Literary Analysis Of The Red Convertible

In "The Red Convertible," by Louise Erdrich, the red convertible symbolizes the brothers relationship at different stages through the story. In the story Erdrich uses specific actions of the brothers to show change in their relationship, which corresponds with the red convertible. Erdrich uses scenes involving the red convertible to show different stages of the brothers relationships. The story begins with a road trip representing the boys closeness, then precedes onto Lyman beating up the red convertible symbolizing the brothers separation. Erdrich then continues the story with Henry giving the red convertible to Lyman representing their reunion. The story finishes when Lyman runs the red

The Red Convertible by Louise Erdrich is more than an emotional story about the lives of two brothers who grew up together on an Indian reservation. She uses a writing style that allows the reader to understand the text, while providing the opportunity to read into the story. Erdrich uses metaphors, symbols, imagery to describe and define the brothers Henry and Lyman’s relationship.

From this point on, Henry did not even look at the car that he and Lyman owned together. Obviously, they did not travel anymore or went anywhere together as before. This bothered Lyman, and attempting to bring him back to his own self, Lyman destroys the car and waits for Henry to find it. When Henry finds it, he begins fixing it, and as months passed by, he begins to act a little different. He was not as jumpy and disturbed as he was when he returned from the war. He finishes with the car, leaving it almost as good as it was before. He invites Lyman to go on a ride as they used to do before. They arrived at the river and begin drinking beer and laughing together. All of a sudden, Henry says, “got to cool me off” and troughs himself in the river, and let the current take him. Before he was gone he said, “My boots are filling”. He probably meant that he was tired of living, waiting for his dreams and hopes to be fulfilled and being stuck in two different cultures. After Henry says this, he finally disappears, separating what was once a relationship between two brothers.

First, one should focus on the language and Henry's ethos. The soldiers are burdened with the thought of a

Looking at the plot of the story, one can see that the story deals with a psychological conflict. Before Henry had left for the Vietnam War he and Lyman had a close relationship and since coming back he changed significantly because of what he saw and experienced. Lyman explains, “Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over and he’d bitten through his lip. Blood was going down his chin” (Erdrich 129). This example shows how Henry is dealing with the post war stress and how he cannot get what he went through out of his head. As he sits and watches the replaying war videos, he is unable to get past that he can live again and go back to the way things were because psychologically he is still at war and fighting.

Lyman soon realized he was wrong. The war had torn Henry to the point that he would stare lifelessly at a television screen for hours on end. He had not said more than a few words to Lyman for some time. Angered, Lyman purposefully damages the red convertible to get the attention of his brother. The damaging of the car represents the anger felt by Lyman that the relationship with his brother had been destroyed by the war. By destroying the car, Lyman is metaphorically changing the condition of the red convertible to match that of their brotherly bond. “Now I don’t even know if I can get it to start again, let alone get it anywhere near its old condition.” (Erdrich 328) Henry states about the car, symbolizing his feelings towards their relationship.

In The Red Convertible, LouiseErdrich uses the red convertible to symbolize the theme of change in two brothers relationship. The changes in the car parallel with the changes the brothers go through. As the car evolves, so does the relationship between Lyman and Henry. The two brothers have a close bond until Henry is sent off to war. Upon his arrival home, the changes in Henry and how he relates to his brother is apparent.

Emotional connections between two people can be fortified with an object in which both people can care for and share with one another. In the story “The Red Convertible” by Louise Erdrich, Lyman and Henry have a special bond. This bond is emphasized in the red convertible because it symbolizes the connection that both brothers have with one another. After Henry goes off to war Lyman takes care of the car. Lyman cares for the car as if he were trying to preserve the bond that he and Henry had. Furthermore, Lyman knows to some extent that the bond between his brother and him is fragile because Henry has been gone away to war. The color of the car which is red has a double meaning which includes emotions such as the love that exists between the brothers, but also disaster like war. The war separated them both emotionally and physically, but despite this, at the end, they were able to relive the old days when their bond was at its strongest.

