Literary Devices In Macbeth

Macbeth then asks Banquo that if his prophecies are coming true that ‘Do you not hope your children shall be kings,’ and Banquo replies ‘And oftentimes, to win us to our harm,

Imagine how dull a Shakespearean play would be without the ingenious literary devices and techniques that contribute so much to the fulfillment of its reader or viewer. Macbeth, by William Shakespeare, is a tragedy that combines fact and legend to tell the story of an eleventh century king. Shakespeare uses numerous types of literary techniques to make this tragic play more appealing. Three literary devices that Shakespeare uses to make Macbeth more interesting and effective are irony, symbolism, and imagery.

These prophecies severely change the lives of both soldiers.  The three witches surprise Macbeth and Banquo but tell Macbeth the prophecy of him being given the position of Thane of Cawdor.  Secondly speaking, ¡§All hail, Macbeth, that shalt be King hereafter!¡¨  (Act 1, scene iii p.12)  They then tell Banquo that his sons will be kings but he will never rule a King.   This news frightens Macbeth and both try to put it in the back of their minds, thinking of it as a prank.  This is until Ross, one of the kings men, greets Macbeth and Banquo and gives great news to Macbeth in these words:

This speech portrays Banquo’s new found reluctance towards the witch’s forecast of the future. He now sees what Macbeth is blind too, the possibility of knowledge becoming more harmful to the men rather than helpful in Macbeth’s want for more, particularly pertaining to him becoming King. As Macbeth begins to weigh the prophecy against logic and the now present, he accepts the fact that if “two truths are told, as happy prologues to the swelling act of the imperial theme.” Macbeth is now beginning to assume that if portions of the prophecy are being fulfilled as the witch’s had said, it is only a matter of time before he shall become king. As Macbeth continues to be engulfed by what will be his future downfall, he assumes that all of his new found

Audience becomes aware of Macbeth’s corruption when he plans to kill his ‘friend’, Banquo. He describes him as “dispatched” (3.4.15), and later as “safe” (3.4.25). This positions the audience to feel as though Macbeth is somewhat desperate to convince himself that he has acted appropriately despite using corrupt power. Using this stylistic device of language further demonstrates that Macbeth has now been corrupted to the extent that he longer feels compassion for his former companions. This ultimately establishes the representation that Macbeth’s illegitimate power has directly resulted in his destructive nature.

Shakespeare’s play ‘Macbeth’ is about the leading male protagonist succumbing to his ambition and need for power. Though Macbeth is liable for his own actions, he is not solely responsible for the events that eventually result in his downfall. Macbeth is corrupted by his wife, Lady Macbeth, as well as the three weird sisters. Macbeth’s contribution towards his downfall is his strong ambitious nature. Lady Macbeth is the person who induces Macbeth to assassinate King Duncan. The three weird sisters (witches) play with Macbeth’s ambitious nature and sense of security. Macbeth’s downfall is due to himself and two external factors.

Without literary techniques most literature would be colorless. Therefore these techniques are very crucial in producing successful writing. Not only do they create interest, they also help in development of characters, this is especially depicted in the Shakespearean play, Macbeth. The characters developed from the different literary techniques such as irony, paradox, and imagery assist in conveying the many themes throughout the play.

One of the most important themes in the play Macbeth by William Shakespeare comes from one of the last lines in Act 1, Scene 1 of the play. The three witches speak this simple line ‘Fair is foul, and foul is fair,’ shortly before they disperse and it becomes a prophecy and an underlying warning for the rest of the play. The connotations of this one line becomes significant as the play unfolds beginning even with Macbeth’s opinions at the beginning of the story and lasting throughout the play with the constant recurring themes of deception, doing evil in the name of good,

He will be lesser than Macbeth (rank), but greater (in honour), not be happy (because he will not be king), yet much happier (his descendants will be kings), and he will be ruled by kings, but is not one himself (his kids will grow up to be kings even though he will not be one). The witches use paradoxes when telling Banquo's prophecies.

