Revelation 'By Flannery O' Connor

Numerous authors and their stories are distinctive, but few authors compare to Flannery O'Connor. What sets O'Connor apart from other authors is her use of religion and violence. A majority, possibly all, of O'Connor’s stories contain some element of religion and/or violence. Not only is O'Connor’s stories unusual, but her characters are also unlike other author’s characters. Flannery O'Connor's unique stories contain characters that have an "evil intelligence determined on its own supremacy" that are often central to the conflict of the story.

Mrs. Turpin in Flannery O’Connor’s short story Revelation, is a prejudice and judgmental woman who spends most of her life prying in the lives of everyone around her. She looks at people not for who they are, but for their race or social standing. In fact, Mrs. Turpin is concerned with race and status so much that it seems to take over her life. Although she seems to disapprove of people of different race or social class, Mrs. Turpin seems to be content and appreciative with her own life. It is not until Mrs. Turpin’s Revelation that she discovers that her ways of life are no better then those she looks down upon and they will not assure her a place in Heaven.

O’Connor paints a picture of a woman who thinks she has everything figured out, but her use of irony in the setting shows

The pleasant lady comments on how good the weather has been lately and Mrs. Turpin replies that is good enough weather for white folks to pick cotton if African Americans decided not to pick cotton for the white folks. Mrs. Turpin begins to say that now neither white folks nor black folks want to pick cotton and she says it’s because black folks feel like they should be equal with white folks. Readers can only conclude that Mrs. Turpin is a bigot from her statements within this section of the book because she implies that black folks have their place and white folks have another place in the world. It is almost like Mrs. Turpin regards herself as higher up in society because she is white and believes that black folks should be her subordinates.

The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.

Though this Southern Christian white woman is superficially pleasant and well-mannered, she conceals her ugly thoughts of class stratum cognizant of what is below her pedestal. A church going woman who treats slaves fairly, she believes her time volunteered and philosophy of doing things for others are enough to sanctify her ugliness on the inside. The omniscient narrator observes that “Mrs. Turpin felt at awful pity… it was one thing to be ugly and another to act ugly” (473) Ironically, Mrs. Turpin is the one who acts ugly. Arrogant about her station in life, when faced to choose between “a nigger or white-trash” she would plead with Jesus to “let [her] wait until there’s another place available” (472). Silently judging others she is pleased to not be anything less socially acceptable than she already is, and often occupies herself at night classifying people. Mrs. Turpin believed that you “had to have certain things before you could know certain things;” this consequently places her on a higher plane (474).

Turpin’s standards in her eyes. The readers can see through Mrs. Turpins thoughts and views how brutal and harsh she really is for example, when Mrs. Turpin is talking to herself and asks herself a question “If Jesus had said to her before he made her, there’s only two places available for you. You can either be a nigger or white trash, what would she have said?” Mrs. Turpin answers with “All right, make me a nigger then- but that don’t mean a trashy one. And he would have made her a neat clean respectable Negro-woman, herself but black.” (416).

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

"Revelation" is a short story by Flannery O'Connor. It was published in 1965 in her short story collection Everything That Rises Must Converge. O'Connor finished the collection during her final battle with lupus. She died in 1964, just before her final book was published. A devout Roman Catholic, O'Connor often used religious themes in her work.

The concept of judging other individuals based on their looks and class status is a reflection seen within Flannery O’Connor’s short story called “Revelation.” In this story O’Connor illustrates a women who is extremely arrogant, and believes that she is superior to others because of her white skin and wealth. This

O’Connor borrowed these characteristics from her life and used them in the complex characters she would later create. Her Catholic faith is another point that drove O’Connor’s writing, especially given that she grew up in a Protestant-majority region. “Flannery O'Connor put much conscious thought into her dual role of Catholic and fiction writer” (Galloway). Her devout faith plays a huge role in her writing, as most of her characters grapple with salvation and grace. O’Connor’s influences in life were so powerful, they became the same topics that impacted her philosophy in writing.

The usage of informal language in the beginning of the story, produces transparent characters by exposing their flaws through their speech. Opening with the reckless announcement addressed by Mrs.Turpin, “I wish I could reduce”(3). in front of strangers had marked her hasty character. This early exposure of her flaw notes the tragedy of her character for being quick to speak, quick to conclude and quick to judge. As Mrs.Turpin begins to build judgment upon others from “Girl Scout Shoes” to “bedroom slippers” as she “expects”(5) Mrs.Turpin becomes a false believer, drowning within her own deceptive conclusion by gripping onto her theory of goodness being carried by people’s shoes. Ultimately,

O 'Connor writes in ways that let us know the characters thoughts without really coming out and telling us. O 'Connor often changes the mood of the story very quickly from amusement to horror and vice - versa. In her stories, grotesque is often used to tie together the seriousness and the comedic situations. "Flannery O 'Connor said of her work, 'the look of the fiction is going to be wild... it is almost of necessity going to be violent and comic; because of the discrepancies it seeks to combine. '" (Walters 7).

O’Connor also focuses on contrasting characters in her story to bring the plot along, for example the conflict in the story is between Mrs. May and Mr. Greenleaf, two almost completely opposite characters. Mrs. May is shown as a bitter character who blames others for her problems, although most are self-inflicted. Such as how she hired Mr. Greenleaf for fifteen years although she obviously hates him, or how she ends up raising bitter and cruel sons who treat her with no respect. On the other hand the Greenleaf’s is simple, although uneducated, but manages to raise two successful sons, unlike Mrs. May’s. However, Mrs. May looks down on Mr. Greenleaf because she feels he is inferior to her in social standing and intelligence. . For example when she went to O.T. and E.T.’s farm and saw their milking parlor, she decided automatically that they were paid for the Government and the boys didn’t work for it. Mrs. May says how “I would have to do it myself. I am not assisted hand and foot by the Government.” This illustrates how Mrs. May still thinks less of the Greenleafs, even if they have a better farm then her because she thinks they did not gain it themselves, that it was instead paid for by the Government. The Greenleaf boys have a better working farm then her, and therefore are a little higher than her in

Flannery O 'Connor’s works are nothing short of extraordinary. They frequently step into the realm of the extreme to make a statement or prove a point. The result is that her messages are stark and vivid, and O 'Connor is able to make bold positions on controversial subjects. She achieves this effect through a number of means, which consist primarily of Christian symbolism, character foils, and literary irony. Combined, they create rich, intense environments in which radical events push and twist characters. As a result of this stress, the characters are defined more clearly. In many instances, they achieve a kind of self realization, and their revelations usually come with an ironic factor or consequence. O 'Connor’s stories, notably