Anastasiya Balandina #5/Choice Novel Literary Terms irony: The last name Breedlove for Pecola and her family, literally means to breed and love. Meaning to produce love, this is ironic because her family did not bring love to her. foreshadow: "We thought, at that time, that it was because Pecola was having her father's baby that the marigolds did not grow" (Morrison 5). This is saying Pecola is having her father’s baby, foreshadowing her rape. Personification: “Cholly Breedlove is dead; our innocence too" (Morrison 6). This is saying here innocence died. imagery: "...great carloads of slag being dumped, red hot and smoking, into the ravine that skirts the steel mill. The dying fire lights the sky with a dull orange glow" (Morrison 10). …show more content…
Tone: Sympathetic, Poetic Both Claudia and the narrator show sympathy. Claudia wants to show Cholly’s love for Pecola even though he raped her, and the narrator provides Cholly's story to understand why he raped her and how it fit into his life. “Love, thick and dark as Alaga syrup, eased up into that cracked window. I could smell it – taste it – sweet, musty, with an edge of wintergreen in its base – everywhere in that house. It stuck, along with my tongue, to the frosted window panes. It coated my chest, along with the salve, and when the flannel came undone in my sleep, the clear, sharp curves of air outlined its presence in my throat” (Morrison 12). This passage is poetic in that it uses long descriptive passages about love. Hyperbole: "She owned the crack that made her stumble; she owned the clumps of dandelions...owning them made her a part of the world, and the world part of her", (Morrison 47-49). Pecola is exaggerating in the ownership of cracks and dandelions. She's trying to express that she relates to them because they are considered unwanted and that is how she
Other characters in the novel also experience the same kind of dreadful epiphany, even ones with good intentions. In the second paragraph, there is a story within a story that is narrated by Claudia where she and her sister planted seeds in their garden in order to make sure that her baby is safe and healthy. However, this fails, since their seeds didn’t grow and Pecola’s baby died. This led to their realization that their innocence and faith useless against the realities of life,. Additionally, Claudia compares her own predicament to Pecola’s pregnancy, as she and Pecola’s father both planted seeds in their own “black” dirt and both the baby and the seeds perished in the process.
From the day Pecola is introduced to us in the novel, she has been a target for others to dump their “waste” onto her. On page 163, Claudia states, “We were so beautiful when we stood astride her ugliness…”(Morrison
She feels that her skin is ugly and too dark. Based on the color of her skin she feels less than in the eyes of others. Pecola believes she can gain the love and acceptance she wants by having blue eyes like Shirley Temple. Pecola sense of self-worth and her self-image are extremely damaged from the abuse she receives on a constant basis.
Ironically, Pecola is not concerned with her new physical ability to bear children, she is more concerned with Frieda's assurance that she is now ready to find "somebody . . . to love you." (page 32)
Towards the first third of the novel, Pecola goes to buy penny candy from Yacobowski’s Fresh Veg. Meat and Sundries Store. As she is walking to the store she notices the dandelions on the path and
This can be seen toward the end of the novel, on page 199, where, in a conversation between Pecola and a figure of her thoughts, Morrison reveals that Pecola may have been raped twice. “You said he tried to do it to you when you were sleeping on the couch. ‘See there! You don’t even know what you’re talking about. It was when I was washing dishes,’” reads the exchange. These lines also tell the reader that even with this information, Pecola is still internally unsure of what happened herself. Through internal dialogue, her personal insecurities are projected. Dialogue is key in presenting major ideas in the novel.
Throughout the story there is a strong sense of abandonment on Pecola’s part. She is a lonely character that is heavily influenced by society and what it thinks. Pecola is very concerned on meeting the standard in society despite her past life. She is determined but in some respects this is one of the downfalls to her character. "Why, she wonders, do people cal them weeds? She though they were pretty". Mr. Yacobowski humiliates her, and she passes the dandelions and thinks, "They are ugly and they are most definitely weeds". This shows how Pecola can easily be manipulated by others and society. In a sense, Pecola has transferred society’s dislike for her to the dandelions. She cannot accept the fact that she is not wanted. At one point in the story the narrator says, "We tried to see [Pecola] without looking at her, and never went near. Not because she was absurd or repulsive, or because we were frightened, but because we had failed her. Our flowers never grew so we
Pecola Breedlove is strong in some sort of way because she's been through a lot. She has no friends because of how ugly she is and she's been raped by her father. She was abused on many levels, sexually and emotionally. What was considered beautiful not only to Pecola, but almost
“Again, the hatred mixed with tenderness. The hatred would not let him pick her up, the tenderness forced him to cover her.” [This quote represents the emotions that flood through Pecola’s father’s head after he rapes her. Prior to and during raping Pecola, Pecola’s father is enraged with many emotions. These emotions include anger, tenderness and l0ve towards Pecola. This is a significant quote in the novel because this is one of the few parts of where Pecola’s father, Cholly’s, character is shown. This quote reveals Cholly’s character because it shows that the events that happened in his
After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater
In another episode in the novel, when Pecola is on her way to buy her Mary Janes, the reader is able to realize the extent of the impact this idealization had (and still has) on African-American as well as many other cultures. Morrison makes a point to emphasize the fact that this affected everyone in the novel, whether the character admired or despised this ideal. Mrs. Breedlove "passed on" to Pecola the insecurity she had "acquired" throughout her life. Her insecurity and self-hate had been in her since her childhood but it was made worse by her emulating the movie actresses.
She was so sad to see. Grown people looked away; children, those who were not
Pecola evaluated herself ugly, and wanted to have a pair of blue eyes so that every problem could be solved. Pecola was an African-American and lived in a family with problems. Her father ran away because of crime, her brother left because of their fighting parents, and was discriminated simply because she has dark-skin. Pecola is a passive person. She is almost destroyed because of her violent father, Cholly Breedlove, who raped her own daughter after drinking. Because of this, Pecola kept thinking about her goal- to reach the standard of beauty. However, she was never satisfied with it. Pecola believed once she become beautiful, fighting between her parents would no longer happen, her brother would come back, and her father would no long be a rapist. No problem would exist anymore.
Pecola Breedlove is young black girl who believes she is ugly and longs for blue eyes. She believes the blue eyes that she adores on Shirley Temple are central to attaining beauty which will bring love and joy to her life. She believes this beauty and love will end the incessant fighting between
With some background knowledge on Pauline, the mother of Pecola, it’s easier to understand some of Pecola's core traits. There are parallelisms between Pecola and Pauline. They find their reality too harsh to deal with, so they become fixated on one thing that makes them happy, and they ignore everything else. Pecola's desire for blue eyes is more of an inheritance that she received from her mother. One of Pauline’s own obsessions was back when she was fascinated with the world of the big pictures. As long as they can believe in their fantasies, they're willing to sacrifice anything else.