Literary Critics In Harold Bloom's The Metamorphosis

<center><b>To what extent did Kafka use comedy/irony to develop his tragic, cynical view of society and family?</b></center><br><br>Gregor Samsa, a young traveling salesman who lives with and financially supports his parents and younger sister, Grete, wakes up one morning to find "himself changed in his bed into a monstrous vermin" or insect. At first, to my surprise, he is preoccupied with practical, everyday concerns: How to get out of bed and walk with his numerous legs? Can he still make it to the office on time? <br><br>Most persons would be devastated to find themselves in such a position as Gregor, but he did not seem to care much about himself, but only about his obligations, instead of panicking, he starts cursing his job : "If I

Harold Bloom, a well-known American critic explores Mary Shelley's Frankenstein to find true meaning. Throughout his essay, he gives answers to the lingering question of who the real monster is. He also paints a clear picture of a major theme in the novel, the Romantic mythology of the self. Through reading his essay, it opens up new light to Mary Shelley's novel. It gives new meaning to the monster and his creator.

“The Metamorphosis” is a surreal story by Franz Kafka surrounding the transformation and betrayal of Gregor Samsa, who wakes up one day, reborn into a large insect. Along with the bizarre and nightmarish appearance of his new hard back, brown segmented belly, and many legs, Gregor only desire is to live a normal life, unfortunately, this is impossible because he struggles to even get out of bed. Gregor transformation into an insect is a vivid metaphor for the alienation of humans from around the world. After losing human form, Gregor is automatically deprived of the right to be a part of society. Franz Kafka could relate to Gregor because he too was mistreated/neglected by his father and worked a job that he was unhappy doing. Franz and Gregor both were providers for their families. Alienation, isolation, and loneliness were not hard to recognize during the Modernity and Modernism time period.

When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.

Our group established 5 criterions to state what makes great literature. Our first criterion was “A great book must contain a message that applies to not only those who have experienced situations in the book, but provide perspective to those who have not.” A message that can be understood by numerous groups of people is vital to a great piece of literature. Our second criterion is that in order to teach a lesson it must expose a fault in human nature or in society. Our society is just as flawed as humanity is. Acknowledging these flaws is the first step in overcoming the trials of society and man. Our third criterion is centered around the craftsmanship of the literary work. This can apply to a groundbreaking new approach to narration. Or even complex characters and a unique and individual style (Faulkner.) In summary, the 3rd criterion tries to move past just the message itself, and to focus on

The Metamorphosis, a story written by Franz Kafka, is about the sudden transformation of Gregor Samsa into a bug. The narrator describes how Gregor’s transformation negatively affects his work, family, and social relationships; it also takes readers through Gregor’s journey of trying to regain his humanity. Throughout the story, Gregor denies his loss of humanity and attempts to preserve his previous work and family relationships because these relationships make up a great deal of his identity. Throughout his life as a bug, Gregor realizes just how much of an influence his work and family have on who he is, and life becomes difficult for him now that he is letting down both his family and his

Frank Kafka is considered one of the most influential writers of all time. Helmut Richter would agree with this statement. Richter agreed that Kafka was a very prominent figure in world literature and was amazed by his mechanics and word usage. I feel that his essay is supportive of Kafka’s writing, but also leaves out many important details in its brevity. Richter did not include Kafka’s flaws and tendencies in his essay.

This paper will cover this topic by using the main aspects of Reader-Oriented Criticism, so it will also evaluate a few essays, reviews, or analyses on the book. Considering that there are two possible angles to interpret the book (idealistic or cynical), it is ultimately the readers who decide how they find its meaning, and their past experiences can influence that decision. In fact, these past experiences can also affect their character as a whole, possibly determining their attitudes towards life or the world. When analyzing the sources, this paper will focus on the parts of the book that people tend to reference most often when explaining their interpretations. It’s essentially important to see whether the readers from both sides are referencing the same scenes or different ones. If both “idealistic readers” and “cynical readers” are viewing the same moments from different perspectives, then that suggests their thoughts are essential to forming their interpretations, which supports the ideas of Subjective

The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.

This story "The Metamorphosis" is about Gregor, a workaholic, who is changed into an insect and must then deal with his present reality. The hardest part of being an insect for him was the alienation from his family, which eventually leads to his death. In reading the short story "The Metamorphosis," (1971),one can realize how small the difference is between Magical Realism and Fantastic. This literature written by the Austrian, Franz Kafka, is often debated over.

As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As

Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.

Franz Kafka’s The Metamorphosis utilises existentialism and the id of mortal creatures and the theme of isolation to dehumanize the protagonist throughout the novel; thus, Kafka produces a petrifying novel. Existentialists not only hide many messages; they also disguise themes throughout all the chaos in their novels. Authors writing in an existentialist atmosphere are often criticized for having absurd works with arduous events; thus, producing interesting

At the outset, Biographical Criticism serves as a good starting point for examining Franz Kaka’s The Metamorphosis. Biographical Criticism believes the text’s connection with its writer is inseparable, so in this case Kafka’s connection with The Metamorphosis. Firstly, Kafka believed sincerely that language is the essence of human existence, so Kafka wrote in way that followed his philosophies; however, Kafka’s status as a Jew in Prague held him back (Breckman). Still, Kafka’s love of

Any literary work is unique. It is created by the author in accordance with his vision and is permeated with his idea of the world. The reader’s interpretation is also highly individual and depends to a great extent on his knowledge and personal experience. That’s why one cannot lay down a fixed “model” for a piece of critical appreciation. Nevertheless, one can give information and suggestions that may prove helpful.