Literary Analysis Of The Count Of Monte Cristo

While he was successful in his goal, the pain and suffering he caused to innocent people like Edouard, the son of Villefort, and Mercédès, the wife of Fernand, throws the question of whether Dantes was really successful into doubt, as he wanted to reward the innocents and not hurt them. While Dantes was getting his vengeance on the Villeforts, he unintentionally kills Edouard. Dantes immediately regrets what he did when Dumas states, “Monte Cristo paled at the horrible sight. He realized that he had gone beyond the limits of rightful vengeance” (485). Dantes immediately feels regret for killing the innocent boy when he sees him. Dumas emphasizes this regret and sorrow even more by stating how Dantes was pale from the sight of the consequences of his actions, something that only happens when you truly feel terrified of what you’ve done. He acknowledges for the first time in the story that he was wrong in his pursuit of revenge, so he himself admits that he went too far. He realized that while he did get his revenge on the Villeforts, this was too much as Edouard never did anything besides be related by blood to them. Dantes tries to revive Edouard, but he failed to bring him back, which is the first point in the story where he fails during his quest. He punished the bad and was highly successful with that, but the suffering that he caused upon innocent people made him realized his justice was not worth it or even good. Furthermore, the death of Edouard caused Dantes to become the wrongdoer this time, as he unjustly killed a person for no reason. His original idea was to bring justice to all these criminals, but he ended up only becoming one himself and bringing more undeserved tragedy to people. After everything had happened and Dantes achieved the vengeance he wanted, he reflects on his actions when Dumas says, “Having arrived at the summit of his

Edmond Dantès, the main character of The Count of Monte Cristo, is an innocent and unsuspecting young man who is thrown in jail by those who were jealous of him. Once Edmond escaped, he changed his identity to the Count of Monte Cristo, and plotted a harsh revenge against his enemies. At the beginning, he said “Happiness is like one of those palaces in fairy tales whose gates guarded by dragons: we must fight in order to conquer it.” (Dantes 18) He thinks that his marriage with Mercédès is too good to be true, according to his statement. As it turned out, it was, and he was put in prison for fourteen years, and it was fifteen years before he saw her again. The only thing Edmond sought after he escaped from jail was revenge. So he took

How to Read Literature like a Professor, by Thomas C. Foster, is like painting a picture; with painting the first step is to paint inside the lines, but an advanced artist understands that a picture is made up of not just color, texture, and shapes, but also considers the purpose behind each stroke. Foster brings a different meaning to reading a book and draws attention to the author and his or her intention. While applying Fosters teaching's to Paulo Coelho's The Alchemist, the main character, Santiago's journey becomes more than a journey- it turns into a quest. Simple drinks and foods turn symbolic into acts of communion and while

How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines by Thomas C. Foster is a book that explains there is more to literature than just a few words on a paper or a few pages in a book. Thomas Foster’s book portrays a relatable message to a wide based audience. This book is relatable for two reasons, the way it is written and the examples it uses. The book is written in a conversational manner, as if the reader was in a group discussion about books and writing. As for the examples, they are informative, descriptive, relative, and entertaining.

In How to Read Literature Like a Professor, author Thomas C. Foster extensively teaches literary conventions that teach a reader how to read between the lines. The main goal of this guide is to help a reader read to a level such as a professor, which entails being able to read analytically. Throughout Foster's literary guide, he sets out essential elements of literature that aid in the ability to read analytically. How to Read Literature Like a Professor focuses on not only external influences, but also in text elements such as structure, themes, and setting. Throughout Foster's guide there are many valuable keys to reading, some of the most prominent in literature being biblical reference, character quests, and character baptism. Chapters

Faria, a priest, completely changes Dantés' perspective on life when he helps Dantés figure out who put him in prison and why. Faria regretted what he had done to Dantés' innocent mind. Dumas writes, "Faria looked at him [Dantés] steadfastly and said, 'I regret having helped you clarify your past and having told you what I did.' 'Why?' 'Because I have instilled in your heart a feeling that wasn't there before: vengeance" (Dumas 58). When Faria dies, Dantés considers killing himself, but ends up vowing to get revenge instead. After a dramatic escape, Dantés sets out to destroy the lives of those who turned on him using his riches, important friends, and vast amount of knowledge. Dantés states, "He doomed these unknown men to all the tortures his fiery imagination could contrive, but even the cruelest ones seemed too mild and too short for them, for after the torment would come death, which would bring them, if not rest, at least the insensibility which resembles it" (Dumas 42). After life in prison, Dantés was no longer recognizable. He had been changed from the innocent, carefree, living life to the fullest boy of nineteen to a hardened and cynical adult man. Dantés' path of life had now become reversed the second he hits the water. He now lies to and uses everyone around him to further his own agenda of gaining revenge similar to the way

Edmond Dantes: the man of many faces including The Count of Monte Cristo, Chief clerk of Thomson, Abbe Busoni, Lord Wilmore, M. Zaccone and Sinbad the Sailor. Edmond is Incredible resourceful, his plan for vengeance against the people who tarnished his innocents and threw him into jail is so large and so complex. The reader gets distracted by the small things, caught up with what is going on not paying to the big picture then boom Edmond shows us his hand. Edmond hustles and cons everyone in the room to doing what he wants them to do. And develops a serious gods complex throughout the novel till he realize later on that he is not the messenger of god, and the world he has created around himself comes crashing down around

