Literary Analysis Of 'The Comfort Of Strangers'

While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.

Bragg’s dejected tone when addressing his father’s latest demeanor is satirical as the Father’s past behavior is anything but celebratory. The author’s conscious decision to compare his memories of the Father to that of a “man” and a “monster” depicts the two emotions Bragg intended to invoke from his readers through the use of tone: contentment and fear. He wanted his readers to share his contentment with his father’s past demeanor, though distressing. In contrast, Bragg hoped his readers share his fear of his father’s past demeanor, despite his innate urge

Then, the story goes to express the changes the father-in-law has experiences and how contrasting is his past with his present. He apparently is being affected by an undefined condition, which has made him change in temper and personality. During several moments, the narrator’s father-in-law presents issues of insecurity and some aggressiveness, and in others, he delights the family with the appearance of a sudden charismatic behavior. At some point, the narrator and her husband, after a brief discussion, recognize their responsibility as children to take future care of their parents. The narrator reveals at the end the acknowledge of her father-in-law permanent change in character and how much it affects them. Jen’s central idea relates how there is a cyclical change in family roles and responsibilities between sons and elder parents that naturally repeats itself. It also suggests that when issues are presented, the duties can be overwhelming for the new

In his short story, “The Strangers That Came to Town,” Ambrose Flack is showing that true freedom is about being accepted. It shows that true freedom is about being accepted because of the way that the Duvitch family is placed in a community where they are not accepted at first but then do become accepted. Mr. Duvitch didn’t talk much to anyone because of lack of freedom to be who he was, Mrs. Duvitch didn’t have the freedom to also be who she was because people talked about her and the Duvitch children to were quiet ones who didn’t have freedom in the sense that they couldn’t just go out and play with the other kids.

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

The story “The Strangers That Came to Town” is primarily a story about freedom. In his short story, “The Strangers that Came to Town”, Ambrose Flack is showing that true freedom is about being accepted. In the beginning of the story Mr. Duvitch and his family couldn’t walk around the town being judged or feeling uncomfortable. This was also a big problem for Mr. Duvitch’s children. They deal with bullying and not being welcomed as well. Although at the end of the story Andy’s family changes things for the Duvitch’s. The town begins to realize that they aren’t as bad as they thought and weren’t actually that different from them.

The use of repetition of certain words is used throughout the story and its use in this passage emphasizes the opposing feelings of the parents.

Several things that happen in this book are a result of what the father and son do in their relationships for

As you read not only has wording made an influence in the piece but also incorporated is a different point of view. “Boys” is introduced to us in third person offering us a long distances shot of the progress as the boys age. In an interview Rick Moody states that the third person is the mother of the boys, narrating the story in an “understated way, she is the perceiver, their mother is the center piece of the story.” (Rick Moody) Viewing the story from a higher place gives the reader a sense of intimacy with the narrator being able to perceive the lives of the characters the “boys” in a different light, the reader becomes a witness to the events in the progression of the “boys’” lives.

Not only that but her questioning of gender role was a concern for her. After her parents were separated, her father’s expectations of her were no longer there and did not speak to one another. After a while, blaming one-self after a separation of the parents is always expected from young children and so Roberta’s feeling that the separation of her mother and father was due to her misbehavior at home allowed her to be not happy. The separation of her parents did not only cause Roberta to feel not happy but also her thinking was shaped in ways that blamed all men to be the exact same way and that on one could be the same. This can be related to what each child feels and thinks if that were to happen to their own family, and unfortunately in our current society there are people that still the same way as Roberta’s father and

The author uses descriptive language to provide the reader with an insight into Martins journey. For example, Martin is aware that his Mother and Old Ted have a difficult relationship, she says “he is an impossible man, as mad as an axe” (pg 4). Another

When the narrator first encounters the girl, his friend's older sister, he can only see her silhouette in the “light from the half-opened door”. This is the beginning of his infatuation with the girl. After his discovery, he is plagued by thoughts of the girl which make his daily obligations seem like “ugly, monotonous, child's play”. He has become blinded by the light. The narrator not only fails to learn the name of his “girl”, he does not realize that his infatuation with a woman considerably older than himself is not appropriate. He relishes in his infatuation, feeling “thankful [he] could see so little” while he thinks of the distant “lamp or lighted window” that represents his girl. The narrator is engulfed by the false light that is his futile love.

The mother begins to rebel against tradition by taking an active role in educating and freeing herself. Through her radio, telephone and trips out with her sons she develops her own opinions about the world, the war, and the domination and seclusion of woman. She loses her innocence as a result to her new knowledge and experience.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

The word “culture” can often be mistaken as geographical ways of living such as food, clothing, etc. However, culture is not only ways of living in different places, it is valuable practices that are passed on for years and years in a civilization. Language, government, morals, knowledge, religion, and food are all different components of one’s culture. Different cultures can be found in places ranging from large communities, to families, to the inner self of a person. In One World: A Global Anthology of Short Stories, many of the short stories, including “Among Strangers”, “Growing My Hair Again” and “The Third and Final Continent” exemplify the importance of culture.