As he is walking, a few soldiers that seems to be fleeing run into him. As Henry tries to stop them to ask what’s been happening, one of the soldiers swings at him with a rifle, opening a bloody gash on the top of his head. After a long while of waiting, a friendly soldier finds him and leads him back to camp, where a friend tends to his wound. After a few days of waiting, they come across another battle. This time Henry doesn’t flee, instead he thinks about all the people who have fought and died in the war, and decides to do the same: fight. Not only for the glory this time, but for the people he was

After the Vietnam War, Henry was crazy and unstable. For instance, when Henry was watching television and he bit through his lip with blood pouring everywhere (977). The blood was getting on his bread every time he took a bite, but because of his lost ability to think straight Henry doesn’t even flinch as blood pours everywhere. Also, at the end of the story Henry snaps on his brother Lyman. He punches Lyman, which leads to a fight ended by the laughing of Henry (980). During the fight with Lyman, the extent of Henry’s mental changed, to turn on a family member and physically strike him. Henry illustrates how crazy he is when he jumps in to the river all of the sudden to “cool off”(981). This action by Henry ends his craziness and his life.

Both Erdrich’s, “The Red Convertible”, and O'Brien's, “The Things They Carried” reflect the effects of psychological trauma left by war; specifically, the Vietnam War. In Erdrich’s piece, she uses the red convertible as a metaphor for Henry. The fact that the two brothers purchased the convertible together is a serves to symbolize their bond. Yet, when Henry returns from his tenure as a soldier, his mental health has deteriorated into an apparently depressive state. I believe that Lyman’s act of wrecking the car represents how the war has devastated Henry’s emotional state. In Henry’s attempt to restore the car, he is indirectly trying to mend himself. Indeed we see that in his effort to do so, he exhibits signs indicative of his previous

Other stories, perceived as unrealistic, often are posited so because they contain elements we do not see in the real world; metaphoric fantasy, symbolism, abstractness. These concepts are all based on our own filters of perception – we discern what is historically accurate and what is legend, or myth, based on our position in culture and the lenses which we view ourselves. In “The Red Convertible”, we can see these concepts at play – Lyman, narrating the story of the relationship with his brother Henry, tells a story that flows very effortlessly. Things that happen around him seem to brush off of him, as if they are no big deal.

The death of Henry and the car goes ignored in Lyman’s view as he only focuses on the water. Erdrich describes it as, “then there is only the water, the sound of it going and running and going and running and running” (par. 70). Lyman doesn’t see anything except the dark emptiness around him and hears nothing, other than the rushing rapids in front of him. He cannot bring himself to comment about watching the two things he loved most in the world perish. His emotions weren’t stated, but the reader can see the swirling pain and despair from the lack of thoughts in his

He described that he couldn’t escape even if he wanted to. Through this analogy, the reader can see that Henry is reducing the soldiers to unthinking, unfeeling machines, performing their duty without taking into account the threat of injury or death. As he looks around at the faces of the rest of the soldiers in his regiment, he notices their focused commitment to the firing of their rifles. He wonders if he is the only one faced with questions of morality. While the regiment began to advance, Henry was shocked to receive a packet of letters from Wilson, who feared he would die in battle. After the battle, he is glad that he made it through the first day. He begins to lose the romantic vision of war by seeing the realities, but he starts lying to himself about who is really is.

This passage has quite a different tone than the one just a few pages later, where Henry is praying for Catherine: "Don't let her die. Oh, God, please don't let her die. I'll do anything for you if you won't let her die...Please, please, dear God, don't let her die"(330). Henry's priorities have obviously shifted a great deal since the scene at the campfire. He has become more eager to let God into his life. What events caused this drastic change in Henry's attitude? One obvious turning point in his life during the war was the interrogation by the carabinieri. Henry has to jump into the river to