Literary Realism Of The Iron Mills And The Yellow Wallpaper By Charlotte Perkins Gilman

Setting often provides more then just a mere backdrop for the action in the story. It is probably the most important part of the putting together a story. In this story the setting is a reflection of the character as much as the town. The physical setting, time setting and cultural settings are all important parts of this short story,

The section begins with a description of the town, “After rain, or when snowfalls thaw, the streets, unnamed, unshaded, unpaved, turn from the thickest dust to the direst mud”(Capote 1). By including these details in the description of the town it shows that the town is a very old fashioned town that is behind the societies that are in more developed, larger cities in America. Capote goes on, “The bank closed in 1933, and its former counting rooms have be converted into apartments”(Capote 2). With the bank having been closed around the time of the depression it shows that the town no longer trusted the government after the banks failed them and they do all their business between themselves. The town is a very closed off from the national system and the only connection they have is through their post office. All these descriptions cause the town to be a perfect picture of a safe, rural community where nothing bad happens and people all depend on each other.

“But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and over again—those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers.”

In addition to including the most boring of details, Capote uses a great deal of imagery to describe the town and its residents. Focusing mostly on visual appeal, he describes the "sulphur-colored paint" and "flaking gold" to reveal the town's appearance and has-been status. Portraying the area as one that has seen better days, Capote writes about the "old stucco structure" that no longer holds dances, the crumbling post office, and the bank that now fails to serve its original purpose.” Combining visual imagery with hints of desolation, Capote attempts to reveal the gray and boring nature of the town through its appearance. He does not, however, rely only on visual details; in describing the local accent as "barbed with a prairie twang," he uses both auditory and visual appeal to make one imagine a ranch-hand's tone of voice and pattern of speech as he describes the events of his farming days. The "hard blue skies and desert-clear air" contribute to a feeling of emptiness, an emotional vacancy that seems omnipresent in the small town. Finally, even "the steep and swollen grain elevators" that represent the town's prosperity are seen in a solemn and mysterious light, as Capote makes certain to mention that the townspeople camouflage this abundance without explaining why they choose to do so.

The literary movement of realism addresses material in an accurate way that is true to life, regardless of the moral boundaries which may be broken. Several authors have undertaken efforts to define this movement in the most accurate and concise way possible. Theodore Dreiser, in “True Art Speaks Plainly”, strives to identify those components which are necessary to literature that is classified under the realism movement. William Dean Howells’s “Editha” is a literary work that reflects this definition of realism. Dreiser’s arguments regarding the presence of immorality in literature as a precondition for artistic honesty find an example in the actions of the protagonist of Howells’s story. Theodore Dreiser’s “True Art Speaks Plainly” defines realism as literature that speaks the truth regardless of its moral substance, and this definition is observable in Howells’s “Editha” through the corrupt motivations of the protagonist, the critical portrayal of nation states at war, and the ugly manipulation utilized by the protagonist.

Beginning with Rebecca Harding Davis’s Life in the Iron-Mills, readers can find within the text a clear oppression of lower class peoples that is also an indirect oppression of women as lower-class individuals. Davis tells this story with a man named Hugh Wolfe as her main

When a young author from New York City decides to take a trip to the southern city of Savannah, he finds himself falling in love with the town and ends up renting an apartment. He encounters many different characters, including Danny Hansford and Jim Williams, that gives the reader a good look into the aura of Savannah. The main conflict in the book occurs when a murder happens in an old mansion located in the town. The book follows the progression of the trial and the outcome following the court’s decision.

The buildings were described as having, “small-paned high windows in the peaks of their steep gables were like knowing eyes,” as to make the infrastructure have human features to look at the narrator and scene around it. When the narrator is with Mrs. Todd and her herbal remedies the humanity of the town grows with the mystical qualities of the herbs as the remedies themselves “whispered directions could be heard as customers passed the windows” and the wind blew by, ““adverse winds at sea might also find their proper remedies.” By personifying the town itself and making it not only the setting, but a character, Jewett deepens the meaning of her excerpt to have a mystical tone and maintain the

In Life in the Iron Mills, Rebecca Harding Davis presents a story that explores the grim world of the lower class in the United States of the mid nineteenth century. Its purpose is to bring the obscured struggles of the lower class to a greater audience, soliciting sympathy for their cause, and to insinuating that these workers had the potential to do better for themselves, with the narrator claiming, “These men, going by with drunken faces and brains full of unawakened power, do not ask it of Society or of God. Their lives ask it; their deaths ask it” (Harding Davis 14). To this end, the narrator describes the life of Hugh Wolfe, a worker whose story ends in his own tragic suicide, after having failed in a scheme to use money stolen by Deborah to advance his station in life. Essentially, this story is a cry for social and economic reform, in the hopes of improving the dark situation that the lower class was facing in this time period.

Realism can be defined as view in which the author tries to depict life as truthfully and accurately as possible. The use of realistic or lifelike settings described by the author or narrated by a character, add a layer of realism to the story, even if the story itself is fictitious. The characters themselves are often portrayed as believable as possible, to the point that the character being described could actually exist; they are often depicted as very average people, void of extreme wealth, influence, or astounding abilities. The reason characters and settings are often

Granger’s face looked disoriented as his nostrils release a cloud of ash every time he takes a breath. Montag felt a tear drop from his eye and continued walking. The smells of burning flesh still roam the air as they head closer to the city. Piles of debris float the river; The wind still lightly brushing their heads from the aftershock. The silence was clouded by thoughts of last words and gasps for air. “ Beatty! “ Montag screamed.

Life in the Iron Mills is a novella that is hard to classify as a specific genre. The genre that fits the most into this novella is realism, because of the separation of classes, the hard work that a person has to put into their every day life to try and make a difference, and the way society influences the actions of people and their relationships. However, no matter what genre is specifically chosen, there will be other genres present that contradict the genre of choice. While the novella shows romanticism, naturalism, and realism, this essay is specifically centered around realism. The ultimate theme in Rebecca Davis’ Life in the Iron Mills is the separation of classes and gender. It is the separation of classes when the people in the

The story begins as many of Joyce’s others, with a sad and dreary town that the narrator describes to the readers. The narrator is revealed to be a little boy,

Realism in literature is basically the successor to romanticism. It first took off and gained footing in 19th century France. The literary style is a more straightforward and realistic style of writing in comparison to romanticism which was all about exaggeration and symbolism. Realism is often interchangeable with naturalism and branches out into regionalism which is interchangeable with local color. This type of writing is responsible for one of the greatest era of literary works.

Realism came about in literary works in the 19th century, and portrayed real life unlike the previous Enlightenment and Romanticism movements prior. Writers and people were sick of the neat, happy stories and endings that were written by the two previous movements, and those people wanted something they could relate to. Because of this, Realistic writers wrote about the boring, ordinary lives that regular folks led and did not sugar-coat anything that occurred but was brutally honest. In the words of Randall Craig, “Realistic writers educate readers, not through humiliation, but by familiarizing them with a re-presented world and enabling them to discover the rules by which it works and to apply them both to the fictional and extra-fictional