Live Electronics Essay

In chapter five of Nicholas Cooks book, he discusses how music must be represented in terms of performance value and its ability to convey emotions. He talks of how music in Western culture sets out to be conveyed as a performance of a piece and that its hidden meaning is to be conveyed from this performance. He also feels that the meanings of popular music, jazz, non-Western music pieces does depend on how they are performed. Cook believes that both perception and composition are fundamental when dealing with music as they work with each other.

Serialism was greatly influential in post-War music. Serialism was “revolutionary” and declared itself as a “new tonality”. Serialism created an environment where experimentation with sound was at the forefront of composition, which led to increased use of electronics as well as other applications of mathematical notation to composition.

Work in progress turnover is almost 13 times higher than the industry average which could due to the long shipping time of key components from overseas. Expanding Gemini’s Mexico manufacturing facility will not only contribute to cost reduction, but will also reduce the work in progress turnover. Relocating its manufacturing to Mexico will also be supportive for opening Central and South America markets. Mexico is geographically in the middle of the continent and surrounded by oceans. This will benefits for both side on the continent on shipments and also provide a lower labor cost for Gemini. See Table 2 and Table 3.

Music as a Language - Victor Wooten. Perf. Victor Wooten. Youtube. TED-Ed, 13 Aug. 2012. Web.

The first theory of musical ontology, the Platonist view, contends that works of music are objects of eternal abstraction.3 The extreme version of this view is that musical works exist outside of the physical world, and the composer does not necessarily create a piece of music; instead the composer discovers it. Consequently, if all instantiations (i.e. copies, recordings, memories, etc. ) of a work (e.g. Richard Strauss' Til Eulenpiegels Iustige Streiche), were to be destroyed, the actual work would still exist as an “eternal abstract object.”4 Therefore, in the extreme version of the Platonist view, works of music exist independent of our thoughts or perceptions of them (e.g. hearing a song or seeing a performance of the music). In other words the existence of works of music is “independent of humans finding them.”5

The 19th Century saw numerous composers come to light as they made a mark on the art music world. Unknown at the time, they would soon become remembered for their work in decades to come. As music developed thus did the various ways to portray the piece that was being played. One type of art music that emerged at the time was ‘programme music’. It was defined as where the “composer intends to guard the listener against a wrong poetical interpretation” . In other words, it was a way to appropriately persuade an audience of the story with a number of movements. Composer Camille Saint – Saens was one of the many who did this exceptionally well. Throughout his lifetime, 1835 – 1921, he was known to be one of “France’s most gifted musicians” . Several of his works are still used today and have helped encourage many in not only the musical world but outside of it as well.

The creation of the first systems of notations (neumes) solfege was revolutionary for the world of music, but more specifically for Western music and notation; and this can be thanked in part to Guido of Arezzo and predecessors. In Howard Goodall’s Big Bang video, Goodall was able to give extraordinary facts on the history, development, and descriptions that were comprehensive in nature of the incredible ideas of Guido. And without these ideas and application, European music couldn’t begin to flourish and if that didn’t, then music would have to continue to be passed down person to person in an oral tradition; and the world wouldn’t have a system to create complex and sophisticated music. For example, pieces from Mozart, Beethoven, Hayden, and modern music wouldn’t have existed because no one would have known what to write for melody, tone, tempo, feel, and everything else – extremely critical for music today. Besides neumes, we have several lines that have much of significance, i.e. the thin red line, the washing ling effect, and the four line stave. And I will also be covering some other composers, counterpoint, the grapevine effect, and some added comments that reflect on what I just learned; and I hopefully will be able to give analysis to this assignment.

Brian Tyler’s musical concept can be described as a straightforward use of simple themes and triadic harmonies. This score however is somewhat distinctive in that the realization of this musical approach makes use of traditional music accented by synthetic timbres and sounds for the added intensity effect. The combination of these electronic

The music industry is undergoing a massive change, and as a result, musicians and music producers increasingly require skills in a number of different areas in order to succeed. In this assignment I will explain the architecture of a Digital Audio Workstation, music sequencing and available sound sources and the fundamental processes and components of studio recording. By creating a backing track, I will evaluate, experiment and create Musical Instrument Digital Interface (MIDI) sequences with the use of hardware and software.

This idea of interpretation and understanding of music was demonstrated in program music. This was a type of music for which the composer would have prepared an explanation to help the audience understand the meaning. There is no text in the song, but there is a note, or program, to help explain. These programs were a way for composers to connect their music to art, politics, or other aspects of the world around them.

Musical work is a work that is represented or expressed in form of written and verbal notation.

Throughout semester two of Music on the Digital stage, the year 9/10 music class studied a range of digital composition including chance music, musique concrete and digital arrangements on a variety of software. This essay will analyse the compositions effectiveness to portray a specific atmosphere or emotion through the manipulation of musical elements such as pitch, duration, instrumentation and expressive elements.

The role of a musician is to bring to life the notes a composer has transcribed, through the medium of musical performance. However, considering the boundaries of the classical tradition, to what extent can creativity be introduced within this performance? This ongoing debate will be discussed in my essay with reference to Nicholas Cook’s novel, Music: A Very Short Introduction and other sources.

Music has evolved a lot since when it was only orchestral and vocal, but in the past 100 odd years music has really moved on. It has particularly been shaped by technology as it grew more and more advanced. The most recent years of music have made a turn for, what some people would say, the worse, but most people don’t care about the reasons which I will mention below and can still appreciate the music. This essay is going to cover what technology has done to music and how it has created more freedom for most people when making music.

Although important notation devices were introduced to Western Music Notation during the twentieth century [Stone, 1980], Western Music Notation symbols and semantics has remained without significant changes since the Seventeen Century [Treitler, 2011]. Thus, the introduction of any new notational mechanisms must be designed as an organic whole. However, it is important to note here that the scope of this approach is constrained to the semantics domain as in the broad sense the re-interpretation of a musical score into the algorithmic field is radical in nature.