Literary Analysis Of Tobias Wolff's 'That Room'

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

These specific facts make the story more authentic and leave no space for doubts or ambiguities on the reader’s part. All the events taking place within the chamber, though terrifying, are coherent and in correspondence to the place in which the narrator is placed.

In his use of characterization, he descriptively talks about the different states his mother undergoes in her illness and the surrounding events and emotions elicited by her continuous downfall, readers experience a feeling of sympathy for Wolff in his circumstance. This also brings light and support to his obscure, perhaps unethical, reasoning that his mother's life, along with those who find

Our footsteps fell guilty on the marble floor. We continued across the foyer to a dreamlike bank of windows, turned left up a pale flight of marble steps…through the doorway and into the assembly room.” (Knowles 165) Through this passage, Knowles use of specific keywords to help develop the central theme by use of the setting is evident. The author uses keywords such as “doubtful” to relate to the fact that Gene does not feel ready for what he is about to enter into. The use of “doubtful” paired with “reality” emphasizes the surreal quality of this moment for Gene. The author continues to relay this doubtful attitude with “a hallway familiar only in daylight and bustle” to further suggest the tone of the hallway. The hallway is only comfortable when bustle or activity is happening but the isolated setting now only seems to exaggerate the seriousness of the matter.

Lastly, the isolated room that the narrator stays in is a symbol. The room symbolizes a safe haven, giving the main character time to write and process many

Automatically, the reader knows that serious issues are about to be discussed and that the outcome may not be positive. This novel challenges the material ideology discussed above. It does this by bringing the issues to the forefront and reporting on them in a fictitious yet realistic manner. The reader is not led to believe that the ending will be happy, he is supposed to expect the consider the harsh realities of the world throughout the piece.

The night drew closer around the individuals who, some in dreams, some in panic, seemed to react to impending danger and turned, some to nightmares, some to an eerie calm, as those on death row that accepted their demise for what it was, an abrupt shattering of their existence. Be that as it may, however, some did not wish to go so simply. While some wished for a calm ending, but embraced nevertheless a less subtle end, that of fire and mutilation, others feared it for what it was, or what it could be. Some feared being lost, trapped in a dungeon of previously sound architecture, to watch the edges of their vision turn to the blackness of

The Room itself represents the author’s unconscious protective cell that has encased her mind, represented by the woman, for a very long time. This cell is slowly deteriorating and losing control of her thoughts. I believe that this room is set up as a self-defense mechanism when the author herself is put into the asylum. She sets this false wall up to protect her from actually becoming insane and the longer she is in there the more the wall paper begins to deteriorate. This finally leads to her defense weakening until she is left with just madness and insanity. All of the characters throughout the story represent real life people with altered roles in her mind.

Markus Zusak focuses the novel on a distrait young girl, Liesel Meminger, which through her the audience captures the spectrum of existence. Each human, having a stand on a certain place at random, waits for chance to give its say. Liesel experiences tragedies and disasters alike that only engulf the fear of being either alive or dead. The same way the act of no longer breathing is terrifying, so is the incidental continuation of a pulse; having of seen other characters die before her adds to it. The author takes points of views from characters, aside from Liesel, that’ve been chosen to live through traumatizing events. Their dialogue and surroundings further act as a basis for survivor's guilt--- which causes those who survived to continue

“The room was dark, except for a faint, yellow light filtering through the bars of the window” (Farmer 29). When one thinks of the word “escape”, rooms like such come to mind. From Matt’s ever-present struggle to free from literal captivity to escaping the confinement of prejudice, the novel’s continuous theme of escapism is displayed in different ways. Including, El Patron’s various attempts to escape death, Felicia’s drug use to get away from reality, and Tam Lin’s flee from guilt and crime.

In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.

Throughout history, female artists have not been strangers to harsh criticism regarding their artistic works. Some female artists are fortunate to even receive such criticism; many have not achieved success in sharing their works with the world. In Virgina Woolf’s third chapter of her essay “A Room of One’s Own,” Woolf addresses the plight of the woman writer, specifically during the Elizabethan time period of England. Woolf helps the reader appreciate her view on how stifling and difficult this time period was for women and how what little creativity emerged would have been distorted in some way. Through a number of claims, examples and other literary techniques, Woolf is able to

Since a psychological thriller is not only supposed to manipulate the character's mind but the audience's as well, these tactics concerning setting have deep meaning and hidden messages which amplify and twists plots to confuse the audience and keeps them on the edge of their seat. Setting should be treated and cautioned in order to not deliver the wrong messages to the audience. connotes

Edgar Allan Poe is an American poet well-known for his eerie and gothic based themes. In fact, his tales of mystery and horror were the first to give rise to detective stories. In his short story, “The Tell-Tale Heart” (1843), Poe invites us to experience a sinister and mystifying murder through the mind of the murderer, the narrator himself. This self-narrated tale takes place in a house that the narrator shares with an old man. The story’s focal characters are the narrator and the old man, both of whom are left nameless. It is probable that the narrator is telling the story from either prison or an insane asylum. He tries to justify his sanity; however, his actions prove otherwise. This tale revolves around the narrator 's passion to kill the old man because of his “evil eye” and the obsessed mind of the narrator who hears the beating of the dead man’s heart—solely within his own tortured imagination which causes the reader to question if the narrator is mentally sane or not. By analyzing how Poe’s early life influenced his work, I will demonstrate how Poe’s story engages readers with two widely occurring, but rarely explored elements of human experiences: a guilty conscience and the descent into madness. He takes his inner emotions to the extreme through his work and portrays the message that a guilty conscience will drive you insane. I will be analyzing how Poe’s early influences affect the

1.It is significant that Woolf’s essay is partly fictional, for it shows her greater knowledge of her writing, as she was a woman herself writing fiction. She does not write completely in non-fictional mode, as to not stay biased to her views and experiences, yet to allow the readers to have an open imagination on where the events that had happened at “Oxbridge” could also take place.