Literary Structure of Franz Kafka's 'Metamorphosis'

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

Turning the character into a giant, monstrous insect helps the author demonstrate the situation in which a person becomes absolutely vulnerable, helpless and pathetic. At that very moment of Gregor’s new form the attitude of the family becomes absolutely clear and transparent: everyone feels ashamed and diverted from the personality of Gregor. Betrayal of his mother and his sister is nowhere near what Gregor would have ever imagined. His relationship with his father was rocky. He never expected the mishap to become so realistic and his lift to be so heartbreaking. So the main

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

Kafka’s The Metamorphosis, is the story of Gregor Samsa, a traveling salesman who is responsible for the financial well-being of his entire family, yet experiences an unfortunate metamorphosis into a giant bug. However, while Gregor undergoes a disturbing physical transformation, the family dynamic changes drastically as well. The family’s treatment of Gregor slowly deteriorates from them regarding him as the basis for their financial success and security to regarding him as no more than an extraordinary nuisance that holds them back from a brighter future.

Ralph Freedman’s critical essay titled “Kafka’s Obscurity” on Franz Kafka’s The Metamorphosis delves into the idea that from changes in the protagonist’s physical limitations, familial bonds, and his being “[he] is finally reduced to a mere speck of self-awareness which is ultimately extinguished” (Freedman 131). General questions of “why” and “how” are almost immediately dismissed due to the calm and monotonous tone that Kafka implements throughout the novel. Instead, the reader is encouraged to ponder the consequences of separating one’s mind from their body, in particular, how long can their humanity stay intact when the rest of them is replaced. Freedman reveals the “paradoxical” (Freedman 131) nature of The Metamorphosis in which the demise of one’s life may also be blissful release, especially when the individual in question was arguably inhuman to begin with. The transformation itself is emphasising the character’s current dejection and is highlighted by the transformations mirrored in the family as well.

Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

Turning the character into a giant, monstrous insect helps the author demonstrate the situation in which a person becomes absolutely vulnerable, helpless and pathetic. At that very moment the attitude of the family becomes absolutely clear and transparent: everyone feels ashamed and diverted from the personality of Gregor. Betrayal from his mother and his sister is nowhere near what Gregor would have ever imagined. His relationship with his father was rocky. He never expected this to become so realistic and heartbreaking. So the main question arising in the mind of the reader is: what if sometimes like

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.

The very first line of one of the most famous novellas of the 20th century, Franz Kafka’s Metamorphosis, is puzzling. It tells us that the main character awakes one day and finds himself turned into “ungeheueren Ungeziefer” (Gooderham par. 4). It has proven difficult to translate the line into English, as there is no precise translation. Meaning some “enormous or monstrous kind of unclean vermin” (Gooderham par. 7), it denotes “something nasty, but not specific” (Robertson 2:31). The meaning of the whole story remains similarly uncertain, and numerous readings of it have emerged in literary criticism. In our paper, we will make an attempt to give a possible interpretation of the novella, supporting it with some arguments, and then we will discuss the story’s ambiguity further.

Much of Franz Kafka's story “The Metamorphosis” spends it's time talking about Gregor as he struggles to live his new life as a bug. Gregor tries to find a analytical reason as to why he has taken upon this form but later on finds on that he has to accept the truth. From being an ordinary travel salesman and provider for his family to a abomination, Gregor becomes hopeless as he can't work or provide for his family. His new life as an insect causes a hardship as he is faced with isolation from his family, transformation, and guilt. Gregor discovers himself when he sees how the world looks at him from his transition from a human to an insect. Gregor's death illustrates the cruelty of society and denial of his family when they can't obtain the things they want in life anymore because of his new form.

Prior to his transformation, Gregor’s sense of identity relied on his family’s necessities. Once his father lost his sheer unsuccessful business, “Gregor’s only concern had been to devote everything he had in order to allow his family to forget as quickly as possible the business misfortune which had brought them all into a state of complete hopelessness” (Kafka 35). After this tragic monetary loss, Gregor decides to step in and become a traveling salesman in order to provide for his family financially. Gregor’s simple action to seek and accept his new role as the family’s breadwinner reflects his humble personality. Gregor’s humility can also be seen during the realization stage of his transformation into a giant insect when his only worry at the time is how he will manage to catch the five o’clock train to his job (Kafka 5). However, once his family realizes he has transformed into a hideous bug, they no longer want anything to do with him. Instead, they dehumanize Gregor’s identity by referring to him as “[T]his animal plagues us. It drives away the lodgers, will obviously take over the entire apartment, and leave us to spend the night in the alley” (Kafka 69). By doing so, Gregor begins to lose the identity he had prior to his metamorphosis that relied solely to his family. Similarly, this is a theme that many high school students can relate to. As teenage students are metamorphosing into young adults, they agonize the thought of losing their

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Metamorphoses are a concept commonly used in literature to show a character's profound change. The concept was used in The Metamorphosis by Franz Kafka, which is about a man named Gregor, who woke up one day to find out he had turned into a vermin. Following his discovery, he tried to go to work to support his family, which ended up revealing his new form. Gregor was locked in his room and slowly lost his humanity and connection to his family. Gregor eventually died alone in his room, and his family took it as a chance to restart after they realized they could support themselves without him (Kafka, The Metamorphosis). Within The Metamorphosis there is a prevalent Jewish folklore presence because of Kafka’s interest in the history of