Supporting the statement that Edmond devotion and care is set towards his loved ones, for he does not worry about his well being because prospering with his family means he is the best he can be. Edmond’s fortunate life included perspectives of those who purged at his life virgiousling stated “Dantes will certainly carry the day; he will marry their fair damsel, become captain, and have the laugh over us, unless….’ a livid smile was seen to pass over his lips ‘unless I set to work’”(Dumas, 20). Danglars is sarcastically boasting of Dante’s blessed life to infuriate Fernand, who envied Dantes’. The life of Dantes’ was not always so fortunate, though he did not sense this hatred among his companions,  it was still prevalent to his death. Consequently, this envious perspective lead to Dante's’ framed imprisonment, for he suffered and his enemies prospered. Edmond is a naive being who believed he was always admired, however Danglars and his accomplices were outliers. When one thrives,  others attempt to hinder that growth, and in this case Danglars succeeded with the death of Dante's. Dante’s was not admired by all, for his fortune and purpose in life to prosper with his loved who he cared deeply about was

To truly understand a great novel and its author, the reader must dig deep inside the life

When a novel is revealing, witty and whimsical it unlocks the hidden truths about literature as discussed in the book How To Read Literature Like a Professor by Thomas Foster. This book is written in second person so the reader can experience Foster’s personality that is directed towards them. A reader is given a fresh and clear perception on literature to understand what is being read. Foster clarifies the way writers uses symbols and themes. He believes by analyzing the deeper meaning in literature will help foster a better reader.

Arthur Miller’s diction and allusions in The Crucible displays the character’s opposition to Puritan ideology. Although Puritanism is a strict religion, many of the characters in the play do not follow its ideology to the full extent. Within 10 pages of the play, the audience is introduced to an offense that has occurred. Parris, the greedy reverend in Salem, says he discovered his niece, Abigail and daughter, Betty “dancing like heathen in the forest” (Miller 10). For Puritans, any fun activities, such as dancing, are wrong because it serves the Devil. Miller’s use of “heathen” further connects dancing as an immoral act because of heathen’s definition. Since heathen means a person who does not serve the Christian god, using heathen as a comparison

He has morphed into a new man, with new values, a new character, and an almost completely different disposition. Ever since Abbe Faria solved the mystery to who framed him, Dantes has had a deep need for revenge. “At those moments Dantes' face would darken, for he remembered the oath of vengeance he had sworn, and he thought of how much harm a man could do to his enemies in our modern times with such fortune” (Dumas 72). With these thoughts there is no doubt Dantes has changed from his innocent, naive 19-year-old self to an educated vengeful man of 30. This shapes the entire story into the journey and the completion of a man's goal. Dantes becomes a dark man with only one purpose in life, to enact revenge upon his enemies. He begins by extracting the treasure from its resting place and repaying a man called Jacopo, who aided him once he was shipwrecked. Later, he returns to his home and disguises himself as a priest. Dantes will impersonate the voice of god in order to fulfill his vengeance. He speaks with Caderousse and finds all the men who are guilty and how they punished him. Then, he begins to carry out his plans, beginning with befriending Albert, Mercedes son, and Franz d'Epinay. As a whole, Dantes has become a man so set on revenge, he will not think of anything else. The very words he speaks reflect on what he will do to his accusers and what he thinks of the men he is speaking to. Dantes questions, “If a man has tortured and

Edmond Dantes eventually escapes prison but rapidly realizes the prison of secrecy he places upon himself. Edmond cannot reveal his identity when he leaves and therefore he is forced to become someone new with all the knowledge of his past self. This burden morphs into the remoteness he had felt inside his cell slowly eating at him. When he first returns to the land where he had once resided he is described

Edmond Dantes was a 19 year old man who became captain of a ship name the Pharaon. He was much loved by everyone. He is pretty gullible and becomes vengeful when the one guy he considered his friend betrayed him the other two who he was not to fond of ruined his life. He was a respectable young man who showed that numerous times like when he had to leave Morrel while he was talking to him; he said “I beg you excuse me, Monsieur Morrel (Dumas 5). He was to be betrothed to a girl named Mercedes who he’d loved very much but he loved his father most of all. He felt bad when he found out his father was broke from paying his debt causing him to fall to his knees and said “may God forgive me” (Dumas 9). Dantès is a pretty unique character who

The Count of Monte Cristo, by Alexandre Dumas is an adventure and historical fiction novel that encompasses forgiveness, power, and vengeance. The story follows the adventure of Edmond Dantès, who dedicated the rest of his life to getting vengeance on the men who crossed him. Critics Justin Kaplan and Bryan Aubrey both explain their views on Dumas’ work, in great detail. Kaplan, in Treasure and Vengeance, speaks of his own life, and connects it with Dumas’ work. Aubrey, in his critical essay, on the other hand analyzes Dumas’ piece strictly based upon Edmond’s morality.