During this time, the three witches had some control over Macbeth because they made three predictions and he got worried when they started coming true. A quote would be “If chance will have me king, why, chance may crown me, without my stir” (Doc A). This quote is saying that Macbeth would be crowned king if the chances would let him be king. A second quote would be “The power of man, for none of woman born shall harm Macbeth” (Doc

Every one of Shakespeare 's plays are heavily imbedded with motifs. A motif is any element, subject, idea or concept that is constantly present through the entire body of literature. (motif) I chose to examine the play Macbeth. It is a very intense play full of violence, betrayal, and even the supernatural. It is well known to be saturated with themes and motifs that are repeated throughout the play. These motifs are important because they often foreshadow events on the play. They also create a atmosphere that helps shape the events of the play. I am going to focus on two motifs that seem to play a heavy role in the storyline of Macbeth. The two I have chose to focus on are the motifs of blood and nature. Since Macbeth is know for its violence blood is a very important part of the play. Nature also is representative of things to come and upsetting the natural balance of things. These are only a fraction of motifs that are present in this tragic play.

Over the course of the tragedy of Macbeth, Shakespeare uses various literary devices to bring to attention the importance of his diction, as well as relate the speech to the common theme of death and life’s worthlessness. Beyond the figurative language mentioned above, there are elements that are significant on their own, specifically foreshadowing, metaphors, repetition and alliteration. Shakespeare hints at an important upcoming event using Macbeth’s boastful attitude when he describes the walls surrounding his main character. This element of foreshadowing allows for the reader to predict that something tragic and significant will soon take place. As the speech progresses, the author continues to emphasize Macbeth’s idea that life is brief

Although William Shakespeare created the play, Macbeth, to be a tragedy, the tragic hero can hardly be considered to be one. For the entirety of one of Shakespeare’s most magnificent works, Macbeth is controlled and manipulated into committing atrocious acts that the witches and his wife desire. He is powerless to their tricks and through their sorcery/cunning words and his own morals (or lack thereof) “sustain[s] the central paradox–the heroic murderer” (Cusick). Despite the fact that he laments the loss of his king, Duncan, he still continues down his path of evil that only has one ending: his death. Although Macbeth gains a few insights on his inner self, his lack of ability to resist manipulation, willingness to kill, combined with his

The three witches advance the use of dramatic irony throughout the entire play. First, the witches reveal to Macbeth that he can achieve the role of being king. In Act One, the witches say, “All hail, Macbeth, that shalt be King hereafter!” (1.3.50). Macbeth gullibly believes the prophecy, and from here on, his motives and ambitions change. Though he does eventually take the role as king, it does not result in the life he wished to have. Shortly after Macbeth is enthroned; the witches reveal three apparitions about him that cause him to believe he will remain a powerful king. The first apparition is an armed head that symbolizes that Macbeth should only beware of Macduff. The second shows a bloody child that means nobody born of a woman can ever harm Macbeth. The third is a child holding a tree which depicts that, “Macbeth shall never vanquish'd be until Great Birnam wood to high Dunsinane hill shall come against him” (4.1.87-90). These three apparitions boost the confidence in the king, and he believes he has nothing to fear. The predictions end up being true, but not at all what is expected. A summary, written by David Schlachter, explains how the witches bring suspense into the play. Schlachter says, “This irony would make the audience mistrust the witches in the back of their minds, and therefore, also put a vague fear over the whole play because of the realization of the witches’ relentless sinister determination to disrupt peace and order in Scotland.” The ironic event that takes place through this is what happens towards the end of the play. At the end, Macduff reveals that he is not born of woman; therefore, he can kill

“Fair is foul, and foul is fair. Hover through the fog and filthy air” (Shakespeare Act I Scene I 12-13). The Weïrd Sisters utter these lines in unison in the first scene of the play. Shakespeare thus establishes the backdrop for a story full of paradoxes and mysticism. Not all is how it appears to be. Deceit and betrayal take center stage in the play, paving the way for Macbeth’s ascendancy to kingship, and eventual downfall. Good versus evil is present in nearly every scene. As in most literary works, the author develops different themes expressed in various ways. Symbolism is often the most effective way to express central themes. In Macbeth, Shakespeare creates contrast to effectively strengthen the overriding message of good versus evil.