kid would explain what it meant; and about the person who wrote it and how they are destroying the childhood of everyone who reads the ‘harmless’ graffiti. This section takes the reader to the door of Holden’s mind. It is at this point that one truly understands his emotions.

During the novel, The Catcher in the Rye, author J.D. Salinger brings Holden’s pessimistic, antisocial personality to life through what he says, how he says it, and through the characters he meets. Salinger bases Holden’s expressions off of the culture of the 1950’s, his own personal dialect, and the everyday occurrences of Holden’s life in mind. J.D. Salinger manipulates the diction, uses syntax to criticize others, and controls the character interaction and dialogue in order to create the protagonist, Holden Caulfield.

Holden Caufield emphasizes on the loss of innocence in children. He feels that once they lose their innocence, they will soon turn into phonies like everyone else. The loss of innocence is very common in the development in human existence. It is caused by many factors. Past a certain age, children are either forced or led unintentionally into a pathway of corruption. A child is also known to lose their innocence by desires, fantasies, and attention. But once they lose their innocence, they tend to desire to go back and pretend to be young again. In the Catcher in the Rye by J.D. Salinger, Holden discusses the importance of innocence in children's lives. He feels that once a child loses his/her innocence, he/she will soon be leaded to a

Holden Caulfield is a character who has been through rejection and wishes to protect others innocence. He is a teen boy who is the main character in Catcher in The Rye by J.D.Salinger. He has an older brother named DB, a younger sister named Phoebe, and a younger, deceased, brother named Allie. Holden retells his story on him, trying to be the catcher in the rye. Holden has been kicked out of different colleges. He has been rejected by different girls. Holden goes through his life story. He talks about being kicked out of Pencey, his friend Jane, his “acquaintance” Stradlater, and how, when, and where Allie died. Society is to blame for Holden Caulfield's decline in mental stability. Society does not help Holden. Instead, they ignore his

Holden Caulfield, the protagonist, has been kicked out of Pencey Preparatory High School, and on the night that he decides to leave it has snowed. Snow is often described as “blanketing” the ground, which in Holden’s situation is representative of symbolically restricting his actions. He has yet again been kicked out of a school and feels as if there is no right move to make in succession. “The snow was very good for packing. I didn’t throw it at anything, though. I started to throw it. At a car that was parked across the street. But I changed my mind. The car looked so nice and white. Then I started to throw it at a hydrant, but that looked too nice and white, too” (Salinger 47). Not only does the snow represent Holden’s paralyzation, it is also symbolic of his purity. The snow is clean and white, which can constitute as pure, and consequently Holden does not want to destroy the untainted snow. He is at a point

As the novel progresses, we realize that ironically Holden's alienation becomes the source of most of his pain throughout the book. Although he never realizes the fact that his pain is being derived from his isolation and lack of human interaction, Salinger places clues in the book that tell us that it is so. With the introduction of Sally Hayes, Salinger is able to craft a relationship that effectively depicts the conflict in Holden. It is loneliness that initially propels Holden into a date with Sally. However, during the date Holden's need for isolation returns, he "didn't even know why" he "started all that stuff with her. The truth is" he "probably wouldn't have taken her even if she wanted to go." Because Sally is unable to recognize the feelings on the "phoniness" of school that he projects, he becomes frustrated and uses a rampaging monologue to upset her and drive her away. The only time in the

This passage proves that Holden is dissatisfied with the boys at his school, he believes they are fake and he does not social well with them. Although Holden doesn’t want to interact much, when he does end up interacting with people, he usually gets the short end of the stick. For instance he invites Ackley, a boy he meets at Pency Prep, along to the movies, but Ackley won't return the favor by letting Holden sleep in his roommate's bed. ‘“I’m not worried about it. Only, I’d hate like hell if Ely came in all of a sudden and found some guy-”’ (Salinger 49). Another instance is when Holden pays Sunny even though they don’t have sex, and ends up getting scammed. At a young age, Holden lost his younger brother, Allie. This had a huge traumatizing effect on him; Holden felt useless because he was unable to help his brother. Holden turns his emotions into anger; stating that he punched out all the windows in the garage. Another time Holden felt unable to help was when his peer, James Castle, was harassed and bullied, leading to James’s suicide. Holden says, “... and there was old James Castle laying right on the stone steps and all. He was dead, and his teeth, and blood, were all over the place, and nobody would even go near him. He had on this turtleneck sweater I'd lent him”’ (Salinger 170). Holden feels that society had

“I swear to God I’m crazy. I admit it.” It is very easy to automatically assume that Holden Caulfield is crazy. It’s even a logical assumption since Caulfield himself admits to being crazy twice throughout the course of the book. However, calling Holden Caulfield crazy is almost the same as calling the majority of the human race crazy also. Holden Caulfield is just an adolescent trying to prevent himself from turning into what he despises the most, a phony. Most of Caulfield’s actions and thoughts are the same as of many people, the difference being that Holden acts upon those thoughts and has them down in writing.

The self-narration of Holden’s life is what gives the reader an insight into the way he thinks and feels. It helps you understand why Holden is the way he is. Without this explanation from him, you wouldn’t empathise with him, or like him very much at all. It’s the little stories he tells, like the story about Allies baseball mitt, “…Allie had this left-handed fielders mitt… he had poems written all over the fingers and the pocket and everywhere. In green ink.” (Salinger, 1945-6, p.33) or about how he knows Jane Gallagher, “You were never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were” (Salinger, 1945-6, p.72) that make you see the softer side to him.