Literary Imagery In Two Friends By Guy De Maupassant

The importance of cherishing the invaluable individuals in one’s life is apparent in Matthew Teague’s personal journey of his wife’s battle against cancer and a genuine friendship. “The Friend” depicts emotional appeal, comparisons, and vivid imagery to portray the significance of valuing loved ones. There is no single definition for a loved one. A spouse, children, family, friends, the reciprocated love can build everlasting bonds, but why is it so important to treasure the relationships we have? Just because they are family, it may not signify that we love them; just because they are acquaintances, it does not necessarily indicate that we have a type of love for them either. The pure love we possess for someone is rare and never chosen or obliged, so this valuable love should be nurtured, for people are bound within unpredictable time limits. Nichole’s, Teague’s wife’s, diagnosis of cancer was a realization for him that his days with her were numbered. Along the way, Dane Faucheux, the couple’s friend, was devoted to aiding the Teague family during their struggling time. Faucheux’s undisputed support for Teague and his family surprised him numerous times throughout their experience. This love in the sublime story is seeped with appreciation for those Teague values in his life. The realization and worth of his deep endearment for his family and friend is transferred to the reader, and he or she begins to realize the reality of the given time to value those who are most important.

Figurative language is one of the devices used to give this piece structure, structure is given to this piece by figurative language. One example of figurative language is personification in many instances such as page seven of The Yearling. “ The palm-leaf paddles were frail but they made a brave show of strength rippling against the shallow water”. Meaning the palm leaves showed strength to the world, rippling against the water in an act of rebellion. More examples of figurative language used are similes. The strongest one used is found on page six elegantly describing the flutter mill. “Drops of silver slipping from the wheel blurred together like the tail of a shooting star”. Imaginatively describing the clear water streaming through the frail mill, turning timelessly like a shooting star flies through the sky, symbolizing times and presence. Additionally used as figurative language in this piece as hyperboles to elaborate on the existence of the spring. Used on page six, “The bubbling spring would rise forever from the earth, the thin crust was endless”, is the most powerful use of hyperboles in The Yearling. Rawlings used the words “endless” and “forever” to demonstrate to the reader the length of time the mighty wheel and the young stream would toil and remain youthful.

Imagery is used consistently right through the poem to evoke sensory experiences and to endorse the theme. For instance: ‘A stark white ring-barked forest’-‘the sapphire misted mountains’-‘the hot gold lush of noon’ and many more. All of these appeal to the readers senses and places brilliant visual image(s) in our minds by illuminating the various features of the country, from the perspective of the poems persona. This is attained using; adjectives, ‘the sapphire-misted mountains¬¬¬’, which gives us a picture of mountains with a bluish haze embracing it, this image would thus give an impression of a composed environment and evoke a sense of tranquillity. Additionally by using ‘sapphire’ to illustrate the mist surrounding the mountains we get a sense of Australia’s uniqueness as sapphire is a rare gem. Imagery is also displayed through a metaphor used to appeal to the sense of hearing. For example: ‘the drumming of an army, the steady soaking rain’. Here Mackellar depicts the rain as an army and allows us not only to visualize but get a sense of the sound of the rain, which is presented through the adjective ‘drumming’. This line also presents to us the intensity of the rain again through the adjectives ‘drumming, steady and soaking’.

A very similar example from “The Journey” was when “the wind pried with its stiff fingers” (pg 442 line 14-15). Using personification, the author can describe what the wind feels like, strong and trying to hold you back from your

The author uses imagery in the poem to enable the reader to see what the speaker sees. For example, in lines 4-11 the speaker describes to us the

As evident by the title of this poem, imagery is a strong technique used in this poem as the author describes with great detail his journey through a sawmill town. This technique is used most in the following phrases: “...down a tilting road, into a distant valley.” And “The sawmill towns, bare hamlets built of boards with perhaps a store”. This has the effect of creating an image in the reader’s mind and making the poem even more real.

She also speaks about why sometimes it is worth being stuck or cramped in a tiny place, due to some of the horrors she has witnessed or seen from the outside world. In paragraph three, Jacobs uses personification many times to describe how the winter and autumn felt, and how they affected her. For example, she says that autumn “whirls” through

Personification also contributes to the relationship by making the tree a lively component of the family instead of a passive object in the back yard. A relationship necessitates at least two parties so it is necessary that the tree be a part of the family. At the end of the poem, “the black walnut tree swings into another year” when the family decides to keep it. This shows that the family respects the tree as its own entity and presence. First, this personifies the tree as free and leisurely because swings are usually for play. It also contextualizes the tree as having a

Guy De Maupassant is recognized as one of the finest writers of the modern short story. Maupassant’s literary career began in 1880 in France. He was a marvelous writer of short stories which were based upon the aspects of the French Society, frequently touching sensitive subjects such as social and moral principles. The beauty of Maupassant’s stories is the unpredictability of them, quite identical to life, where things do not always turn up the way one may expect. The short story, Jewelry by Guy De Maupassant is an insightful piece, with a compelling theme of appearance versus reality and that the life is full of irony.

Imagery was also used in the poem.  I found that the yellow in the first line represented that the future the writer was facing was bright and warm regardless of his choice.  The undergrowth was, as undergrowth in any forest, damp and dank smelling, but not necessarily unpleasant, just something that the writer would have to face.  The image of traveling through a forest also brings to mind thoughts of birds in flight, chirping and singing.  Squirrels dashing through trees, rustling leaves and dropping the occasional acorn or nut also create an image of sight and sound.  The sun reflecting through the trees, casting shadows and creating pockets of warm and cool air and the occasional breeze stirring through the trees are also brought to mind by this poem.  The end of the poem brings to me

Golding uses personification to paint a picture of an out of control fire. The fire starts out small and quickly spread from tree to tree, burning a large portion of the mountainside. The “squirrel like” movement of the fire appeals to the reader’s sense of sight because it helps the reader see how swiftly and quickly the fire

This paper aims to make an analysis of the short story entitled, “The Vendetta”, written by Guy de Maupassant. “Vendetta”, which means “revenge” in the English language, is the core of this short story, and the concept from which the main character depends upon in order to survive. The story revolved around the revenge of the Widow Saverini because of the death of her son Antoine Saverini. Antoine was killed by a man named, Nicolas Ravolati, who was the object of revenge of Antoine’s mother. The death of her son, and her plot for revenge made her restless and sleepless at nights, thus, motivating her to avenge the death of Antoine.

The poem begins with the poet noticing the beauty around her, the fall colors as the sun sets “Their leaves and fruits seemed painted, but was true, / Of green, of red, of yellow, mixed hue;” (5-6). The poet immediately relates the effects of nature’s beauty to her own spiritual beliefs. She wonders that if nature here on Earth is so magnificent, then Heaven must be more wonderful than ever imagined. She then views a stately oak tree and

The imagery shows that since the character is young and responsible, he works to support him and his family. We are first introduced to the image of the young boy working as a young adult. Then, in the first 9 lines, the author describes the setting of the poem using imagery such as, “sweet-scented stuff when the breeze drew across it,” “Five mountain ranges one behind the other,” “under the sunset far into

Henri René Albert Guy de Maupassant is a French writer recognized as one of the finest writers of modern short stories. Through the span of career, which lasted nearly ten years, Maupassant wrote three hundred short stories, six novels and contributed in considerable amounts literary work. Maupassant’s works are vastly admired for his realist and ironic approach to writing. Among all his work, “Boule De Suif” and “Jewelry” stands out as most preeminent due to its depiction of human nature and unexpected outcome.