Literary Devices Used In John Steinbeck's The Grapes Of Wrath

Throughout John Steinbeck’s novel The Grapes of Wrath, many concepts appear that were noted in How to Read Literature Like a Professor by Thomas C. Foster. However, the three chapters of Foster’s how-to guide that most apply to Steinbeck’s novel were “It’s All About Sex…,” “Every Trip is a Quest (Except When It’s Not),” and “It’s More Than Just Rain or Snow.” On more than one occasion these concepts are hidden within the book, and two of them actually seem somewhat linked together. After reading between the lines, The Grapes of Wrath has an extremely intricate plot and many ulterior meanings. Foster’s book helps to solve these meanings and make it so that the novel can be completely understood.

Steinbeck captured this image very well in his writing with the use of rhetorical devices and

In chapter three, the sand turtle crossing the road represents the two different types of people in the world. When the turtle is crossing the road, a women driving a Sedan swerves out of the way to miss hitting the turtle. After, a man driving a truck down the road, swerved to purposely hit the turtle and send him flying off of the road. The women in the Sedan represents all the nice, poor, people that the Joad family will meet on their journey to the west. The man that hits the turtle represents the banks because they will only do things that will get them pleasure or a profit. He goes out of his way to get pleasure from hitting the turtle. In chapter twenty-six, Ma Joad says, "If you're in

Steinbeck initiates this criticism by effectively using touching diction to paradoxical devices as to assert “American’s way of life”

Steinbeck uses extended metaphors and foreshadowing to demonstrate how one plan ahead to ensure their own happiness and success. Throughout the novel, a deck of playing cards, as well as games of solitaire and euchre, are used to illustrate how one searches and draws out a path to their American

Critical Essays on Steinbeck's The Grapes of Wrath, Ed. John Ditsky, G.K. Hall. 1989, 97-10

In addition, Steinbeck utilizes symbolism to help reveal his message to the audience. In this chapter, the putrefying crops that resulted from the system’s agricultural mismanagement represent the landowner’s greed, and how it is responsible for not only the

The Grapes of Wrath, written by John Steinbeck, is a novel which demonstrates the lives of families during the Dust Bowl migration of the 1930s and the struggles they faced on their route to California. Throughout the novel, Steinbeck applies his writing style in order to convey the theme and general plot of the novel.

Empathy is vital to trust- but what if that understanding is absent, or if sympathy is not given as needed? Such is the case of The Grapes of Wrath, where class differences rule over a turbulent and aggressive rivalry. The novel follows the struggling lower class, oppressed by the corrupt upper class, who cannot understand their hardships. This lack of understanding and willingness to sympathize with the lower class boosts tensions and further emphasizes differences between the classes, leading to the primary conflicts of the story. Through the use of juxtaposition and point of view in his novel, The Grapes of Wrath, John Steinbeck shows that the upper class lacks the empathy to relate to the struggles of the lower class.

The unconventionally written intercalary chapters of Steinbeck's novel, “The Grapes of Wrath”, are designed to show the readers a view of economic depression and social aspects of America during this time period. Steinbeck tells the reader about the situation through a macroscopic point of view, when he writes the intercalary chapters. It is through these intercalary chapters that Steinbeck tells us about the struggle of many migrant farmers who are pushed out of their homes and start to live their lives on the road, while trying to find places for them to work. Between each of these intercalary chapters are narrative chapters where Steinbeck gives the readers a microscopic view of the situation, by giving us an example of one of the migrant

In conjunction with the symbolic representation of Elisa’s life, the dramatic description of the environment can also be seen as a unique representation of the relationship conflict between husband and wife. Steinbeck’s foggy description demonstrates conflict through the following statement, "a time of quiet and waiting." This description is interesting because the fields are personified as waiting for rain, however, “rain and fog do not go together” therein lies the conflict just as Elisa waits for a positive change in how her husband treats her (Palmerino, Gregory J). Gregory P. further points out that, “The natural elements of the foothills ranch seem as unwilling to confront each other as the characters that inhabit its environs. Hence, fog and rain can be seen as the female and male equivalents to Elisa and Henry.” This only further solidifies the deep rooted troubles within Elisa and her relationship with her husband. The setting of the story is personified to act as a symbolic representation of the couple’s relationship (Steinbeck, John 337-338).

In The Grapes of Wrath, the Joad family experiences many hardships on the journey to and in California, ranging from dying family members to a lack of sufficient food. In the third chapter of the novel, author John Steinbeck introduces a determined turtle who attempts to make its journey across a highway. The turtle is apparently nearly run over multiple times, and is actually hit by a car. This causes the turtle to be flipped on its shell, until it catches its footing and “little by little the shell [pulls] over and [is] flopped upright”(16). The turtle then continues its journey and successfully crosses the highway. Although this chapter may have seemed out of place, as the turtle seems to have nothing to do with the novel, Steinbeck’s use of symbolism is apparent. The turtle itself is supposed to symbolize the Joad family and the struggles they face trying to find a better life. Like the turtle, the family is knocked down many times, and like the turtle the family is still able to find its footing and stay determined. The Joad family’s goal is to make a living in California, and although they will face many challenges, they still have their eyes set on crossing their own personal and hazardous turtle highway.

The Grapes of Wrath by John Steinbeck uses numerous literary techniques to advocate for change in the social and political attitudes of the Dust Bowl era. Simile, personification, and imagery are among the many devices that add to the novel’s ability to influence the audience’s views. Moreover, through his use of detail, Steinbeck is able to develop a strong bond between the reader and the Joad clan. This bond that is created evokes empathy from the audience towards the Joads as they face numerous challenges along their journey. The chapters go between the Joad’s story and a broad perspective of the Dust Bowl’s effect on the lives of Mid-western farmers in which Steinbeck illustrates dust storms devastating the land, banks evicting tenant

   When Steinbeck wrote The Grapes of Wrath, our country was just starting to recover from The Great Depression.  The novel he wrote, though fiction, was not an uncommon tale in many lives.  When this book was first published, the majority of those reading it understood where it was coming from-they had lived it.  But now very few people understand the horrors of what went on in that time.  The style in which Steinbeck chose to write The Grapes of Wrath helps get across the book's message.

In Steinbeck's novel, The Grapes of Wrath, he describes the struggle of the small farmer and farmworker. The principal characters define quiet dignity and courage in their struggle to survive and in the caring for their loved ones. Through this novel, Steinbeck displays his respect for all the poor and oppressed of our world.