Literary Elements in the Poem She Walks in Beauty by Lord Byron

Literally, the persona of the poem is outside when some aspects of the nature around her, like violets and a blackbird, trigger a memory from her childhood. The poem then flashbacks to a childhood memory of the persona as a young girl, which is shown through the indentation of the stanzas, where the girl wakes up in the afternoon thinking it is morning and becomes upset when she

     The poem starts off brilliantly. “The first four lines are beautifully phrased, and the opening couplet in particular has ingrained itself in the collective consciousness” (Blair, 1). “She walks in beauty, like the night/ Of cloudless climes and starry skies;/ And all

The poem is separated into two parts, each with sixteen lines, and is loosely based on an iambic pentameter metre. The rhyme scheme is ABAB throughout the poem, with the noticeable exception of the last four lines of part II, in which it changes to

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

The poem does not follow a rhyme scheme or meter, which means that there is rhythm in the poem and it makes the poem more like a song. The poem has four stanza’s and has five lines within each stanza.

Lord Byron, a romantic author from the 18th century was a man who was considered as a “player”, a man who was always with multiple women. In his lifetime Byron wrote many stories, three of those stories were, She Walks In Beauty, Apostrophe To The Ocean, and Don Juan. In those three stories Lord Byron indicates very important messages for each.

The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.

Born in 1788, George Gordon Byron, commonly known as Lord Byron, was an English poet and one of the most famous poets of the romantic era. Romanticism was one of the most influential poetic movements in which brought Lord Byron into the literary forefront. Although he has many famous literary works, She Walks in Beauty is one of his most favourable poems. The poem was inspired by a woman wearing a mourningful dress whilst at a ball. Love is the overarching theme, focusing mainly on captivating love. This is seen by the overwhelming sense of his attention that is captivated by her and the fact that the woman seems unobtainable. Through his work, Lord Byron captured the reader's attention through the way he used literary devices and the way he represented different gender representations through the nature of love.

The second stanza of Lord Byron's poem focuses on the woman's perfect face. The beautiful shades and rays of the womans complexion make her a “nameless grace” (2, 2). This conveys the idea that her inner beauty is reflected in her outer beauty in the sense that she is pure and innocent on the inside so she radiates that beauty on the outside. This stanza reveals her serene thoughts:

Byron's diction in this poem is quite metaphorical. "She walks in beauty, like the night / Of cloudless climes and starry skies" (lines 1-2 Norton 556). His use of imagery has allowed us to visualize an aura that surrounds this woman. The imagery he uses also brings together two opposing forces, darkness and light which works quite well together as one united force. We can visualize a dark sky filled bright stars, a perfect picture for an ideal evening, which can be compared to his picture of a perfect woman.

The poem contains six quatrains, and does not follow any consistent rhyme scheme. Every line starts with a strong beat and ends up with a weak beat. The first and third lines in each stanza have iambic tetrameter, but the second and fourth lines do not contain any consistent meter. The feet generate a rhythm

The power of love and emotion is evident in Lord Byron's poems, "She Walks in Beauty" and "So We'll Go No More A-Roving." Because of their consecutive placement in the book, "She Walks in Beauty" and "So We'll Go No More A-Roving" tell a story of a relationship. In the first poem, "She Walks in Beauty," the speaker glimpses a beautiful woman who reminds him of "the night" and "starry skies." Throughout the piece, the speaker is fascinated by her beautiful facial features. The last stanza summarizes this beautifully when he comments on her "eloquent" characteristics. In the last half of the story, "So We'll Go No More A-Roving," however, the speaker is losing the sparks of passion that he once had for his lover. This is largely

The poem ?She Walks in Beauty? came by as an inspiration to the author. This

She Walks in Beauty is a poem by Lord Byron. Byron was an English poet who spearheaded the second generation of Romantic Poets. He is widely regarded as one of the greatest English poets. This

Never in my entire life have I heard of this poem. It came to my attention the first time in class. After researching on the Internet about the author, who is known as Lord Byron, an English poet from the romantic period. The poem is a description of a beautiful woman, whom Byron acquainted, at a ball while meeting his cousin by marriage. Her unusual beauty struck Byron and the poem was written the morning after. It is said that “She walks in beauty” is one of Byron’s most famous piece.