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Literary Techniques In The Most Dangerous Game By Richard Connell

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“I congratulate you, you have won the game.” (36). Richard Connell does a great job in “The Most Dangerous Game”, showing how he can make a story so much more exciting with description and some literary devices. This frightful, yet thrilling story has three very important literary devices such as suspense, imagery, and conflict in it. By utilizing those three literary terms Richard makes a very nail bighting narrative. Winning the game was a direct correlation with sustaining life – his life. First, suspense one of the most annoying yet amazing part of a narrative. Suspense is a state or feeling of excited or anxious uncertainty about what may happen “I will not lose my nerve. I will not.” (32). Suspense plays a huge part in this story. Throughout the whole story suspense is everywhere, …show more content…

Imagery visually descriptive or figurative language, especially in a literary work. Can be gross and dark and also sunny and pretty. It’s something that pleases the senses. “He heard the padding sound of feet on the soft earth, and the night breeze brought him the perfume of the general’s cigarette.” (34). Rainsford was listening using his senses trying to find out where the general was. He heard and also smelled him coming. “Across a cove he could see the gloomy grey stone of the château” (35). Rainsford knew Zaroff was coming for him so he had to run. He looked out over the coast at the shore debating to jump. Finally, conflict. A serious disagreement or argument, typically a protracted one. “You’ll find this game worth playing” (30). In that quote, Zaroff just told Rainsford that he wants to hunt him for fun. A human for fun. “I will not lose my nerve. I will not” (32). This conflict is man vs. self. It’s a conflict that doesn’t per say have to do with another entity or problem, but yourself. Not all conflicts are with humans there are several different ones such as Man vs. nature, man vs. society, and man vs.

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